The Virgin Suicides (1999)
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- R
- 1h 37min
- Drama, Romance
- 19 May 2000 (USA)
- Movie
A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents in suburban Detroit in the mid 1970s.
Director:
Writers:
Awards:
- 3 wins & 14 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| James Woods | ... |
Mr. Lisbon
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| Kathleen Turner | ... |
Mrs. Lisbon
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| Kirsten Dunst | ... |
Lux Lisbon
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| Josh Hartnett | ... |
Trip Fontaine
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| Michael Paré | ... |
Adult Trip Fontaine
(as Michael Pare)
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| Scott Glenn | ... |
Father Moody
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| Danny DeVito | ... |
Dr. Horniker
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| A.J. Cook | ... |
Mary Lisbon
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| Hanna Hall | ... |
Cecilia Lisbon
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Leslie Hayman | ... |
Therese Lisbon
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| Chelse Swain | ... |
Bonnie Lisbon
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Anthony DeSimone | ... |
Chase Buell
(as Anthony Desimone)
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| Lee Kagan | ... |
David Barker
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| Robert Schwartzman | ... |
Paul Baldino
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| FourTee | ... |
Parkie Denton
(as Noah Shebib)
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| Jonathan Tucker | ... |
Tim Weiner
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Joe Roncetti | ... |
Kevin Head
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| Hayden Christensen | ... |
Jake Hill Conley
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Chris Hale | ... |
Peter Sisten
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| Joe Dinicol | ... |
Dominic Palazzolo
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| Suki Kaiser | ... |
Lydia Perl
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| Dawn Greenhalgh | ... |
Mrs. Scheer
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| Allen Stewart-Coates | ... |
Mr. Scheer
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| Sherry Miller | ... |
Mrs. Buell
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| Jonathan Whittaker | ... |
Mr. Buell
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| Michèle Duquet | ... |
Mrs. Denton
(as Michelle Duquet)
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Murray McRae | ... |
Mr. Denton
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| Roberta Hanley | ... |
Mrs. Weiner
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Paul Sybersma | ... |
Joe Larson
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Susan Sybersma | ... |
Mrs. Larson
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Peter Snider | ... |
Trip's Dad
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| Gary Brennan | ... |
Donald
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Charles Boyland | ... |
Curt Van Osdol
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Dustin Ladd | ... |
Chip Willard
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| Kristin Fairlie | ... |
Amy Schraff
(as Kirsten Fairlie)
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| Melody Johnson | ... |
Julie
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Sheyla Molho | ... |
Danielle
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Ashley Ainsworth | ... |
Sheila Davis
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| Courtney Hawkrigg | ... |
Grace
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François Klanfer | ... |
Doctor
(as Francois Klanfer)
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Mackenzie Lawrenz | ... |
Jim Czeslawski
(as MacKenzie Lawrenz)
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Tim Hall | ... |
Kurt Siles
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| Amos Crawley | ... |
John
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| Andrew Gillies | ... |
Principal Woodhouse
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Mairlyn Smith | ... |
Mrs. Woodhouse
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| Sally Cahill | ... |
Mrs. Hedlie
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| Tracey Ferencz | ... |
Nurse
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Scot Denton | ... |
Mr. O'Conner
(as Scott Denton)
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Catherine Swing | ... |
Mrs. O'Conner
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| Timothy Adams | ... |
Buzz Romano
(as Tim Adams)
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Michael Michaelessi | ... |
Parks Department Foreman
(as Michael Miglessi)
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Sarah Minhas | ... |
Wanda Brown
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Megan Kennedy | ... |
Cheerleader
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Sandi Stahlbrand | ... |
Meredith Thompson
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Neil Girvan | ... |
Drunk Man in Pool
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Jaya Karsemeyer | ... |
Gloria
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Leah Straatsma | ... |
Rannie
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| Mark Polley | ... |
Cemetery Worker #1
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Kirk Gonnsen | ... |
Cemetery Worker #2
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Marianne Moroney | ... |
Teacher
(as Marianne Maroney)
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Anne Wessels | ... |
Woman in Chiffon
(as Ann Wessels)
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| Rest of cast listed alphabetically: | |||
| Giovanni Ribisi | ... |
Narrator (voice)
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Derek Boyes | ... |
Football 'Grieving Teacher' (uncredited)
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| John Buchan | ... |
John (Lydia's Boss) (uncredited)
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| Mandy Lee Jones | ... |
Student (uncredited)
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| Thomas Mars | ... |
Guest at the Prom Night (uncredited)
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Directed by
| Sofia Coppola | ||
Written by
| Jeffrey Eugenides | ... | (novel) |
| Sofia Coppola | ... | (written by) |
Produced by
| Willi Bär | ... | executive producer (as Willi Baer) |
| Suzanne Colvin | ... | line producer |
| Francis Ford Coppola | ... | producer |
| Julie Costanzo | ... | producer |
| Fred Fuchs | ... | executive producer |
| Jordan Gertner | ... | associate producer |
| Dan Halsted | ... | producer |
| Chris Hanley | ... | producer |
| Gary Marcus | ... | co-producer |
| Fred Roos | ... | co-producer |
Music by
| Air | ||
Cinematography by
| Edward Lachman | ||
Editing by
| Melissa Kent | ||
| James Lyons | ||
Editorial Department
| Haines Hall | ... | editor: diary montage |
| Sue Mitchell | ... | assistant to post-production supervisor |
| Darrin Navarro | ... | assistant film editor (as Darrin Navaro) |
| Alain J. Romi | ... | assistant film editor |
| Dana Ross | ... | color timer |
| Ann Trulove | ... | first assistant editor |
| Lonnie Vickers | ... | assistant editor: New York |
| Todd Zongker | ... | assistant editor: New York |
| Jessica O'Brien | ... | post-production assistant (uncredited) |
Casting By
| John Buchan | ||
| Robert McGee | ||
| Howard Meltzer | ... | casting director: New York |
| Linda Phillips-Palo | ||
Production Design by
| Jasna Stefanovic | ||
Art Direction by
| Jon P. Goulding | ... | (as Jon Goulding) |
Set Decoration by
| Megan Less | ||
Costume Design by
| Nancy Steiner | ||
Makeup Department
| Lisa Brown | ... | assistant makeup artist |
| Gail 'Freddie' Godden | ... | key hair stylist (as G.E. 'Freddie' Godden) |
| Kathleen Graham | ... | key makeup artist |
| Roz Music | ... | hair stylist: second unit: Los Angeles / makeup artist: second unit: Los Angeles |
| Suzanne Savage | ... | assistant hair stylist |
Production Management
| David Bailey | ... | post-production supervisor: Toronto |
| Suzanne Colvin | ... | production manager |
| Pearl A. Lucero | ... | assistant production manager: Los Angeles (as Pearl Lucero) |
| Livia Pérez-Borrero | ... | production manager: Los Angeles (as Livia Perez-Borrero) |
| Keitha M. Redmond | ... | assistant production manager (as Keitha Redmond) |
| James R. Rosenthal | ... | post-production supervisor |
| David Hillary | ... | production leader (uncredited) |
Second Unit Director or Assistant Director
| Christopher Binney | ... | second assistant director (as Chris Binney) |
| Roman Alexander Buchok | ... | third assistant director |
| Roman Coppola | ... | second unit director |
| David MacDonald | ... | first assistant director: Toronto |
| Michel Poirier | ... | trainee assistant director |
| Tom Quinn | ... | first assistant director |
| Stewart Young | ... | second assistant director: Toronto |
| Geoff Ashenhurst | ... | trainee assistant director (uncredited) |
| Roman Alexander Buchok | ... | first assistant director (uncredited) |
| Michal Page | ... | second assistant director (uncredited) |
| Graham Tallman | ... | daily trainee assistant director (uncredited) |
Art Department
| Lilian Baksalevowicz | ... | script supervisor (as Lillian Baksalevowicz) |
| Jon Bankson | ... | construction coordinator: Hot Sets (as Jon Banksen) / paint coordinator: Hot Sets (as Jon Banksen) |
| Craig Boland | ... | props assistant |
| Nigel Churcher | ... | graphics / second assistant art director |
| Scott Duran | ... | set dresser: Los Angeles |
| Christopher P. Garr | ... | construction consultant: Los Angeles (as Chris Garr) |
| Brad Greaves | ... | art department apprentice |
| Rob Hepburn | ... | buyer |
| Terry Macauly | ... | set dresser (as Terry McCauly) |
| Kenny Meinzinger | ... | property master |
| Marc Meisels | ... | set dresser: Los Angeles (as Mark Meisels) |
| Andrij Molodecky | ... | property master |
| Victor Renaldi | ... | storyboard artist |
| Dana Richardson | ... | props: Toronto |
| Jeff Silver | ... | set dresser |
| Linda Spheeris | ... | art director: Los Angeles / set decorator: Los Angeles |
| Tom Thompson | ... | props: Toronto / set decorator: Toronto |
| Tamara Andrews | ... | scenic painter (uncredited) |
Sound Department
| Doug Andham | ... | adr recordist (as Doug Andorka) |
| Richard Beggs | ... | re-recording mixer / sound designer |
| Erik Blank | ... | adr editor / dialogue editor |
| Felipe Borrero | ... | sound mixer: Los Angeles |
| Keith Burhans | ... | adr editor / dialogue editor |
| Mark Cabiddu | ... | boom operator |
| Kevin DeBernardi | ... | mix facility assistant (as Kevin Debernardi) |
| Ethan Derner | ... | sound recordist |
| Henry Embry | ... | sound recordist |
| Pete Horner | ... | sound recordist |
| Sean Keegan | ... | foley recordist |
| Sanaa Kelley | ... | foley artist (as Sanaa Cannella) |
| Robert Knox | ... | recording supervisor |
| Laura Laird | ... | adr editor / dialogue editor |
| Ivan Landau | ... | mix facility assistant |
| Kenneth C. Mantlo | ... | boom operator: Los Angeles (as Kenny Matlow) |
| Wes Otis | ... | adr editor (as Roy Wes Otis) / dialogue editor (as Roy Wes Otis) |
| Jesse Pomeroy | ... | adr editor / adr supervisor / dialogue editor |
| Brian Sarvis | ... | recording supervisor |
| Robert Serda | ... | adr recordist |
| Julia Shirar | ... | assistant sound designer |
| Kent Sparling | ... | re-recording mixer |
| Daniel Sperry | ... | stereo sound consultant: Dolby (as Dan Sperry) |
| Howard Stein | ... | mix facility supervisor |
| Jussi Tegelman | ... | additional sound effects editor |
| Gretchen Thoma | ... | foley artist |
| Galen Walker | ... | supervising sound editor: DSW |
| Alek Bromke | ... | adr recording engineer (uncredited) |
| Paul Stanley | ... | sound facilities liaison (uncredited) |
Special Effects by
| Jordan Craig | ... | special effects coordinator |
| John LaForet | ... | special effects coordinator (as John Laforet) |
Visual Effects by
| Dennis Dorney | ... | optical lineup |
| Christopher Dusendschon | ... | in-show opticals and split screen optical compositor: THDX (uncredited) |
| Steven Emmert | ... | optical compositor: THDX (uncredited) |
| Bret Mixon | ... | rotoscoping (uncredited) |
Stunts
| Dan Belley | ... | stunt double: Dominic |
Camera and Electrical Department
| Michael Bickel | ... | grip: Toronto (as Michael Bickell) |
| Paul Boucher | ... | first assistant camera |
| Mark Cowden | ... | best boy |
| Corrine Day | ... | still photographer |
| Gary Dunham | ... | first assistant camera: Los Angeles |
| Chuck Eukey | ... | key grip: Los Angeles |
| Chris Faulkner | ... | dolly grip / key grip |
| Charles A. Gould | ... | key grip: Toronto (as Charles Gould) |
| Stewart Grayburn | ... | best boy grip |
| Monica Guddat | ... | first assistant camera: Toronto |
| Rob Haid | ... | grip (as Robert 'Gump' Haid) |
| Robert Jason | ... | gaffer: Los Angeles (as Bobby Jason) |
| Clayton Joye | ... | still photographer |
| Erwin Lodewyk | ... | grip: Toronto |
| David McNicoll | ... | electrician (as Dave McNicoll) / gaffer: Toronto (as Dave McNicoll) |
| Steve Mrkobrada | ... | second assistant camera |
| Demetri Portelli | ... | camera trainee |
| Anthony Ramsey | ... | electrician (as Tony Ramsey) |
| Rod Robertson | ... | best boy: Los Angeles |
| Edward Stanulis | ... | second assistant camera: Toronto |
| John Sztejnmiler | ... | generator operator |
| Franco Tata | ... | gaffer (as Frank Tata) |
| Scott Tremblay | ... | electrician |
| Renee Treyball | ... | second assistant camera: Los Angeles (as Renee Traball) |
| Paul Van der Linden | ... | director of photography: Toronto (as Paul Van Der Linden) |
| Pierre Vinet | ... | still photographer |
| Andreas Waldherr | ... | rigging grip |
| Chris Wilson | ... | grip |
| Chris Kelly | ... | grip (uncredited) |
| Steve Kolodziej | ... | 24 frame video operator (uncredited) |
| Tom Thompson | ... | grip: Toronto (uncredited) |
Casting Department
| Stuart Howard | ... | casting: New York |
| Zameret Kleiman | ... | extras casting |
| Howard Meltzer | ... | casting: New York |
| Roz Music | ... | additional casting: Plaster Casting |
| Joanna Polley | ... | extras casting |
| Hayley Marcus Simpson | ... | additional casting: Plaster Casting (as Hayley Marcus) |
| Jane Alderman | ... | additional casting (uncredited) |
| Elizabeth Gray | ... | casting assistant: Canada (uncredited) |
| Stephanie Laffin | ... | casting assistant: New York (uncredited) |
Costume and Wardrobe Department
| Jennifer Dozier | ... | assistant costumer: Los Angeles |
| Emma England | ... | wardrobe assistant |
| Judith England | ... | costume coordinator |
| Kim Forrest | ... | wardrobe assistant |
| Sheila Radovancevic | ... | wardrobe truck assistant |
| Lynette Meyer | ... | costumer (uncredited) |
Location Management
| Michael Blecher | ... | location manager |
| Mike Fantasia | ... | location consultant: Los Angeles |
| Chris McLean | ... | location production assistant |
| Suzanne Porter | ... | assistant location manager |
| Ron Gwynne | ... | location scout (uncredited) |
| Jules Pitch | ... | location scout (uncredited) |
Music Department
| Richard Beggs | ... | composer: additional music / music editor |
| Jill Meyers | ... | music business affairs |
| Brian Reitzell | ... | music supervisor |
| Alan Ett | ... | composer: additional music (uncredited) |
| Scott Liggett | ... | composer: additional music (uncredited) |
Script and Continuity Department
| Winnifred Jong | ... | script supervisor |
Transportation Department
| Juan Barrasso | ... | grip truck driver: Los Angeles (as Juan Barroso) |
| Martin Bentler | ... | driver: honeywagon |
| Dennis Bressan | ... | driver (as Dennis Bressen) |
| Stephen Carr | ... | transportation coordinator (as Sparky Carr) |
| Brian Delahanty | ... | trailer driver: Los Angeles |
| Tim Fagan | ... | driver |
| Al Izumi | ... | driver |
| John McCaughey | ... | transportation captain |
| Gordie Merrick | ... | transportation consultant: Los Angeles |
| Teri Muz | ... | driver: Mr. Woods (as Terri Westall-Muz) |
| John Renwick | ... | driver |
| Steven Sacrob | ... | driver (as Steve Sacrab) |
| Carl Severin | ... | driver / picture car wrangler |
| David Stetson | ... | driver: Ms. Turner |
| Mike Thomas | ... | driver |
| Arnie Vazquez | ... | driver: camera truck: Los Angeles (as Arnie Vasquez) |
Additional Crew
| Pamela Abdy | ... | assistant: Mr. De Vito, Los Angeles |
| Heather Anderson | ... | office production assistant |
| Petra Baker | ... | set supervisor |
| Chris Canute | ... | studio teacher: Los Angeles |
| Jamie Danesh | ... | production assistant: Los Angeles |
| Anne Edgar | ... | assistant: Fred Roos (as Ann Edgar) |
| Johannes Gamble | ... | vacation photo montage |
| Kara Hiltz | ... | clearance coordinator |
| Nancy Jackson | ... | assistant production coordinator |
| Tarek Kahn | ... | assistant: Julie Costanzo (as Tarek Khan) |
| Laura Kim | ... | publicist: mPRm Public Relations |
| Thomas W. Leidner | ... | production assistant: Los Angeles (as Tom Leidner) |
| Penny McDonald | ... | assistant: James Woods |
| Geoff McFetridge | ... | title designer: Champion Graphics |
| Haley McLane | ... | script supervisor: Los Angeles Reshoots |
| Stephanie Miller | ... | script supervisor: second unit Toronto |
| Terri Modjallal | ... | craft service: Los Angeles |
| Christopher Neil | ... | acting coach (as Chris Neil) / dialogue coach (as Chris Neil) |
| Timothy Wayne Peternel | ... | production executive: Muse (as Timothy Peternel) |
| Keitha M. Redmond | ... | production coordinator (as Keitha Redmond) |
| Pierre Remy | ... | chef: Los Angeles |
| Christina Sawyer | ... | post-production accountant |
| Bradford L. Schlei | ... | production executive |
| Fred Scialla | ... | stand-in: Danny DeVito, Los Angeles (as Freddy Scialla) |
| B.E. Sharp | ... | production accountant (as B. Sharp) |
| Jeannine Sharp | ... | first assistant accountant |
| Jay Shoemaker | ... | chief executive: Coppola Companies |
| Jeremy Speigel | ... | office production assistant |
| Kathleen Talbert | ... | unit publicist |
| Jeff Trachtman | ... | key production assistant: Los Angeles (as Jeff Trachman) |
| Michelle Vodraska | ... | set production assistant: Toronto |
| Diane Brunjes | ... | production assistant (uncredited) |
| Linda Callow | ... | choreographer (uncredited) |
| Natalie Fokes | ... | assistant accountant (uncredited) |
| Stephanie Haff | ... | Photo double: Kirsten Dunst (uncredited) |
| Clark McCutchen | ... | production executive (uncredited) |
| Dana Reznik | ... | photo double: Kirsten Dunst (uncredited) |
Thanks
| Lance Acord | ... | thanks |
| Rima Acord | ... | thanks |
| Seth Berg | ... | thanks |
| Ron Broitman | ... | thanks |
| Josh Charles | ... | thanks |
| Linda Chelgren | ... | thanks |
| Stacey Crockett | ... | thanks |
| Sarah Diamond | ... | thanks |
| Tom Eaton | ... | thanks |
| Paula Erickson | ... | thanks |
| Gray Frederickson | ... | thanks (as Grey Frederickson) |
| Len Freedman | ... | thanks |
| Craig Fruin | ... | thanks |
| Vincent Gamba | ... | thanks |
| Peter Graham | ... | thanks |
| Lorna Guess | ... | thanks |
| Roberta Hanley | ... | thanks |
| Jennifer Jesperson | ... | thanks |
| Spike Jonze | ... | thanks (as Spike) |
| Robin Kaye | ... | thanks |
| Eddie Lambert | ... | thanks |
| Pat Lucas | ... | thanks |
| Dick Mean | ... | thanks |
| Anahid Nazarian | ... | thanks |
| Terry O'Sullivan | ... | thanks |
| Dave Owen | ... | thanks |
| Yoon Sin Park | ... | thanks |
| Joe Paulino | ... | thanks |
| Dave Read | ... | thanks |
| Peter Scott | ... | thanks |
| Greta Seacat | ... | thanks |
| Chip Sutherland | ... | thanks |
| Natalie Swan | ... | thanks |
| Lisa Thomas | ... | thanks |
Production Companies
Distributors
- Paramount Classics (1999) (United Kingdom) (theatrical)
- BV Scandinavia (2000) (Norway) (theatrical)
- Central Partnership (2000) (Russia) (theatrical)
- Folkets Bio (2000) (Sweden) (theatrical)
- Frenetic Films (2000) (Switzerland) (theatrical)
- Independent Films (2000) (Netherlands) (theatrical)
- Lady Film (2000) (Italy) (theatrical)
- Pathé Distribution (2000) (United Kingdom) (theatrical)
- Pathé (2000) (France) (theatrical)
- TiMe Filmverleih (2000) (Germany) (theatrical)
- Tohokushinsha Film Corporation (TFC) (2000) (Japan) (theatrical)
- CP Digital (2000) (Russia) (DVD)
- Vértice 360 (2000) (Spain)
- Argentina Video Home (2001) (Argentina) (VHS)
- Bridge Entertainment Group (2001) (Netherlands) (DVD)
- Paramount Home Entertainment (2001) (United States) (DVD)
- Paramount Home Entertainment (2001) (United States) (VHS)
- United International Pictures (2001) (Argentina)
- mediacs AG (2002) (Germany) (DVD)
- Alive Vertrieb und Marketing (2004) (Germany) (DVD)
- Argentina Video Home (2004) (Argentina) (DVD)
- Capelight Pictures (2004) (Germany) (DVD)
- HCE (2004) (Czechia) (DVD)
- TPS Star (2006) (France) (tv)
- Divisa Home Video (2016) (Spain) (DVD)
- The Criterion Collection (2018) (United States) (Blu-ray)
- The Criterion Channel (2019) (United States) (tv) (digital)
- Carlotta Films (2023) (France) (theatrical) (re-release) (4K restoration)
- Cinéart (2023) (Netherlands) (theatrical) (re-release) (4K restoration)
- Pathé (2023) (France) (theatrical)
- Bridge Entertainment Group (2001) (Netherlands) (VHS)
- Eternity Pictures
- Taki Corporation (Japan) (VHS)
- The Criterion Collection (2018) (Canada) (Blu-ray)
- The Criterion Collection (2018) (United States) (DVD)
- The Criterion Collection (2022) (Canada) (Ultra HD Blu-ray)
- The Criterion Collection (2022) (United States) (Ultra HD Blu-ray)
- Tohoku Shinsha (2001) (Japan) (DVD)
Special Effects
Other Companies
- American Zoetrope (post-production services)
- Astralwerks (score album)
- Cannes Film Festival (festival)
- Catering on Location (catering)
- Champion Graphics (titles designed by)
- Digital Sound Works (post-production sound: Los Angeles)
- Directors Guild of Canada: Ontario (acknowledgement)
- Dufferin Gate Productions (production services: Toronto)
- Electronic Picture Solutions (tech support: Lightworks)
- Emperor Norton Records (soundtrack released by)
- Fantasy II Film Effects (diary montage)
- Film Finances (completion guarantor)
- Jane Alderman Casting (additional casting)
- Magic Film and Video Works (negative cutting)
- Mission Post (sound post-production)
- Nabet 700 (acknowledgement)
- Plaster Casting (additional casting)
- Post Modern Sound (ADR recording facility)
- Record Makers/Source (original soundtrack released on)
- Reel to Reel (location services)
- Shoots Catering (catering: Toronto)
- Sounds Great! (loop group)
- Spot Welders (diary montage edit facility)
- Starcraft Services Inc. (craft services)
- Stuart Howard Associates (additional casting)
- Sundance Film Festival (festival)
- The Silver Grill (chef)
- Title House (titles and opticals)
- Tribeca Henninger Editing Tools (edit suite: New York)
- Warner Hollywood Studios (edit suite: Los Angeles)
Storyline
| Plot Summary |
A man about forty years of age tells the story from when he was a teenager in upscale suburban Detroit of his and three of his friends' fascination with the mysterious and doomed Lisbon sisters. In 1974, the sisters were seventeen year old Therese, sixteen year old Mary, fifteen year old Bonnie, fourteen year old Lux, and thirteen year old Cecilia. Their fascination still remains as they try to piece together the entire story. The sisters were mysteries if only because of having a strict and overprotective upbringing by their father, who taught math at the girls' private co-ed school, and overly devout Catholic mother, who largely dictated the household rules. The story focuses primarily on two incidents and the resulting situations on the girls' lives. The first was an action by Cecilia to deal with her emotions over her life. And the second was the relationship between Lux - the sister who pushed the boundaries of the household rules most overtly in doing what most teenagers want to do - and Trip Fontaine, he who could have any girl he wanted but wanting solely Lux. Written by Huggo |
| Plot Keywords | |
| Taglines | LOVE, SEX, DEATH, PASSION, FEAR, OBSESSION Just like life See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $6,000,000 (estimated) |
| Opening Weekend United States | $235,122, 23 Apr 2000 |
| Cumulative Worldwide Gross | $10,409,377, 27 Dec 2000 |
Did You Know?
| Trivia | After she had written the script, Sofia Coppola was heartbroken to discover that another company was already producing an adaptation of the book themselves. However, they were not happy with their script, so she showed them hers and they ended up using it instead. See more » |
| Goofs | The father refers to his model airplane as a B model North American P-51 Mustang in British service, however, the model aircraft is actually a Curtiss P-40 Warhawk. See more » |
| Movie Connections | Featured in Air: Playground Love (2000). See more » |
| Soundtracks | On the Horizon See more » |
| Crazy Credits | When the title appears, it first appears like a schoolgirl's idle writing, replete with hearts replacing the "dots" over the "i's". The title then repeats over and over, in different modes of print and script (the handwriting equivalent of different typefaces and fonts), filling the screen. It is accompanied by various decorative doodling (an eye with tears, a caterpillar, clouds, unicorns, a flower, the sun). See more » |
| Quotes |
Narrator:
[Narration]
In the end we had pieces of the puzzle, but no matter how we put them together, gaps remained. Oddly shaped emptiness mapped by what surrounded them, like countries we couldn't name. What lingered after them was not life, but the most trivial list of mundane facts. A clock ticking on the wall, a room dim at noon, the *outrageousness* of a human being thinking only of herself. See more » |