| Photos (Voir toutes les 2 | Diaporama) |
Réalisé par | |||
| Icíar Bollaín | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Icíar Bollaín | writer | |
| Julio Llamazares | writer | |
Produit par | |||
| Santiago García de Leániz | .... | executive producer | |
| Enrique González Macho | .... | associate producer | |
| Modesto Pérez Redondo | .... | delegate producer | |
Musique originale | |||
| Pascal Gaigne | |||
Image | |||
| Teo Delgado | |||
Montage | |||
| Ángel Hernández Zoido | |||
Distribution des rôles | |||
| Manuel Martín Cuenca | |||
Création des costumes | |||
| Teresa Mora | |||
Maquillage | |||
| Itziar Arrieta | .... | assistant hair stylist (as Iciar Arrieta) | |
| Ione Gabarain | .... | hair stylist | |
| Lola López | .... | makeup artist | |
Directeur de production | |||
| Teresa Cepeda | .... | assistant production manager | |
| Pizca Gutiérrez | .... | production manager | |
Assistant réalisateur | |||
| Telmo Esnal | .... | second assistant director | |
| Sergio Francisco | .... | assistant director | |
| Andrea Macchione | .... | second second assistant director | |
Département Art | |||
| Inés Aparicio | .... | assistant property master | |
| Quique Gutiérrez | .... | assistant property master (as Enrique Gutiérrez) | |
| Víctor Molero | .... | assistant set decorator | |
| Paco Redondo | .... | assistant property master | |
| Zaloa Ziluaga | .... | property master | |
Technicien du son | |||
| Álvaro Aguirre | .... | second boom operator | |
| Manuel Carrión | .... | sound effects | |
| Jaime Fernández | .... | assistant sound mixer | |
| Pelayo Gutiérrez | .... | sound editor | |
| Agustín Peinado | .... | direct sound | |
| Alfonso Pino | .... | sound mixer | |
| Guillermo Solana | .... | boom operator | |
Effets spéciaux | |||
| Pau Costa | .... | special effects | |
Caméra et Département Electrique | |||
| Alfredo Díaz | .... | key grip | |
| Sonia Eguren | .... | second assistant camera | |
| Ramón García | .... | electrician | |
| Isaías Ibáñez | .... | gaffer | |
| Iñigo Iturri | .... | still photographer | |
| Pilar Redal Montané | .... | assistant camera (as Piti Redal) | |
| Fernando Vázquez Gondar | .... | electrician | |
Département Casting | |||
| Álvaro Gómez | .... | casting associate | |
| Eva Leira | .... | casting assistant | |
Département Costume et garde-Robe | |||
| David González | .... | wardrobe | |
Dpartement Editorial | |||
| Antonio Arias | .... | second assistant editor | |
| Ascen Marchena | .... | assistant editor | |
Département Musique | |||
| Amaia Aritzi | .... | assistant music producer | |
| Pascal Arnaud | .... | musician: viola | |
| Noura Bounaga | .... | musician: violin | |
| Luis Camino | .... | musician: percussion | |
| Pascal Gaigne | .... | musician: bongo | |
| Pascal Gaigne | .... | musician: guitar | |
| Pascal Gaigne | .... | musician: percussion | |
| Idoia Gascón | .... | musician: viola | |
| Óscar López Celaya | .... | musician: violin (as Óscar López) | |
| Pablo Martín | .... | musician: bass guitar | |
| Pablo Martín | .... | musician: counter bass | |
| Iñaki Prieto | .... | musician: cello | |
| Itziar Prieto | .... | musician: violin | |
| Juan Antonio Ros | .... | music producer | |
| Iñaki Salvador | .... | musician: accordion | |
| Iñaki Salvador | .... | musician: piano | |
| José Silguero | .... | musician: alto (as Josetxo Silguero) | |
| José Silguero | .... | musician: baritone (as Josetxo Silguero) | |
| José Silguero | .... | musician: tenor (as Josetxo Silguero) | |
| Francois Xavier | .... | musician: violin | |
Divers | |||
| Mónica Acebes | .... | production secretary | |
| Juan Butragueno | .... | legal advisor | |
| Yago Coblan | .... | production assistant | |
| Richard Diment | .... | production assistant | |
| César González | .... | production assistant | |
| Benito Moreno | .... | accountant | |
| Purificación Moreno | .... | accounting advisor | |
| Montse Ordorica | .... | script supervisor | |
| Tatiana Rodríguez | .... | production office secretary | |
| Carlos J. Santos | .... | title designer | |
|
|
|
|
|
| Volver | L'auberge espagnole | The Matador | The Station Agent | Belle epoque |
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Comedie section | IMDb Spain section | Add this title to MyMovies |
This is a film about women from third world countries hoping to get a better life by marrying to a developed country. These women from South America married Spanish men in a singles party, and they thought that they would become rich and happy. However, things are not what they hoped to be. They had to live in rural villages, their husbands were middle aged farmers.
The film concentrated on two couples. One couple were truly in love, they got along well but the woman got kicked away by the husband because she lied that she already got a divorce from her ex-husband. Another couple were not in love, the woman had another boyfriend in Italy and she constantly wanted to leave her husband to go to her boyfriend. In the end she left her husband by fleeing away to Italy without any notice.
This is an interesting film. I never thought that this problem was a worldwide problem before. I know that there are a lot of women from Mainland China who wants to get rich this way by marrying a Hong Kong men, but I did not know this phenomenon occurs in other countries too. When I watched this film, it made me think about this phenomenon. Why are there so many women who want to do this, when there are so many failure stories already? Marriages like these often do not result in happiness. The women have unrealistic expectations and dreams, that they would become disappointed after finding out the truth.
The pace of the film was quite fast. Although the story seemed simple, there were a lot going on in the film that the viewers are kept busy with different events continuously. I liked the leading actress, the woman who loved her husband but got kicked out. Her acting was good, because she showed her emotions without being too exaggerated. Another actor who played well was the apprentice of the carpenter. He tried to have a relationship with the woman who did not love her husband. When he approached her, he was nervous and shy. I think he played his role well.
Another aspect of this film that is worthy of comment is that, when the woman who left her husband first appeared, she was wearing a pair of tights with the pattern of the American flag. I think that this symbolises the fact that she wants to be rich and happy, like the American Dream. We can tell from the start that she married only for money, and she would leave and marry another man if she could not become satisfied.
I would recommend people to watch this film, not just for enjoyment, but for educational purposes too.