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IMDb > Goyôkiba: Kamisori Hanzô jigoku zeme (1973)

Goyôkiba: Kamisori Hanzô jigoku zeme (1973) More at IMDbPro »

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Overview

Note des utilisateurs:
7.1/10   275 votes
MOVIEmeter: ?
Down 4% in popularity this week. See rank & trends on IMDbPro.
Réalisateur:
Yasuzo Masumura
Writers:
Kazuo Koike (comic)
Yasuzo Masumura (writer)
Contact:
View company contact information for Razor 2: The Snare on IMDbPro.
Release Date:
11 août 1973 (Japan) suite
Genre:
Action | Drame suite
Plot:
Against the backdrop of the Edo treasury devaluing currency and driving many into poverty, Hanzo Itami enforces the law without regard to status... suite | add synopsis
Avis des utilisateurs:
if anything there is more blood and flesh on display in this one suite

Ensemble

  (Interprètes principaux)
Shintarô Katsu ... Hanzo 'The Razor' Itami
reste de la distribution par ordre alphabétique:
Keiko Aikawa
Kazuko Ineno
Keizo Kanie
Shin Kishida
Hosei Komatsu
Toshio Kurosawa ... Junai Mikoshiba
Daigo Kusano
Kô Nishimura ... Magobei "Snake" Onishi
Kei Sato ... Shobei Hamajima
suite
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Additional Details

Autre(s) titre(s):
Hanzo the Razor: The Snare (USA) (DVD box title)
Razor 2: The Snare (USA)
Hanzo the razor - L'enfer des supplices (France) [fr]
Kung-Fu et Hara-Kiri (France) [fr]
suite
Durée:
89 min
Pays:
Japan
Langue:
Japonais
Couleur:
Couleur
Aspect Ratio:
2.35 : 1 suite
Son:
Mono

Curiosités

Movie Connections:
Follows Goyôkiba (1972) suite

foire aux questions

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3 out of 6 people found the following comment useful:-
if anything there is more blood and flesh on display in this one, 17 February 2006
8/10
Author: christopher-underwood de Greenwich - London

More of the same in this sequel to Sword of Justice and it's just hard to believe it's not the same director. Much of the cast is the same, Hanzo is certainly the same and much of the torture, both the bloody sort and the sexual sort are the same and it still all works. We get a lady suffering the blocks this time and a reprise of the lady in the net lowering onto the big man's big.....

There is enough that's different to hold the attention and if anything there is more blood and flesh on display in this one. Helped once more by super cinematography, direction and editing, this is another fine mix of activities, plus even more disregard for the Japanese tendency to put up with almost anything for the sake of order and tradition.

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