How did John Cameron Mitchell become the head of this year’s Queer Palm award jury in Cannes? “Sexual favors,” he quips.
While the director of “Hedwig and the Angry Inch” and “How to Talk to Girls at Parties” (which played out of competition at Cannes) is joking, sexuality is at the heart of one of the world’s most prestigious LGBTQ+ film awards. And with more anti-queer legislation being enacted around the world than at any time in recent memory, the attention it brings to films that humanize this scapegoated population is arguably more important than ever.
“The Queer Palm, the festival and any awards help to dignify work, so that it often can be distributed and sometimes celebrated in its own queer-phobic country,” says Mitchell, who helped start a queer dance night at the American Pavilion in 2004 and DJs when he’s in town. “[The trans-themed] ‘Joyland’ was banned in...
While the director of “Hedwig and the Angry Inch” and “How to Talk to Girls at Parties” (which played out of competition at Cannes) is joking, sexuality is at the heart of one of the world’s most prestigious LGBTQ+ film awards. And with more anti-queer legislation being enacted around the world than at any time in recent memory, the attention it brings to films that humanize this scapegoated population is arguably more important than ever.
“The Queer Palm, the festival and any awards help to dignify work, so that it often can be distributed and sometimes celebrated in its own queer-phobic country,” says Mitchell, who helped start a queer dance night at the American Pavilion in 2004 and DJs when he’s in town. “[The trans-themed] ‘Joyland’ was banned in...
- 5/18/2023
- by Gregg Goldstein
- Variety Film + TV
There is the good sister, with A grades, university prospects and a sense of decorum in company. And then there is the younger sister who can’t see a volume button without turning up the music, who is quick to complain or pick an argument, who spots someone else’s drug stash and thinks she could steal it and maybe make some pocket money selling deals on the beach, because what – what – could possibly go wrong with that plan?
And yet Farah (Esther Gohourou) can always make Jessica (Suzy Bemba) laugh. She can even persuade her to climb over a wall to swim in someone else’s pool because, in the end, where’s the harm? They are nothing alike, but they fit together like Legos.
Catherine Corsini’s Cannes competition entry Homecoming (Le Retour) borrows some key elements from the director’s own life. Like the girls in the film,...
And yet Farah (Esther Gohourou) can always make Jessica (Suzy Bemba) laugh. She can even persuade her to climb over a wall to swim in someone else’s pool because, in the end, where’s the harm? They are nothing alike, but they fit together like Legos.
Catherine Corsini’s Cannes competition entry Homecoming (Le Retour) borrows some key elements from the director’s own life. Like the girls in the film,...
- 5/17/2023
- by Stephanie Bunbury
- Deadline Film + TV
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