Lulu on the Bridge (1998)
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- PG-13
- 1h 43min
- Drama, Music
- 14 Aug 1998 (Norway)
- Movie
- 2 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Harvey Keitel | ... |
Izzy Maurer
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Richard Edson | ... |
Dave Reilly
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Don Byron | ... |
Tyrone Lord
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Kevin Corrigan | ... |
Man With Gun
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Mira Sorvino | ... |
Celia Burns
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Victor Argo | ... |
Pierre
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Peggy Gormley | ... |
Dr. Fisher
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Harold Perrineau | ... |
Bobby Perez
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Gina Gershon | ... |
Hannah
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Sophie Auster | ... |
Sonia Kleinman
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Vanessa Redgrave | ... |
Catherine Moore
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Mandy Patinkin | ... |
Philip Kleinman
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Greg Johnson | ... |
Stanley Mar
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David Byrne | ... |
'Laughing Man' Escort
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Holly Buczek | ... |
Dying Girl
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Lou Reed | ... |
Not Lou Reed
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Tom Gilroy | ... |
Restaurant Man #1
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Paul Lazar | ... |
Restaurant Man #2
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Michael Cerveris | ... |
Restaurant Man #3
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Slava Schoot | ... |
Russian Thug
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Henry Yuk | ... |
Chinese Thug
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Fred Norris | ... |
German Thug
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Willem Dafoe | ... |
Dr. Van Horn
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Brian McGuinness | ... |
Pursuer #1
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Neil Donovan | ... |
Pursuer #2
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Socorro Santiago | ... |
Paramedic #1
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O.L. Duke | ... |
Paramedic #2
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Rest of cast listed alphabetically: | |||
Dana Lyn Baron | ... |
Nancy (scenesDeleted)
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Cara Buono | ... |
Molly (DVD deleted scene) (uncredited)
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Bryan Carrott | ... |
Musician (uncredited)
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Stockard Channing | ... |
Celia's Agent (uncredited) (voice)
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Giancarlo Esposito | ... |
Black (DVD deleted scene) (uncredited)
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Jared Harris | ... |
Alvin Shine (DVD deleted scene) (uncredited)
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Geraldine Scalia | ... |
Friend (uncredited)
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Karen Sillas | ... |
Candy (DVD deleted scene) (uncredited)
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Josef Sommer | ... |
Peter Shine (DVD deleted scene) (uncredited)
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Nick Stellate | ... |
Bartender (uncredited)
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Directed by
Paul Auster |
Written by
Paul Auster | ... | (written by) |
Produced by
Jane Barclay | ... | executive producer |
Melissa Chesman | ... | associate producer |
Ira Deutchman | ... | executive producer |
Sharon Harel | ... | executive producer |
Greg Johnson | ... | producer |
Amy J. Kaufman | ... | producer |
Peter Newman | ... | producer |
Music by
John Lurie | ||
Graeme Revell |
Cinematography by
Alik Sakharov |
Editing by
Tim Squyres |
Editorial Department
Tom Cross | ... | second assistant editor |
Susan Littenberg | ... | first assistant editor |
Shelby Siegel | ... | apprentice editor |
Patricia Sztaba | ... | negative matcher |
Stan Sztaba | ... | negative matcher |
Shelly Westerman | ... | apprentice editor |
Charles Herzfeld | ... | film lab coordinator (uncredited) |
Casting By
Ann Goulder | ||
Heidi Levitt |
Production Design by
Kalina Ivanov |
Art Direction by
Ed Check |
Costume Design by
Adelle Lutz |
Makeup Department
Leslie Fuller | ... | makeup department head |
Production Management
John McDonnell | ... | production manager |
Yael Melamede | ... | post-production supervisor |
Jennifer Roth | ... | unit production manager |
Second Unit Director or Assistant Director
Jeffrey T. Bernstein | ... | second assistant director |
Joan G. Bostwick | ... | second second assistant director |
Bailey Marks | ... | trainee assistant director |
Robert E. Warren | ... | first assistant director |
Art Department
James Bono | ... | assistant property master |
Roburta Burroughs | ... | art department intern |
Lauren Doner | ... | scenic artist |
Janene Higgins | ... | graphic designer |
Wayne T. Leonard | ... | props assistant |
Jeff Mazzola | ... | property master |
Phil Saccio | ... | set dresser |
Nicole Stiegelbauer | ... | scenic shop person (as nicole Stiegelbauer) |
Sound Department
Michael Barosky | ... | sound |
Benjamin Cheah | ... | foley supervisor |
Marko A. Costanzo | ... | foley artist |
Lewis Goldstein | ... | sound effects editor |
Sean Huff | ... | assistant sound editor |
Hal Levinsohn | ... | adr editor |
Eddie Quinn | ... | boom operator: Dublin |
Will Ralston | ... | foley editor (as Jennifer Ralston) |
Nicholas Renbeck | ... | dialogue editor |
Reilly Steele | ... | re-recording mixer |
Philip Stockton | ... | supervising sound editor |
Brian Williams | ... | sound designer |
Jerry Yuen | ... | utility sound |
Special Effects by
Paul Camarro | ... | on set dresser |
Peter Kunz | ... | special effects |
Bill Traynor | ... | special effects |
Visual Effects by
Fritz Archer | ... | digital effects editor |
Jennifer Basnyat | ... | title designer |
Scott Dougherty | ... | digital effects producer: Cinesite |
Tanya Doyle | ... | visual effects production assistant |
Michael Eringis | ... | digital effects artist |
Michael Feder | ... | digital effects coordinator |
Jesse Hollander | ... | digital effects artist |
Mitch Kopelman | ... | digital effects supervisor |
Vincent Lavares | ... | technical assistant supervisor: Cinesite |
Christopher Scollard | ... | digital effects producer |
John Siczewicz | ... | senior digital artist: Blue Sky Studios |
Tim Speltz | ... | technical assistant |
Leon Xiao | ... | chief systems administrator |
Tiffany Smith Llorens | ... | visual effects production coordinator: Cinesite (uncredited) |
Stunts
Joe Condren | ... | stunts |
Tony Condren | ... | stunt safety (as Anthony Condren) |
Camera and Electrical Department
Gregory Steven Abbott | ... | grip |
Alan Butler | ... | focus puller |
Darryl Byrne | ... | clapper loader dailies |
Brian Carmichael | ... | video operator |
Andy Day | ... | gaffer |
Brant S. Fagan | ... | steadicam operator |
Michael Fradianni | ... | generator operator |
Abbot Genser | ... | still photographer |
David Grennan | ... | clapper loader |
Lukasz Jogalla | ... | camera operator: "a" camera |
Jamie A. Marlowe | ... | assistant camera |
Rick Marroquin | ... | dolly grip |
James McMillan | ... | key grip |
Rick Raphael | ... | steadicam operator |
Patrick Redmond | ... | still photographer: Dublin |
Gerard Sava | ... | assistant camera |
Casting Department
David H. Kramer | ... | adr voice casting |
Rebecca L. Murray | ... | casting assistant |
Costume and Wardrobe Department
Mark Burchard | ... | wardrobe supervisor |
Tim McKelvey | ... | key costumer |
Location Management
Damon Michael Gordon | ... | location scout |
Ernie Karpeles | ... | location assistant |
Lauri Pitkus | ... | location manager |
Carla Raij | ... | assistant location manager |
Music Department
Susan Jacobs | ... | music supervisor |
Ashley Revell | ... | music editor |
Brian Williams | ... | music designer |
Additional Crew
Naoise Barry | ... | co-location manager: Ireland |
Suzo Barzman | ... | assistant: Ms. Sorvino |
Andrea F. Cannistraci | ... | legal services |
Larry Donahue | ... | chef |
Lori Keith Douglas | ... | production coordinator |
Betsy Friedman | ... | production assistant |
Ernie Karpeles | ... | location assistant |
Steve Kornacki | ... | assistant production coordinator |
Jesse Nye | ... | production assistant |
Peggy Robinson | ... | production assistant |
Eric Yellin | ... | key production assistant |
Ante Novakovic | ... | assistant: Harvey Keitel (uncredited) |
Denis O'Sullivan | ... | assistant: Harvey Keitel (uncredited) |
Thanks
Juliette Binoche | ... | thanks |
Production Companies
Distributors
- Atalanta Filmes (1999) (Portugal) (theatrical)
- BIM Distribuzione (1999) (Italy) (theatrical)
- José Frade Producciones Cinematográficas S.A. (1998) (Spain) (theatrical)
- Pyramide Distribution (1998) (France) (theatrical)
- TOBIS Film (1999) (Germany) (theatrical)
- 2 Entertain Video (2006) (United Kingdom) (DVD)
- Aquarius TV (2009) (Greece) (tv)
- Aventi (2007) (France) (DVD)
- Dutch FilmWorks (DFW) (2006) (Netherlands) (DVD)
- Glowing Stone Productions Inc.
- Leone Film Group (2013) (Italy)
- Lider Films (1999) (Argentina)
- Madman Entertainment (2004) (Australia) (DVD)
- Top Tape (Brazil) (VHS)
- Transeuropa Video Entertainment (TVE) (1999) (Argentina) (VHS)
- Trimark Home Video (1999) (United States) (DVD) (VHS)
- Universum Film (UFA) (2000) (Germany) (VHS)
- Universum Film (UFA) (2009) (Germany) (DVD)
- VideoVisa (2000) (Mexico) (VHS)
Special Effects
Other Companies
- Film Finances (completion guarantor)
- Jeremy Walker + Associates (publicity)
Storyline
Plot Summary |
While playing saxophone in a jazz club, Izzy Maurer is shot into the chest by a lunatic. He is submitted to a long surgery, where he loses one lung and has a problem in one hand. When the hospital releases him, he is depressed and does not want to have contact with any telephone caller. His ex-wife Hannah visits him and invites Izzy to have dinner with her husband that is his friend, the producer Philip Kleinman, and the former actress and now director Catherine Moore. During the dinner party, he learns that Philip and Catherine intend to remake "The Pandora Box" in Dublin. While walking back home, Izzy sees a dead man with a bullet into his forehead and a briefcase on the floor of the alley. He brings home and finds the name of the victim (Stanley Mar), a telephone number in a napkin and a strange piece of rock inside the briefcase. Meanwhile, the waitress and wannabe actress Celia Burns discusses with her boss Pierre about the sad fate of Izzy Maurer. When she goes home, she buys a CD from the musician, and while listening to his songs, she receives a phone call from Izzy, asking to go to her place. She receives him and he asks who Stanley Mar is, and soon he shows the rock he found floating and glowing. She tells him that he was a client that invited her to a drink after-hours, and they immediately fall in love with each other. Celia is selected to play Lulu role in the remake and needs to fly to Dublin to shoot, while Izzy stores his belongings before meeting her. But something happens to him and he cannot meet his beloved Celia. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
Plot Keywords | |
Taglines | ¿Qué desearías para el último día de tu vida? (Mexico) See more » |
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Parents Guide | Add content advisory for parents » |
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Did You Know?
Trivia | At one point, Dr. Van Horn (Willem Dafoe) writes on a scrap of paper: "Celia - s 'il y a". This pun was based on a similarity between a girl's name and a phrase in French meaning "if there is". It is a direct reference to Samuel Beckett's novel "Murphy" (1938): Celia, lover of an eponymous character, has an uncle, Mr. Willoughby Kelly, who comes up with this piece of bilingual wordplay. Paul Auster has consistently acknowledged Beckett's influence on his own oeuvre. See more » |
Goofs | When Izzy is at Celia's apartment for the first time and closes the curtains to make it dark, there is a lot of light coming in even with the curtains closed. When they turn the lights off, the room is very dark. See more » |
Movie Connections | Edited into Gene Kelly: Anatomy of a Dancer (2002). See more » |
Quotes |
Hannah:
You still don't know who I am, do you? After all these years, you still don't have a clue. See more » |