"Dark Angel" (2000) Série TV 2000-2002

Note Générale:

7,6/10   

Créateurs:

James Cameron
Charles H. Eglee

Saisons:

1 | 2

Date de sortie:

3 octobre 2000 (USA)

Genre:

Action | Science-Fiction

Accroche:

She is the shape of thing to come...

Intrigue:

A group of genetically-enhanced children escape from a lab project. Years later we meet Max, one of the escapees who now works for a messenger service in the post-apocalyptic Pacific Northwest.

Plot Keywords:

Escape | Future | Messenger | Disguise | Dark Heroine

Récompenses:

Nominated for Golden Globe. Another 6 wins & 18 nominations

Avis des utilisateurs:

Cameron S.O.S

Ensemble

Jessica Alba	...	Max Guevera / ... (Episodes, 2000-2002)
Michael Weatherly	...	Logan Cale (Episodes, 2000-2002)
Richard Gunn	...	Calvin 'Sketchy' Theodore / ... (Episodes, 2000-2002)
J.C. MacKenzie	...	Reagan 'Normal' Ronald (Episodes, 2000-2002)
Valarie Rae Miller	...	Cynthia 'Original Cindy' McEachin / ... (Episodes, 2000-2002)
John Savage	...	Donald Lydecker (Episodes, 2000-2001)
Jensen Ackles	...	Alec / ... (Episodes, 2001-2002)
Alimi Ballard	...	Herbal Thought (Episodes, 2000-2001)
Martin Cummins	...	Ames White (Episodes, 2001-2002)
Kevin Durand	...	Joshua (Episodes, 2001-2002)
Ashley Scott	...	Asha Barlow (Episodes, 2001-2002)

Autre(s) titre(s):

James Cameron's Dark Angel (USA) (complete title)

Durée:

60 min | USA:60 min (42 episodes)

Pays:

USA

Langue:

Anglais

Couleur:

Couleur

Son:

Dolby

Classification:

Ireland:15 (Season 1) | Ireland:18 (Season 2) | South Korea:12 (Episodes 1-8) | South Korea:15 (Episodes 9-20) | Argentina:13 | Australia:MA (some episodes) | Australia:M (some episodes) | Singapore:PG | USA:TV-14

Lieux de tournage:

Britannia Beach, British Columbia, Canada

Société:

20th Century Fox Television

Anecdotes:

Max's Phone number, clearly heard near the beginning of the episode "Harbor Lights" when dialed by Logan, (He is forwarded to her pager) are the first few (9) notes of the theme song to "The Wheel of Fortune".

Goofs:

micro visible: In "Flushed", after Max throws the shoplifter's buddy out of his car, as she zips away in it, a boom mic and a small stage light are reflected in the rear window very briefly.

Guillemet:

Logan Cale: If I just had my ass handed to me by a size three, I'd be inclined to mind my own business.

Connexions:

Référencé sur "Saturday Night Live: Rob Lowe/Eminem (#26.1)" (2000)

Cameron S.O.S

This show started with much promise, but I think it is fading fast. Unless James Cameron takes a more hands-on approach and start doing some of the writing and/or directing himself, this will be another one of those short lived TV series that will be rerun on either TNT, SCI-FI, or FX cable channels ad-infinitum. I think that this show suffers from the same problems that the PRETENDER suffered from: it just keeps recycling the same good guy(girl) vs. bad guy stuff while continuing to build up on the subplots with no discernable solution to the questions the subplots are raising. In order for these types of series to succeed, the producers, in my humble opinion, need to tie the various subplots at some point to THE main plot of the show and relegate the good cop vs. bad cop episodic plots to the back burner.Of course this would mean, one suspects, that at some point the series would be over, because the main plot would be solved. The other thing that bothers me about Dark Angel is the hunter vs. the hunted theme: we've already had this in The Fugitive, The Incredible Hulk, The Pretender, to some extend in The Profiler, and probably others that I haven't even heard of. Can we get rid of it? It is the biggest cliche on TV right now. Cameron said in an interview that he would only come in to direct and write an episode if it could be ground breaking enough and something that had not been done before on TV. Now's the time to do it, Jimbo. If you care about this project, save its life, please! I would submit that that is ground breaking enough.