| Videos (see all 3 NOUVEAU) |
| Charlotte Laurier | ... | Laurie | |
| Dino Tavarone | ... | Lorenzo | |
| Jonathan Bolduc | ... | Jeune Lorenzo | |
| Suzanne Clément | ... | La Bella | |
| Yves Pelletier | ... | Steff | |
| Louise Forestier | ... | Mere de Laurie | |
| André Brassard | ... | Gasket | |
| Pascal Auclair | ... | Lebland | |
| JiCi Lauzon | ... | Willie | |
| France Galarneau | ... | Marcia | |
| Alexis Belec | ... | Tom | |
| Jude-Antoine Jarda | ... | Grolo | |
| Marie-Hélène Gagnon | ... | Mme Blackburn | |
| Ginette Boivin | ... | Receptionniste #1 | |
| Mireille Naggar | ... | Receptionniste #2 | |
| Sylvie Ferlatte | ... | Receptionniste #3 | |
| Louise Deslières | ... | Receptionniste #4 | |
| Roger Larue | ... | Homme dans l'ascenieur | |
| Denis Trudel | ... | Acheteur | |
| Gilbert Turp | ... | Client Presse | |
| Marco Valeriani | ... | Jeune Italien | |
| Maxim Gaudette | ... | Ex-amant | |
| Vicky Letourneau | ... | Ex-amante | |
| Carl Alacchi | ... | Entraineur Italien | |
| Sylvie Potvin | ... | Serveuse snack-bar | |
| Steve Belisle | ... | Jeune Micano | |
| Marie-Hélène Montpetit | ... | Femme a la dicapotable | |
| Arto Paragamian | ... | Organisteur course messagers | |
| Jean Desautels | ... | Commentateur course chevaux | |
| Allan Bishop | ... | Commentateur course Mammoth | |
| Bertrand Roy | ... | Voix animateur tele | |
| Stéphane Lefebvre | ... | Coordinnateur de cascades et chauffeur | |
| Michael Scherer | ... | Cascade taxi #1 | |
| John Walsh | ... | Cascade taxi #2 | |
| Nathalie Girard | ... | Cascades Laurie | |
| Marc Désourdy | ... | Doubluer Lebland / Willie | |
| Stephanie Gagnon | ... | Pians supplementaires vile Laurie | |
| John Pellegrino | ... | Messager | |
| Pascale Dion | ... | Messager | |
| Stephanie Demers-Langlois | ... | Allison | |
| Janine Theriault | ... | Chris | |
| Stephanie Morgenstern | ... | Sugrun | |
| Lorne Brass | ... | Manager Team GT | |
| Todd Toth | ... | Assistant manager | |
| Jessica Mackenzie | ... | Jeune recrut | |
| Mercedes Gonzáles | ... | Doublure course |
Réalisé par | |||
| Manon Briand | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Manon Briand | writer | |
Produit par | |||
| Roger Frappier | .... | producer | |
Musique originale | |||
| Dominique Grand | |||
| Sylvain-Charles Grand | |||
Image | |||
| Louise Archambault | |||
| Pierre Crépô | |||
| James Gray | |||
Montage | |||
| Richard Comeau | |||
Distribution des rôles | |||
| Lucie Robitaille | |||
Direction artistique | |||
| Pierre Allard | |||
Création des costumes | |||
| Suzanne Harel | |||
Directeur de production | |||
| Karl Archambault | .... | unit manager | |
| Sylvie De Grandpré | .... | production manager | |
Assistant réalisateur | |||
| Maïté Sarthou | .... | assistant director | |
Technicien du son | |||
| Yvon Benoît | .... | sound | |
| Louis Hone | .... | sound | |
| Tchae Measroch | .... | foley assistant | |
| Martin Pinsonnault | .... | sound | |
| Marcel Pothier | .... | supervising sound editor | |
| Hans Peter Strobl | .... | sound | |
Effets spéciaux | |||
| Martin Williams | .... | special effects technician | |
Visual Effects | |||
| François Aubry | .... | visual effects supervisor | |
Cascadeur | |||
| Stéphane Lefebvre | .... | stunt coordinator | |
Caméra et Département Electrique | |||
| Martine Leclerc | .... | focus puller | |
| Michel St. Martin | .... | grip | |
Département Costume et garde-Robe | |||
| Brunhilde Pradier | .... | head dresser | |
Divers | |||
| Daniel Boudreau | .... | production assistant | |
| Luc Bouthillier | .... | production assistant | |
| Robert Gray | .... | subtitler | |
| Andrée Roy | .... | production assistant (as Andree Roy) | |
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| Around the World in Eighty Days | Tokyo Cowboy | Feast of Love | High School Musical 2 | Rushmore |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Comedie section | IMDb Canada section | Add this title to MyMovies |
Laurie (Charlotte Laurier) is a downhill bike racer whose first grey hair is accompanied by a two-second hesitation at the start of a race that convinces her boss that, at twenty-eight, she is too old for the sport. "When bikers get old they start to think," he tells her as her imaginary self throttles the excitable young girl already drafted in to take her place. Laurie moves in with her brother and finds work as a bicycle courier so that she can continue riding her bike while earning enough to pay her share of the rent. She also meets Lorenzo (Dino Taverone), the gruff, unfriendly proprietor of a bicycle repair shop and a one-time road racer. At first they share an adversarial relationship, but eventually Lorenzo's heart begins to thaw and they enjoy a close friendship
For such a slight story it is to 2 Seconds credit that it is quite an enjoyable time-filler, although it never manages to constantly hit that mix of humour and winning sentiment for which it so clearly strives. Manon Briand's quirky direction beguiles and annoys in equal measure as he sometimes struggles to find interesting ways to show people riding bikes, then hits imaginative heights with a housefly's POV shot of Laurie in the bath just before it fries itself on a light bulb. Much of the film comes across as a bunch of personal anecdotes from a real-life bicycle courier that have simply been thrown at the screen to see how they play, but this is OK because they add those little background details that are so often missing from movies. While some of the anecdotes are too lightweight, others work surprisingly well.
The gamine Laurier gives an engaging performance as Laurie, whose waif-like features belie an underlying strength of character that eventually wins over the blunt Lorenzo. Tavarone is also good, and the mismatched pair work surprisingly well together as their mutual enmity is gradually transformed into a warm friendship. His key reminiscence over the girl he let slip away has echoes of the 'girl in the white dress' story from Citizen Kane, but is a sweet tale that will touch a nerve with most people. The only major weak point of the film is the ending, which feels too rushed and unconvincing to evoke the emotional response it was obviously aiming for.