Directed by
Christopher Scott Cherot | ... | (directed by) |
Writing Credits
Christopher Scott Cherot | ... | (written by) |
Cast (in credits order)
Produced by
Paul C. Arianas | ... | post production supervision |
Christopher Scott Cherot | ... | producer (as Chris Cherot) (produced by) |
S.J. Cherot | ... | executive producer |
Bridget D. Davis | ... | executive producer |
Kenneth 'Babyface' Edmonds | ... | executive producer |
Tracey E. Edmonds | ... | executive producer |
Robyn M. Greene | ... | producer (produced by) |
Dana Offenbach | ... | co-producer |
Music by
Lisa Coleman | ... | (music by) |
Wendy Melvoin | ... | (music by) |
Cinematography by
Henry Adebonojo | ... | director of photography |
Kerwin DeVonish | ... | director of photography |
Editing by
Christopher Scott Cherot | ... | (edited by) |
Dan Edelstein | ... | conform editor |
Production Design by
Max Biscoe |
Makeup Department
Romell Duresseau | ... | assistant hair and make-up |
Joseph Farulla | ... | prosthetic teeth by |
Christina G. Miller | ... | hair & make up / hair: make-up & wardrobe |
Rick Crane | ... | key special makeup effects (uncredited) |
Production Management
Paul C. Arianas | ... | post-production supervisor |
G. Carleton Henrich | ... | production manager |
Second Unit Director or Assistant Director
J. Yahya Lyons | ... | assistant director |
Paula Gene Reese | ... | first assistant director / second assistant director |
Traci Runcie Williams | ... | second assistant director (as Tracie Runcie) |
Art Department
Wanda Candelario | ... | art production assistant |
Sound Department
Bram Baouh | ... | boom operator |
Michael Britto | ... | sound mixer |
Damian Canelos | ... | location sound mix |
John Carbonara | ... | assistant sound editor |
Tim J. Carroll | ... | dolby sound consultant |
Pam DeMetruis-Thomas | ... | sound editor |
George A. Lara | ... | foley mixer |
Kevin Lee | ... | co-supervising sound editor / supervising sound editor |
Jamie Lowry | ... | assistant sound editor |
Bill Markle | ... | audio post production |
Harry Peck Bolles | ... | co-supervising sound editor (as Harry Bolles) |
Jose Perez | ... | boom operator |
Ulysses Rivers | ... | apprentice sound editor |
David Rovin | ... | audio confirmation (as Dave Rovin) |
Daychia Sledge | ... | sound consultant |
Matthew Spain | ... | boom operator |
Matthew Spain | ... | sound mixer |
Brian Vancho | ... | foley artist |
Peter Wagner | ... | re-recording mixer |
Camera and Electrical Department
Mark Banning | ... | assistant camera |
Bliss Bussant | ... | second assistant camera |
Jamil Cadogan | ... | grip |
Maria Calvaruso | ... | second assistant camera |
Philippe Casseus | ... | best boy grip |
Bill Gorman | ... | best boy electric 2nd unit |
Michael Green | ... | gaffer |
David Kaufmann | ... | third electric |
Jeffery Keaton | ... | electric |
Fred Nielsen | ... | first assistant camera |
Steven C. O'Neill | ... | grip / third grip (as Steve O'Neill) |
Peter Vietro-Hannum | ... | key grip |
Jeff Wertz | ... | gaffer |
Bilal I. Wilson | ... | second assistant camera (as Bilal Wilson) |
Casting Department
Rori Floyd-Everest | ... | talent coordinator |
Traci Runcie Williams | ... | casting coordinator (as Traci Runcie) |
Editorial Department
Ed Beyer | ... | color timer |
Elliott Gamson | ... | negative cutter |
Karen McMullen | ... | ADR Editor |
Cathy Rait | ... | color timer (as Catherine Rait) |
Richard Skeete | ... | optical print supervisor |
Michael Yetter | ... | negative cutter (uncredited) |
Location Management
Tauhid Hakein | ... | location manager |
Music Department
Teddy Alexander Bishop | ... | music producer |
Tracey E. Edmonds | ... | music supervisor |
Michael McQuarn | ... | music supervisor |
Ty Swaggalee Scott | ... | music department |
Script and Continuity Department
H.H. Cooper | ... | set supervisor |
Additional Crew
Steven Alexander | ... | production assistant |
Habibah Ali | ... | production assistant |
Arnold Bayley | ... | production assistant |
Jackie Bazan | ... | publicist |
Kent Blocher | ... | avid assistant |
Tracey Bostic | ... | production assistant |
Wanda Candelario | ... | production assistant |
Oveta Clinton | ... | craft service production assistant |
Heidi Clyde | ... | production assistant |
Mekita Coe | ... | production assistant |
Beth Cohen | ... | gun for hire |
Pam DeMetruis-Thomas | ... | effects editor (as Pam DeMetruis) |
Jacqueline Kelly | ... | cast payroll |
Denise Neal | ... | talent production assistant |
John Ortiz | ... | production assistant |
Janos Pilenyi | ... | additional opticals |
Damon Skinner | ... | conform assistant |
Lisa Treadwell | ... | production assistant |
Julio Yurnet | ... | production assistant / swing |
Thanks
Diane Barone | ... | thanks to |
Ralph Barone | ... | thanks to |
Spencer Baumgarten | ... | thanks to |
Lisa Davis | ... | thanks to |
Cassian Elwes | ... | thanks to |
Michael Gruber | ... | thanks to |
Hercules Harris | ... | thanks to (as Sir Hercules Harris) |
Mike Iserman | ... | thanks to |
Melvin James | ... | special thanks |
Charles Kiyoshi Jones | ... | In Loving Memory |
k.d. lang | ... | thanks to |
Kelley Lee | ... | thanks to |
Isaac B. Marten | ... | thanks to |
Marco Materassi | ... | thanks to |
Hutson Miller | ... | thanks to |
Robi Reed | ... | thanks to |
John Rogers | ... | thanks to |
Haviland Savage | ... | thanks to (as The Real Havilland Savage) |
Vincent St. Vincent | ... | thanks to |
Bob Weinstein | ... | thanks to |
Lowell Williams | ... | thanks to |