Idioterne (1998)

Note des utilisateurs:

6.7/10   

Scénariste:

Lars von Trier (writer)

Release Date:

20 mai 1998 (Belgium)

Genre:

Comedie | Drame

Accroche:

Society is the mother of all Idiots

Plot:

The group of people gather at the house in Copenhagen suburb to break all the limitations and to bring out the "inner idiot" in themselves.

Plot Keywords:

Cult | Community | Public Nudity | Disturbing | Male Frontal Nudity

Awards:

5 wins & 4 nominations

Avis des utilisateurs:

A stone in Your Shoe

Ensemble

Bodil Jørgensen	...	Karen
Jens Albinus	...	Stoffer
Anne Louise Hassing	...	Susanne
Troels Lyby	...	Henrik
Nikolaj Lie Kaas	...	Jeppe
Louise Mieritz	...	Josephine
Henrik Prip	...	Ped
Luis Mesonero	...	Miguel
Knud Romer Jørgensen	...	Axel
Trine Michelsen	...	Nana
Anne-Grethe Bjarup Riis	...	Katrine
Paprika Steen	...	High Class Lady
Erik Wedersøe	...	Stoffer's Uncle
Michael Moritzen	...	Man From Municipality
Anders Hove	...	Josephine's Father

Autre(s) titre(s):

Dogma 2: 'The Idiots' (International: English title) (complete title)
Dogma 95 - Idioterne
Dogme # 2 - Idioterne (Denmark) (series title)
Dogme 2 (Denmark)
Idioterna (Sweden)
Idioti (Italy)
Les idiots (France)
The Idiots (International: English title)
Les idiots (Canada: French title) [fr]

MPAA:

Rated R for strong sexuality and nudity, and for language.

Durée:

117 min | South Korea:110 min (cut)

Pays:

Denmark | Sweden | France | Netherlands | Italy

Langue:

Danois

Couleur:

Couleur

Aspect Ratio:

1.37 : 1

Son:

Dolby

Classification:

Iceland:14 | Iceland:16 (video rating) | France:-12 (original rating) | Singapore:R(A) (cut) | Canada:18A (Canadian Home Video rating) | Argentina:18 | Australia:R | Chile:18 | Finland:K-16 | Germany:16 | Hong Kong:III | Ireland:(Banned) | Italy:T (cut) | Italy:VM14 | New Zealand:R18 | Norway:18 | Portugal:M/16 | South Korea:(Banned) (original rating) | South Korea:18 (re-rating) (cut) | Spain:18 | Sweden:15 | Switzerland:18 (canton of Geneva) | Switzerland:18 (canton of Vaud) | UK:18 | USA:R (cut)

Emplacements De Pelliculage:

Søllerød, Sjælland, Denmark

Company:

Zentropa Entertainments

Anecdotes:

Part of the Canon of Danish Art and Culture.

Goofs:

Incorrectly regarded as goofs: This is a film that adheres to the 'Dogme 95' manifesto, so the usual goof rules do not necessarily apply. This includes shots of the crew, microphones and other equipment, as well as continuity errors.

Guillemet:

[at Stoffer's birthday party]
Susanne: I think Stoffer should choose what we do next. Because it's his party.
Stoffer: Gang bang.
Susanne: No, listen, we've got picture lotto, spin the bottle...
Stoffer: Gang bang.
Nana: Count me in. Gang bang! Gang bang!

Movie Connections:

Featured in Anecdotes from 'Europa' (2005) (V)

Soundtrack:

Vi Er Dem De Andre Ikke Må lege Med

A stone in Your Shoe

In Epidemic, one of his previous films, Lars von Trier noted that "a film must be like a stone in the shoe". Eleven years after Epidemic, Lars von Trier is famous, his budgets grew larger and so do the stones he puts in the spectators shoes. No, reality is never what you think it is. It stops moving when you expect it to rush, and than it rushes in a way that makes you dizzy. People that you considered to be serious collapse when it comes to testing their intentions in reality, and people that you never took a note of will prove to be the real heroes of life. At the same time Lars von Trier and his excellent actor ensemble try to explain why (non violent) social experiments always fail, in spite of what we learn at school and watch on TV. They fail for three main reasons. First, the intentions of the hardcore of every movement of this kind are different that the ones they declare on. Second, the few who take a social project seriously will remain outside the hardcore group in a lonely, non-influential position. And third: the external conditions for running an experiment of this kind are such, that it's impact is limited up front to zero, often without the acting persons realize it. A brilliant movie of a brilliant filmmaker, who revolutionized the cinema in the last generation. A must for every thinking person.