Yeshou xingjing (1998)

Réalisateurs:

Gordon Chan
Dante Lam

Scénaristes:

Gordon Chan (writer)
Hing-Ka Chan (writer)

Date de sortie:

9 avril 1998 (Hong Kong)

Genre:

Action | Crime | Drame | Mystère

Intrigue:

One of the most universally acclaimed motion pictures in the history of Hong Kong cinema. Acclaimed director Gordon Chan ("Fist Of Legend"...

Plot Keywords:

Martial Arts | Police

Récompenses:

9 wins & 3 nominations

Avis des utilisateurs:

Sophisticated Hong Kong Action/Drama

Ensemble

Anthony Wong Chau-Sang	...	Tung
Michael Wong	...	Michael Cheung
Stephanie Che	...	Yee
Kathy Chow	...	Yoyo
Sam Lee	...	Skinny Sam
Patrick Tam	...	Pushy Pin
Roy Cheung	...	Brother Fai
Arthur Wong	...	Tai Ge
Sammuel Leung	...	Paul
Kong Kim	...	Kai
reste de la distribution par ordre alphabétique:
Gary Mak	...	Man with hostage

Autre(s) titre(s):

Beast Cop
Beast Cops

Durée:

110 min

Pays:

Hong Kong

Langue:

Cantonais

Couleur:

Couleur

Rapport de forme:

1,85 : 1

Son:

Dolby Digital

Classification:

Australia:MA | New Zealand:R18 | Hong Kong:IIB | Ireland:18 | Netherlands:16 | UK:18

Lieux de tournage:

Hong Kong, China

Société:

Media Asia Films

Sophisticated Hong Kong Action/Drama

A cops-n-robbers movie, but not at all typical. An interesting departure from the stylized violence of classic HK movies, such as those directed by John Woo. Despite the chaos of those movies, there was always something "neat" and organized about the action, a choreography. Kind of like a fireworks display. As exuberant and fun as that style is, Beast Cops is an example of a new sort of HK cinema.

And it's a bit messy. Even the characters are somewhat sloppy; spitting on sidewalks, flinging beer cans in the backseat, etc. No one in this movie looks particularly dashing.

Even the violence is messy. For some reason, guns are seldom used, and most of the damage is caused by beating people with sticks or stabbing them with knives. And the knives aren't even cool-looking, they look like kitchen cleavers. So there's a more "hands-on" and labored feeling about the violence as opposed to the more effortless killing accomplished by guns.

But the slapdash feel and somewhat primitive action actually amounts to a very purposeful sophistication and insight about the characters. All the characters are realistically flawed, and the emotions feel genuine. The usual conflicts of loyalty/betrayal and the notion of brotherhood are all addressed, but the outcome is not formulaic or predictable.

Over all, this is a very well-made movie. The acting is first-rate, with Anthony Wong (as Tung) being especially good, as his character spans a confident wise-ass, a dejected lover, a ballsy hero, to a full-on psycho. Instead of a fireworks display, this movie is more like abstract art - a whole different kind of pleasure.