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Vue d'ensemble
Note Générale:
Réalisateur:
Scénariste:
Shinya Tsukamoto (writer)
Date de sortie:
18 décembre 1999 (Taiwan) suite
Intrigue:
A man sees his life changed for ever when his fiancee shoots herself. Baffled, he wants by all means... suite | add synopsis
Récompenses:
2 wins & 2 nominations suite
Avis des utilisateurs:
A stunning visual depiction of depression. Very Original. plus de (19 total)
Ensemble
(Interprètes principaux)| Shinya Tsukamoto | ... | Goda | |
| Kirina Mano | ... | Chisato | |
| Tatsuya Nakamura | ... | Idei | |
| Takahiro Murase | ... | Goto | |
| Kyoka Suzuki | ... | Kiriko | |
| Hisashi Igawa | ... | Kudo | |
| reste de la distribution par ordre alphabétique: | |||
| Katijah Badami | |||
| Gabriela Bravo | |||
| Rachele Fanedman | |||
| Eshragh Farshao | |||
| Tomisaburô Horikoshi | |||
| Teruhisa Irie | |||
| Chu Ishikawa | |||
| Kazuyuki Izutsu | |||
| Shin-Ichi Kawahara | |||
| Mekdachi Khalil | |||
| Sujin Kim | |||
| Yôko Kubota | |||
| Hisakatsu Kuroki | |||
| Hiromi Kuronuma | |||
| Arminda Ramos | |||
| Tomorowo Taguchi | |||
| Yukinobu Toda | |||
| Mika Tsuda | |||
| Masato Tsujioka | |||
| Kôji Tsukamoto | |||
| Chiko Ueda | |||
| Max Von Schuler | |||
| Kanta Wickramasinghe | |||
| Keisuke Yoshida | |||
Détails supplémentaires
Parents Guide:
Durée:
87 min | Canada:90 min | Finland:98 min | Taiwan:88 min | Argentina:98 min (Mar del Plata Film Festival)
Pays:
Couleur:
Rapport de forme:
1,66 : 1 suite
Son:
Classification:
Italy:VM14 (DVD rating) | Taiwan:R-18 | France:-16 | Japan:R-15 | South Korea:15 | Argentina:16
Société:
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Liens liés
| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Crime section | IMDb Japan section | Add this title to MyMovies |

A much more articulate Shinya has used his extremely visceral palette to produce a deeper film that passes over the gorehound's head and explores the scars of depression and self-destruction in ways that other film-makers have overlooked. From the beginning where Goda confronts his fiancee's death in a mirror while a cricket twitches under a dripping tap beneath him, to a deathwish game that the hoodlum girl Chisato plays later on in the subways, hooking her heels over the edge and delighting as the passing train throttle passes her, the imagery is amazing. Shot in intimate black and white, the graphic impact of its intense releases (There is a bit of animation on guns that's like a KMFDM video) hit you to hold you and keep you with the story until the end. At the screening I attended there were those who were disappointed that the violence lacked the kind of escapist punch that make other Hong Kong films so fun to watch, but I think Shinya was aiming for something different, and he succeeded. This is my favorite film of his and I definitely look forward to his next. For those trying to get an idea of what to expect, well it's the kind of surrealistic dreams that are often thought of by David Cronenberg and David Lynch. If you follow that path and walk with such minds than you should take a walk with Shinya Tsukamoto and see Bullet Ballet.