Miroir (1947) Poster

(1947)

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7/10
entertaining gangster movie
myriamlenys2 April 2020
Warning: Spoilers
A grey-haired gentleman seems a model citizen : his colleagues and fellow businessmen admire his vision and enterprise, his neighbours laud his probity and the Catholic Church thanks him for his many good works. By night, however, this fine citizen evolves against a background of nightclubs, gambling dens, watering holes for criminals. Intelligent, cynical and resourceful, he controls his various victims and contacts by a combination of carrots and sticks. But will he be able to keep up appearances forever ?

"Mirror" is a well-made gangster movie with a considerable satirical bite. There's a lot of good acting to be enjoyed, but it's Jean Gabin who steals the show, with an enormously charismatic performance. Talk about star quality ! Let him walk into a room, and all eyes will follow him.

Much attention has been paid to the sets and props, and the music is quite good. It all works up to a striking finale, with a giant shoot-out between the graves and crosses of a graveyard. And the final touch, while perhaps too fanciful, will stick in the memory.

For viewers and reviewers who like to play at "contrast and compare" : the movie treats some of the same themes as the "Godfather" trilogy. (Sadly it is not quite up to the same iconic level, although it's certainly enjoyable.) For instance, here too you get a professional gangster who likes to pose as a prosperous, hard-working pater familias and a faithful member of the Church. Note the differences in style and approach...
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Tu Quoque Fili
dbdumonteil1 June 2009
There are many different people, Livin' double lives. One for the office, And one that they take home to their wives (Ray Davies,"Yo -yo" )

A wealthy bourgeois (Gabin) lives doubles lives ,but the first one does not take place in an office: he 's doing very illicit things involving clandestine dives and traffic .He gives to the poor,he helps the nuns to restore their cloister,he is a model to his son (Daniel Gelin),and every diner shows the perfect family (in spite of a bossy mother-in-law,masterfully portrayed by Gabrielle Dorziat),there's not one well-mannered well-meaning person in town who doesn't praise Monsieur Lussac,a well-respected man.

The problem in this film noir is that too much time is given over to the "Mister Hyde " scenes .As they are routine gangsters stuff,they throw the movie off balance .In consequence ,the movie really takes off in the last third ,when the two worlds collide.The most memorable sequences are to be found in it:

-the wedding,when the priest praises Monsieur Lussac ,almost comparing him to a saint.

-the meeting with the man who "did not inform against him " twenty years ago ;which explains the "1935" at the beginning of the movie and the rather clumsy flashback.

-the gangland killing in a cemetery which defies realism,and the hero who falls into the grave.

The best of this uneven thriller is the way the director depicts the rats leaving the sinking ship: "good" people or villains,it's the same The son 's attitude is revealing:his career,his wife and his name are more important than a man who made him a respectable man,a lawyer.To know that he is not his real father makes him feel an immense sense of relief.He leaves him without a single world of compassion and of gratefulness.

This is exactly the thing his old accomplice can't forgive him:" I'm an anarchist,I'm against the establishment,and you've made my son one of "them" ,one of those "bourgeois" we hated when we were young.
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