Conflict-of-interest note: As most of you know, I produce films in addition to editing Filmmaker. Others on our team do as well. “By filmmakers, for filmmakers,” our marketing tagline has long been, and I like to think that our experience gives the magazine insight as well as strong bullshit detector. Being aware of my multiple hats, however, I generally exclude projects I produce from the magazine and site. That’s why you’ve never read about films like Off the Black, Saving Face and Raising Victor Vargas in Filmmaker. (Sorry, directors!) But when it comes to the following story of interest to independent filmmakers, I’ll make an exception because it would be wrong to not cover it and disingenuous not to acknowledge my own films in this mix. Hopefully by adding my own experience I add something to the story. And if anyone wants advice on re-delivering 20-year old films,...
- 1/20/2012
- by Scott Macaulay
- Filmmaker Magazine - Blog
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