Wild Iris (2001 TV Movie) User Reviews

Wonderful Acting with a Good Plot

[chron · 7/10 · 31 January 2003]

This is not a Hollywood "feel good" movie. It centers around a daugher, played wonderfully by Laura Linney, who abuses alcohol while she bickers with her mother. Laura Linney is one of my favorite character actors and turns in yet another exceptional performance as a bitter and frustrated mother and daughter trying to cope with the aftermath of losing a husband and moving back in with her mother.

This is a "slice of life" movie where we get the opportunity to see characters evolve through their life experiences. We come to care about the people in this movie and see them make mistakes and sometimes learn from them.

If you these plot-centered movies such as "You Can Count on Me", you will enjoy this movie.

Average mother-daughter movie

[Travis_Bickle01 · 7/10 · 31 March 2005]

Fine movie about a mother-daughter relationship with Laura Linney and Gena Rowlands in the leading roles. Both actresses give an excellent performance. The story is nothing special but it's acceptable. We also see Emile Hirsch (the guy from "The Girl Next Door" and "Imaginary Heroes") as the son of Laura Linney. This is one of his first important roles and he gives a nice performance.

This is a movie from the same director as "Fort Apache the Bronx" with Paul Newman and Pam Grier ("Jackie Brown") in the leading roles. "Wild Iris" is of course something completely different but in general it is a good movie, nothing exceptional but it is entertaining and the acting performances are good.

An excellent mom/daughter love/hate relationship flick

[=G= · 6/10 · 7 August 2001]

This flick, which aired on Showtime under the title "Wild Iris", tells of a grandmother, her adult daughter, and a teenage son/grandson who live together in a SOHO wedding dress boutique. In spite of the pasty, made-for-tv "feel", "...Iris" showcases two excellent performances. Rowlands plays a mother in denial about her diseased relationship with her daughter, avoiding the truth while placating conflict with platitudes. Linney plays the daughter who tries to cope with good old mom using brutally frank honesty and vodka has her weapons of choice. Kudos to the pair of female leads.

3 generations of fine actors in a somewhat deficient vehicle

[grahamclarke · 7/10 · 9 August 2005]

Gena Rowlands and Laura Linney are two actresses who simply never turn in less than excellent performances no matter what the material they lend their astonishing talents to. "Wild Iris" offers them both a wonderful opportunity to display their craft. While the script is certainly above average, it does not quite make the grade to which they are so deserving. Ultimately these characters fail to convince, through no fault of the actresses, but rather to the writer's spurious characterisation.

While Rowlands and Linney are amongst the best performers of their generations, young Emile Hirsch shows much promise as a representative actor of his generation. He has a natural sensitivity and vulnerability which endows his portrayal with much conviction. He would reprise this role of a sensitive teenager anguishing over the death of a parent in a world that does not acknowledge his inner pain in "The Mudge Boy".

With three outstanding performances "Wild Iris" is certainly a movie to seek out, despite the deficient screenplay.

Wild Iris Needs Some Weeds Pulled

[reel_emotion · 6/10 · 25 March 2003]

Careful, spoilers****

I was expecting a good mother/daughter drama, but I got another "this-could-have-been-a-better" movie. The set up is there--co-dependent, alcoholic daughter with her manipulative, passive-aggressive mother. The actresses are there: Laura Linney and Gena Rowlands. But the story is not there: as the story is really beginning, it ends.

In one scene, Laura Linney is hemming a bridesmaid dress with her son in it. The scene dragged on so long that I REALLY wanted her to finish that dress. As the bad mother, Rowlands doesn't really do that much to warrant the over-the-top hatred from Linney. You are wanting to know the connection between Linney's husband's suicide and her mother's controlling ways, but it is never fully explained.

The movie is not a total lost as it draws good parallels between Rowland's bridal shop and how many women she has pushed into bad marriages because Rowland wanted money--including her marriage and her daughter's marriage. Also, the scene in which Linney looks for work as a seamstress and clothes designer is painful, but meaningful. Just as "Wild Iris" starts to bloom at the end, it wilts. I wanted to know what happens to Linney's character after she decides to stand up to her mother.

It was good but had no point

[shleyums · 7/10 · 2 January 2006]

This movie was good but lacked actual substance. The climax, if you can even find one, the only one I could find we didn't see, wasn't all that exciting. To be honest, I only finished it because I started it. The performances were great. Emile Hirsch was subtly true to the loner character. Laura Linney was amazing, as her character was always a little bit drunk. Gena Rowlands was good as the condescending mother. The cast shone but I'm afraid the efforts were wasted on a plot that was predictable and boring. There were no surprises in it for me or any other viewer. The characters were believable. Everything was very simple, but a good simple, not a minimalist simple.

Shockingly bad

[EllenClairLamb · 2/10 · 16 December 2003]

Good performances can't save this terrible script, larded with every cliche in the chick-flick book. Both main characters are deeply unsympathetic, and the scene where Laura Linney's character reminisces about sex with her dead husband in front of her teenage son -- which I think is supposed to be poignant -- is just horrifying.

The Harsh Relationship Between Mother and Daughter, in a Very Dramatic Movie

[claudio_carvalho · 8/10 · 7 February 2004]

Iris Bravard (Laura Linney) is an alcoholic mother and widow, living and working with her dominating mother Minnie Brinn (Gena Rowlands), due to the lack of professional and financial options. Iris has a sweet teenager son, Lonnie Bravard (Emilie Hirsch), who feels the absence of his father. Lonnie is divided by his feelings for his mother and for his grandmother. Minnie `builds' marriages through wedding dresses and parties, but ironically has destroyed her daughter's marriage. Iris` husband Ronnie Dale Bravard (Scott Gibson) had not supported the treatment spent by Minnie to him and committed suicide eight years ago. Iris dreams of finding a job and leaving her mother's home. Although having a very sad non-commercial story, this movie is excellent. First of all, due to the performance of Laura Linney and Gena Rowlands, which certainly are among the best actresses in the worldwide cinema industry. I believe that presently I am one of the greatest fan of Laura Linney's work, mainly since after watching `You Can Count on Me'. Gena Rowlands (from `Gloria') has always been a synonym of a good movie. Watching them working together, is a dream for a movie maniac like me. Then, because of the screenplay and director, who conducts the plot without being corny. Although having space for a melodramatic point of view, Daniel Petrie (from the marvelous "Rocket Gibraltar") conducts the dramatic story very honestly without any final redemption of the characters, except Iris. My vote is eight.

Title (Brazil): `Marcas de um Suicídio' (`Marks of one Suicide')

Very well done...

[MarieGabrielle · 10/10 · 23 August 2006]

Laura Linney and Gena Rowlands provide a well told tale of mother/daughter dynamics, and the failure of family. I have to admit Laura Linney is a surprise; she has always been believable, but this role is a bit different, and it works.

Gena Rowlands is the manipulative grandmother, who owns a bridal shoppe, and knows everyone in town. There is a very amusing scene where she manipulates a scruffy neighbor (Fred Ward) into shelling out a great deal of money for his pregnant daughter's wedding.

The score is very beautiful, reflecting loss (Linney is a widow) and hope for the future. Linney's son, Lonnie, misses his deceased father, and attempts to reach out to his grandmother. Linney finds herself trying to find a job in a new world (she has not worked in quite some time) She clearly loves her son, but has bought into her mother's negative comments.

This film is noteworthy because it is sensitive and realistic, while not overly negative. How does a widow survive her husband's suicide, her mother's controlling psychosis, her son's depression, and her own alcoholism?. A very timely movie worth watching. 10/10

Bravura Acting

[elpep49 · 9/10 · 5 August 2001]

Gena Rowlands and Laura Linney turn in outstanding performances in this dark tale of mother-daughter love and hate. Built around small-town life, suicide, and failure, this story takes a few dark turns before finding the light. Linney is outstanding as the lost daughter who can't get her life back after her husband commits suicide. Gena Rowlands is (as always) excellent as the domineering mother who seems to thrive on her daughter's failures. Superior TV movie with good work from Fred Ward and Emile Hirsch as the boy who takes a drastic step to save all their lives.

Brilliantly acted, particularly by Laura Linney

[hmstoner · 9/10 · 12 August 2001]

Not a cheery film, but riveting. Rowlands and Linney are both brilliant, and Laura Linney is especially so. She equals or exceeds her performance in You Can Count On Me, and she should have won the oscar for that film going away. If Linney does not soon win an Academy Award, there is no justice. She is one of the best actors working today, ranking right up there with Meryl Streep. She is totally convincing and incredibly moving in this role; as Iris, playing once more against type. I stumbled on to this film on one of the Showtime channels late at night. I've seen no promotion for it, and I'm shocked that I haven't. In its way, and certainly in the Linney and Rowlands performances, it's as good as Dinner With Friends, which had its premiere on HBO earlier the same night. Dinner With Friends was promoted hugely. Wild Iris is equally rewarding. I can't imagine why the Showtime publicity engines have not been running overtime. I'd be very proud to have produced this film with these two principals.

in a word: GOOD!

[Norwaykid · 10/10 · 11 June 2003]

This is a quiet film and many haven't even heard of it. Non the less, it's worth it's one and a half hours.

At first glance u might think it's a little "Hallmark", but trust me this is much more.

Kent Broadhurst has written a beautiful script and one can even think it was written for the actors playing in it.

This is the kind of film u see at home alone, or with someone u care about and someone u can show some feelings to.

If u allow it, this movie can bring some feelings out.

Laura Linney plays beautifully as she portrays a some what drunken single mom, with her dreams shattered as her husband takes his own life.

Emile Hirsch shines in the part as her teenage son. Brining his softly spoken being to the cast, he makes u want to stretch out a hand and help him in his struggles.

This is a film that leaves u with you're brain working, and that's how i like it.

A good movie with nice moments.

Henning - Norway!