Keeping the Faith (2000)

Note Générale:

6,6/10   

Réalisateur:

Edward Norton

Scénariste (WGA):

Stuart Blumberg (written by)

Date de sortie:

14 avril 2000 (USA)

Genre:

Comedie | Drame | Romance

Accroche:

If you have to believe in something, you might as well believe in love.

Intrigue:

A story about two friends, a priest and a rabbi, who fall in love with the same beauty (Jenna Elfman).

Plot Keywords:

Rabbi | Priest | Celibacy | Religion | Childhood Friend

Récompenses:

2 wins & 4 nominations

Avis des utilisateurs:

Unlikely yet entertaining 'menage-a-tois'screwball comedy

Ensemble

Ben Stiller	...	Rabbi Jake Schram
Edward Norton	...	Father Brian Finn
Jenna Elfman	...	Anna Riley
Anne Bancroft	...	Ruth Schram
Eli Wallach	...	Rabbi Ben Lewis
Ron Rifkin	...	Larry Friedman
Milos Forman	...	Father Havel
Holland Taylor	...	Bonnie Rose
Lisa Edelstein	...	Ali Decker
Rena Sofer	...	Rachel Rose
Ken Leung	...	Don
Brian George	...	Paulie Chopra
Catherine Lloyd Burns	...	Debbie
Susie Essman	...	Ellen Friedman
Stuart Blumberg	...	Len

MPAA:

Rated PG-13 for some sexuality and language.

Durée:

128 min

Pays:

USA

Langue:

Anglais | Hébreu | Espagnol

Couleur:

Couleur (Technicolor)

Rapport de forme:

1,85 : 1

Son:

DTS | Dolby Digital | SDDS

Classification:

Iceland:L | Brazil:14 | USA:PG-13 (certificate #37329) | Argentina:13 | Australia:M | Chile:14 | Finland:S | France:U | Germany:6 (w) | Hong Kong:IIA | New Zealand:M | Norway:7 | Portugal:M/12 | Singapore:PG | South Korea:15 | Spain:T | Sweden:7 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:12 | Philippines:PG-13

Lieux de tournage:

17 State Street, Financial District, Manhattan, New York City, New York, USA

Société:

Spyglass Entertainment

Anecdotes:

The scene in which the young characters run in the park is a re-make of the scene shown in Jules et Jim (1962), another movie about a love triangle.

Goofs:

Continuité: Brian shows a picture to the bartender, clearly showing the kids' torsos. Then when Brian starts explaining who the kids in the picture are and we see the picture again, the kids are much closer to the camera and their torsos are no longer visible.

Guillemet:

Don: [in an thick Philipino accent] How you guys doing? I'm Don. Don, rhyme with flon. You have any question?
Father Brian Kilkenney Finn: Yes, Yes indeed Don we do. Is this a good machine?
Don: Yeah it is good if you cheap bastard. No jus... jus doing comedy with you. That one is okay. But if you are serious about Kar'-oke.
Father Brian Kilkenney Finn: Oh we are!
Don: Okay then... there is only one model for you. The AUDIO 2000. This baby got the 16-bit dual D/A converter, 3 beam checking, digital key controller, so you can change the pitch if your voice sucks. But I don't need that.
Father Brian Kilkenney Finn: That's nice. How much?
Don: Price is not important
Father Brian Kilkenney Finn: No price is very important, actually.
Don: Okay you got me; take me away. Okay it's a lil' bit expensive. But let me tell you, it's worth it. When you sing to your girlfriend.
Father Brian Kilkenney Finn: Uh huh.
[...]

Connexions:

Référencé sur Meet the Parents (2000)

Bande son:

Please Call Me Baby

Unlikely yet entertaining 'menage-a-tois'screwball comedy

KEEPING THE FAITH (2000) *** Ben Stiller, Edward Norton, Jenna Elfman, Eli Wallach, Anne Bancroft, Ron Rifkin, Rena Sofer, Lisa Edelstein, Milos Forman. (Dir: Edward Norton)

So did you hear the one about the priest and the rabbi and the `business woman'? Well if that sounds familiar don't let that dissuade you from this frequently hilarious romantic comedy of the unlikeliest of menage a trois in cinema history.

Childhood chums, Jake Schram, Brian Finn and Anna Reilly - The Three Muskateers of the 8th Grade of Manhattan - are reunited nearly 2 decades later with a lot of catching up to do when Anna comes back east for a short stint as a high powered brokerage businesswoman (portrayed in full giddy sexy appeal by Elfman of tv's kooky couple `Dharma & Greg') who has her hands full when she finds her best buddies, Jake (Stiller in fine leading man/comedy mode) and Brian (Norton, equally riotous in his directorial debut) are, respectively, a rabbi and priest.

Seems the best friends only bonded stronger when their female compatriot moved out of the neighborhood pre-adolescently and shared more than their uncommon friendship: their devotion to their separate faiths. To make matters more difficult in Anna's sudden return into their lives is the fact that both buddies are in love with her but it is Jake who winds up making the first move as the frustrated young rabbi who is constantly being set up on disastrous blind dates by his meddlesome congregation (`the kosher-nostra'). After the initial awkwardness is overcome the two friends become a casual sex relationship that only gets further complicated when Jake cannot handle the fact Anna's non-Judea background must be taken into effect if he is to become a full-fledged rabbi at his synagogue. Brian, meanwhile, has found his libido at its leash when Anna begins to subsist in his dreams leading to a comical revelation by the film's conclusion.

The threesome have chemistry to spare and banter so witty and blunt by Stuart Blumberg's script that the pedestrian storyline (will Jake realize just what a good thing Anna really is and will Anna realize Brian really wants the best for her) is a no-brainer (and I have to admit the climax of Stiller addressing his followers with a mea culpea seemed to miss its mark since there was no real sense of him `betraying' his people), the film chugs along merrily and makes light of the religious overtones (one truly funny moment is the depiction of the young Jake sorting through his Jewish rabbi hero trading cards the way one would relish finding a Mickey Mantle rookie card) with a contemporary spin. Edelstein is memorable as well as the sinfully sensual Sofer as, respectively, date from hell and date from heaven for Jake. Bancroft and Wallach also lend veteran character actor shtick with all the nourishment of a nosh at the Carnegie Deli.

Elfman has proven to be a lovely comedienne and has always reminded me of Jamie Lee Curtis with her buoyant performances and adds just the right bounce as the tomboy all grown up. Stiller continues his stance as the hardest working man in comedy with another deft, dry turn as the befuddled rabbi and Norton display the tricky balance of skilled actor of his generation (his choirboy persona is perfectly advanced for his good-hearted priest and his knack for perfect imitations - i.e. Dustin Hoffman's `Rain Man' )- is only matched by his straight ahead approach to filmmaking; trimming the fat but keeping the high calorie comedy quota intact.

He even gets his former director Milos Forman (who put Norton through the paces on `The People vs. Larry Flynt') for a small cameo as an elder clergyman to get one of the film's biggest laughs (interrupted by a middle-of-the-night phone call for Norton he says he was `dreaming of his mother's sausages').

Believe in love and laughter is to appreciate a wonderful romantic comedy that has both in spades.