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Kadosh (1999) -- Two sisters become victims of the patriarchal, ultra-orthodox society.

Overview

Note des utilisateurs:
6.8/10   1,015 votes
MOVIEmeter: ?
Down 6% in popularity this week. See rank & trends on IMDbPro.
Réalisateur:
Amos Gitai
Writers:
Eliette Abecassis (writer)
Amos Gitai (writer)
Contact:
View company contact information for Kadosh on IMDbPro.
Release Date:
10 juin 1999 (Israel) suite
Genre:
Drame suite
Plot:
Two sisters become victims of the patriarchal, ultra-orthodox society. full summary | add synopsis
Plot Keywords:
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Awards:
3 wins & 2 nominations suite
Avis des utilisateurs:
a bad film on a complex and painful subject suite

Ensemble

  (Interprètes principaux)
Yaël Abecassis ... Rivka
Yoram Hattab ... Meïr
Meital Barda ... Malka
Uri Klauzner ... Yossef (as Uri Ran-Klausner)
Yussuf Abu-Warda ... Rav Shimon
Leah Koenig ... Elisheva (as Lea Koenig)
Sami Huri ... Yaakov
Rivka Michaeli ... Gynaecologist
Samuel Calderon ... Uncle Shmouel
reste de la distribution par ordre alphabétique:
Noa Dori ... Noa
Shireen Kadivar ... Lexa
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Additional Details

Autre(s) titre(s):
Kadosh (France)
Sacred
Sacré (Belgium: French title) (TV title) [fr]
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Durée:
110 min
Langue:
Hébreu
Couleur:
Couleur
Aspect Ratio:
1.85 : 1 suite
Son:
Dolby SR
Company:
Agav Hafakot suite

Curiosités

Soundtrack:
Silence suite

foire aux questions

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3 out of 4 people found the following comment useful:-
a bad film on a complex and painful subject, 1 January 2008
3/10
Author: dromasca de Herzlya, Israel

I somehow failed for a few years to see this film, although it has been quite successful and generated a lot of discussions in Israel. I am sorry that I did not postpone indefinitely seeing it.

The theme of 'Kadosh' is a very real and painful one for those who know the Jewish religious world - the place of women in the orthodox family and society. The basic situation that sits at the premises of the film is possible, the problem is that the way it is brought to screen and the 'solution' that the conflicts described receives in the movie is wrong. Gitai does not seem to have too much sympathy for men in the religious world, but his approach of picking characters that are either fanatic, or unable to express their human feeling makes the whole story seem simplistic. Neither does he a much better service to his women characters, although here at least he shows more sympathy and he also enjoys the participation of two beautiful and gifted actresses in Yael Abecassis and Meital Barda. Overall Gitai's vision is too one-sided, his cinema means are too basic, he focuses on the technical details of the Jewish religious life, which may be interesting for people who do not know them but are really not relevant at all in the context of the whole story. Starting from interesting premises what we get here is a boring film which seems longer than it is, with a very static way of acting, obsessive use of music that plays in the same register not only from a musical but also from an emotional perspective and a very inconclusive if not even confusing ending. What difference between this film and 'Ha Ushpizin' inspired from and describing the very same social landscape and which succeeded to transmit human feelings on the screen. In 'Kadosh' there are both too little cinema and too little human emotions.

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