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Mad scientist uses mind control to pursue roughie bondage.
This effort by Jason Whitman manages to get some of his lesser-known stars, Lana Ryan and Toni Stern, normally used for magazines and loops, into a talkie, as well as featuring regulars Georgia van Helsing and Sharon Montgomery, star of the legendary loop, Sign!, found in Bondage Classics 10.
GvH (Dr. Wier) is a mad scientist in competition with a Dr. Edwards to develop a mind-control device that reduces a person to someone without a mind of their own, open to any suggestion given by a controller following the sound of the password: P***y, pretty, p***y. What all that has to do with roughie bondage might not be clear, but Whitman quickly clears it up for us.
Montgomery (Sally), who wears only thigh-high boots and a leather waist-cincher throughout the picture, is Dr. Wier's test subject. The machine works. The maid, Tammy Twitchell (Lana Ryan), gets snoopy and discovers Sally standing, uncomprehending, in a spread-eagle pose, but is discovered herself by Dr. Wier and becomes similarly strung up wearing not much. Tammy's friend Kate (Toni Stern) shows up looking for Tammy and, wouldn't you know, she ends up helpless in her skimpy undies, too. There's whipping mixed in liberally, because that's just how it goes in the Wier laboratory. After a while of all that, Dr. Edwards shows up and rescues everyone, letting them give Dr. Wier a taste of her own medicine. The movie closes with Dr. Wier in ropes, the rest of the ladies wearing only their tiniest, Dr. Edwards smiling, and that's a happy ending for a House of Milan movie, I suppose.
Unfortunately, Whitman's work here falls below his usual standards. The positions he typically puts his models into enhance their figures and beauty, adding to the allure of their plight, but not here. It's just women in ropes, mainly suspension, done without much imagination except in a few minor cases. The set pieces are perfunctory. This is not one of Whitman's better outings, but that doesn't means his fans won't like it. Recommended, but if you're starting out with him, see Curiosity Excited the Kat first.
GvH (Dr. Wier) is a mad scientist in competition with a Dr. Edwards to develop a mind-control device that reduces a person to someone without a mind of their own, open to any suggestion given by a controller following the sound of the password: P***y, pretty, p***y. What all that has to do with roughie bondage might not be clear, but Whitman quickly clears it up for us.
Montgomery (Sally), who wears only thigh-high boots and a leather waist-cincher throughout the picture, is Dr. Wier's test subject. The machine works. The maid, Tammy Twitchell (Lana Ryan), gets snoopy and discovers Sally standing, uncomprehending, in a spread-eagle pose, but is discovered herself by Dr. Wier and becomes similarly strung up wearing not much. Tammy's friend Kate (Toni Stern) shows up looking for Tammy and, wouldn't you know, she ends up helpless in her skimpy undies, too. There's whipping mixed in liberally, because that's just how it goes in the Wier laboratory. After a while of all that, Dr. Edwards shows up and rescues everyone, letting them give Dr. Wier a taste of her own medicine. The movie closes with Dr. Wier in ropes, the rest of the ladies wearing only their tiniest, Dr. Edwards smiling, and that's a happy ending for a House of Milan movie, I suppose.
Unfortunately, Whitman's work here falls below his usual standards. The positions he typically puts his models into enhance their figures and beauty, adding to the allure of their plight, but not here. It's just women in ropes, mainly suspension, done without much imagination except in a few minor cases. The set pieces are perfunctory. This is not one of Whitman's better outings, but that doesn't means his fans won't like it. Recommended, but if you're starting out with him, see Curiosity Excited the Kat first.
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- olp-15-614389
- Feb 6, 2012
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