Britannic (2000)
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- TV-14
- 1h 33min
- Action, Drama
- 10 Jan 2000 (USA)
- TV Movie
Photos and Videos
Cast verified as complete
Edward Atterton | ... |
Reynolds
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Amanda Ryan | ... |
Vera Campbell
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Jacqueline Bisset | ... |
Lady Lewis
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Ben Daniels | ... |
Townsend
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John Rhys-Davies | ... |
Captain Barrett
(as John Rhys Davies)
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Bruce Payne | ... |
Doctor Baker
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Alex Ferns | ... |
Stoker Evans
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Eleanor Oakley | ... |
Sarah Lewis
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Archie Davies | ... |
William Lewis
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Ed Stobart | ... |
Mayfield
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Adam Bareham | ... |
Radio Operator
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David Lumsden | ... |
German Radio Operator
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Wolf Kahler | ... |
Captain Kruger
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Philip Rham | ... |
Jurgens
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Daniel Coonan | ... |
Seamus
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Daniel Tatarsky | ... |
Martin
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Martin Savage | ... |
Sweeney
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Francis Magee | ... |
Reilly
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Niven Boyd | ... |
Captain Helm
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David Begg | ... |
Armed Sailor
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John Atkins | ... |
Guard
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Sean Baker | ... |
Colonel Marston
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Susannah Wise | ... |
Nurse
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Rest of cast listed alphabetically: | |||
Chris Jenkinson | ... |
German Agent (uncredited)
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Anthony Maddalena | ... |
Ship Chaplain (uncredited)
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Tim Packham | ... |
Naval Officer (uncredited)
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Directed by
Brian Trenchard-Smith |
Written by
Brett Thompson | ... | (written by) & |
Kim Owen Smith | ... | (written by) (as Kim Smith) and |
Dennis A. Pratt | ... | (written by) (as Dennis Pratt) & |
Brian Trenchard-Smith | ... | (written by) |
Produced by
Paul Colichman | ... | producer |
David Forrest | ... | executive producer |
Mark R. Harris | ... | producer |
Judith Hunt | ... | producer |
Stephen P. Jarchow | ... | executive producer |
Beau Rogers | ... | executive producer |
Jeffrey Schenck | ... | co-producer |
Meinir Stoutt | ... | line producer (uncredited) |
Music by
Alan Parker |
Cinematography by
Ivan Strasburg | ... | director of photography |
Editing by
Rob Kobrin | ||
Stan Cole | ... | (uncredited) |
John Lafferty | ... | (uncredited) |
Editorial Department
Chris Beeton | ... | telecine grader |
David Crozier | ... | assistant editor |
David Toma | ... | post-production executive: Regent Entertainment (as David A. Toma) |
Melissa Wegman | ... | post supervisor: Bond Co. |
Casting By
Penny Perry |
Production Design by
Rob Harris |
Art Direction by
Matthew Robinson | ... | (as Matt Robinson) |
Set Decoration by
Tina Jones | ... | (uncredited) |
Costume Design by
Susannah Buxton |
Makeup Department
Lorraine Hill | ... | makeup artist |
Phillipa Irving | ... | makeup assistant |
Tara Smith | ... | hair designer / makeup artist |
Edward Ternes | ... | hair stylist: Jacqueline Bisset / makeup artist: Jacqueline Bisset |
Production Management
Alistair Hopkins | ... | post-production supervisor |
Meinir Stoutt | ... | production manager |
Alasdair Whitelaw | ... | post-production supervisor (as Alisdair Whitelaw) |
Second Unit Director or Assistant Director
Neil Calder | ... | first assistant director |
Terry Forrestal | ... | second unit director |
Ian Hutchinson | ... | first assistant director: second unit / third assistant director |
Jill Riley | ... | second assistant director |
Aden Turner | ... | assistant director |
Lorna Whittaker | ... | third assistant director: second unit |
Art Department
Dave Channon | ... | construction manager |
Robert Channon | ... | scenic painter |
John Clark | ... | painter |
Garry Dawson | ... | stand-by props |
Andy Fox | ... | carpenter |
Larne Hampson | ... | dressing props |
Tina Jones | ... | set dresser |
Katie Lee | ... | props buyer |
Barry Lennon | ... | store man |
Mickey Lennon | ... | property master (as Micky Lennon) |
Leslie Saulter-Yacuk | ... | dressing props (as Leslie Salter) |
Dominic Sikking | ... | art department runner |
Bob Thorne | ... | stand-by props |
Sound Department
Tony Anscombe | ... | sound supervisor |
Tony Gibson | ... | assistant dialogue editor / foley sound editor |
Christian Joyce | ... | boom operator: second unit (as Chris Joyce) |
Clare Mahoney | ... | foley artist |
Darren McQuade | ... | dubbing mixer |
Reg Mills | ... | sound recordist |
Hugh Murphy | ... | assistant sound editor |
Richard Skelton | ... | sound effects editor |
Jez Spencer | ... | dialogue editor (as Jeremy Spencer) |
Michael Spencer | ... | sound recordist: second unit |
Jason Swanscott | ... | foley artist |
Noel Thompson | ... | sound maintenance |
Gary Coppola | ... | re-recording mixer (uncredited) |
Glenn T. Morgan | ... | supervising sound editor: US (uncredited) |
Rick Norman | ... | re-recording mixer (uncredited) |
John Sisti | ... | sound effects editor (uncredited) |
Noel Thompson | ... | boom operator (uncredited) |
Special Effects by
David Beavis | ... | special effects supervisor (as Dave Beavis) |
Visual Effects by
Christine Corbitt | ... | digital paint artist |
Pat Corbitt | ... | visual effects supervisor |
Brian P. Dean | ... | digital paint artist (as Brian Dean) |
Dan Dipierro | ... | 3D designer and animator |
John Lafferty | ... | visual effects editor |
Simon Mills | ... | computer graphics technical consultant (uncredited) |
Stunts
Richard Bradshaw | ... | stunt double: Reynolds |
Tracey Caudle | ... | stunt double: Vera (as Tracey Cauble) |
Terry Forrestal | ... | stunt coordinator |
Sy Hollands | ... | stunt double: Vera |
James O'Donnell | ... | stunt performer |
Ian van Temperley | ... | utility stunts |
Camera and Electrical Department
Qaiser Azim | ... | clapper loader |
Grietje Besteman | ... | video assist operator: underwater unit (as Grietja Bestaman) |
Alessandro Bolognesi | ... | camera operator (as Allessandro Bolognesi) / steadicam operator (as Allessandro Bolognesi) |
Richard Brierley | ... | focus puller |
Ben Chads | ... | second focus puller |
Bob Cook | ... | clapper loader: second unit |
Milly Donaghy | ... | camera trainee / video assist operator |
Trevor Hale | ... | best boy / gaffer |
Phil Hennessy | ... | rigger |
Dermot Hickey | ... | focus puller: second unit |
Sid Judd | ... | electrician |
Alyn Lewis | ... | electrician |
Eddy Monaghan | ... | electrician |
Robert Pereira Hind | ... | still photographer (as Robert Hind) / still photographer |
Richard Philpott | ... | camera operator: second unit |
James Scott | ... | loader: underwater unit |
Marc Scrivens | ... | key grip |
Gordon Segrove | ... | focus puller: underwater unit |
Andrew Taylor | ... | gaffer (as Andy Taylor) |
Mike Valentine | ... | camera operator: underwater unit |
Casting Department
Chloe Emmerson | ... | casting: children |
Ray Knight | ... | extras casting (as Ray Knight Casting) |
Ken Whitfield | ... | extras casting |
Costume and Wardrobe Department
Liza Bracey | ... | assistant costume designer |
Anna-Maria D'Amato | ... | costume assistant |
Katrina Frith | ... | costume assistant |
Location Management
Piers Dunn | ... | location manager |
Kevin Holden | ... | location manager (uncredited) |
Music Department
Paul Golding | ... | music scoring engineer |
Script and Continuity Department
Kathy Hughes | ... | continuity: second unit |
Non Eleri Hughes | ... | script supervisor |
Transportation Department
Butch Scott | ... | driver: props |
David Studwell | ... | driver |
Aden Turner | ... | driver |
Additional Crew
Alice Andrade | ... | finance controller |
Allison Andrade | ... | account assistant |
John Bridson | ... | production office runner |
Mick Briggs | ... | safety supervisor: underwater unit |
Dan Burton | ... | underwater footage courtesy of |
Vanessa Campbell | ... | nurse |
Nev Cockerham | ... | safety diver: underwater unit |
Suzanne Coker | ... | assistant: Mr. Colichman |
Phillipa Cole | ... | assistant coordinator |
Tasha Compton | ... | assistant: Mr. Jarchow |
Cathleen Corbitt | ... | historical research |
Becci Earl | ... | assistant coordinator |
Linda Francis | ... | legal |
Katie Harris | ... | chaperone (as Kate Harris) |
Debra Hemmerling | ... | shot tracker |
Nick Hope | ... | underwater footage courtesy of |
Bob Johnson | ... | diver: underwater unit |
Jen Lambert | ... | nurse (as Jenny Lambert) |
Innes McCartney | ... | underwater footage courtesy of |
Simon Mills | ... | historical research |
Charles Moore | ... | legal |
Olswang | ... | legal |
Phil Richards | ... | safety diver: underwater unit |
Penelope Robinson | ... | production accountant (as Penny Robinson) |
Rebekah Ryan | ... | voice actor |
Ian Sexton | ... | armorer |
Samantha Sheridan | ... | production coordinator (as Sam Kaley) |
Chuck Speed | ... | business affairs: Regent (as Charles Speed) |
David Studwell | ... | production assistant |
Mike Tschetter | ... | assistant: Mr. Schenck |
Françoise Valentine | ... | assist/communications operator: underwater unit (as Francoise Valentine) |
Christine Vincent | ... | stand-in |
Paul Vincent | ... | stand-in |
Lorna Whittaker | ... | floor runner |
Ana Zins | ... | assistant: Mr. Harris |
Helene Nielsen Beal | ... | assistant: Mr. Harris (uncredited) |
Marilyn Pessin | ... | assistant: Mr. Colichman (uncredited) |
Production Companies
- Britannic Productions Ltd.
- Flashpoint (I) (presents)
Distributors
- Disney-ABC Domestic Television (2002) (United States) (tv)
- E Stars Films (2001) (China) (tv)
- Fox Family Channel
- Narrative Capital (2020) (World-wide)
- RTL Entertainment (2016) (Netherlands) (tv) (RTL7)
- Schröder Media (2017) (Germany) (DVD)
Special Effects
- Corbitt Design Inc. (visual effects)
Other Companies
- ABC/Movietone (stock footage courtesy of)
- AON (production insurance by)
- ARRI Lighting Rental (lighting equipment provided by)
- Angels & Bermans (costumes provided by)
- Flashpoint (I) (financing provided by)
- Fluid Entertainment (production legal)
- Food for Thought (catering)
- Image Bank (stock footage courtesy of)
- Kodak (film stock)
- Magmasters Sound Studios (post production services)
- Meespierson Royalty Management and Collection, B.V. (world revenues collected and distributed by)
- Motion Picture Bond Company Inc. (completion bond)
- Movietech (camera equipment provided by)
- Oddball Films (archival footage)
- Ray Knight Casting (extras casting)
- Southern Film Services (facilities vehicles)
- Splits (stock footage courtesy of)
- Tarlo Lyons Solicitors (legal services provided by: Flashpoint)
- WPA Film Library (stock footage courtesy of)
Storyline
Plot Summary |
The lazaret ship Britannic is used by England to transport weapons to Egypt. The German secret service wants to show that abuse of the red cross by overtaking the ship and steering it to a neutral port for inspection. The British secret service hear rumors of an operation and places its own agent, Vera Campell, a board, using the false identity of the nanny of the wife of the British Ambassador in Greece. The German plot to overtake the ship fails, so does a torpedo attack by a submarine. Will the ship be captured?
Written by Stephan Eichenberg |
Plot Keywords | |
Taglines | At last, the untold story of the Titanic's sister ship... See more » |
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Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
Trivia | To this day the Britannic is the largest ship on the sea floor See more » |
Goofs | The ship did not carry any passengers of any form except for military medical personnel and wounded soldiers. See more » |
Movie Connections | Featured in Titanic al detalle (2013). See more » |
Soundtracks | An der schönen, blauen Donau (On the Beautiful Blue Danube), Op. 314 See more » |
Crazy Credits | The opening credits are set against footage of World War I and the Britannic's launch (which is actually footage of the Lusitania's launch). See more » |
Quotes |
Sara Lewis:
Surely you're not saying that God is in favor of war? Captain Barrett: What do you think, Chaplain? Does God pick sides? Sara Lewis: Of course He would be on our side, wouldn't He? Reynolds: With so many men dying on both sides, I wonder if He favors either of us. Captain Barrett: There's a terrible paradox. War is the perfect expression of free will. Which is, of course, God's gift to us. Reynolds: And like most of His gifts, it is unappreciated and often misused. Townsend: As I recall, the Bible is filled with stories of God giving His blessing to men who fight for a just cause. Doctor Baker: Come now, Townsend. You do not believe all this senseless killing warrants God's approval? Townsend: Are you saying He does not approve of courage and sacrifice? Sara Lewis: I assure you, I would be willing to do my bit. I realize that, as a female, my options are limited. I shall have to content myself with being the woman behind the man. See more » |