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La stanza del figlio (2001)
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Vue d'ensemble
Note Générale:
Date de sortie:
9 mars 2001 (Italy) suiteIntrigue:
A psychoanalyst and his family go through profound emotional trauma when their son dies in a scuba diving accident. full summary | add synopsisRécompenses:
9 wins & 24 nominations suiteAvis des utilisateurs:
`Son's Room' reminds me why I love character-driven European films. plus de (72 total)Ensemble
(Vue d'ensemble du casting, par ordre d'apparence)| Nanni Moretti | ... | Giovanni | |
| Laura Morante | ... | Paola | |
| Jasmine Trinca | ... | Irene | |
| Giuseppe Sanfelice | ... | Andrea | |
| Sofia Vigliar | ... | Arianna | |
| Renato Scarpa | ... | Headmaster | |
| Roberto Nobile | ... | Priest | |
| Paolo De Vita | ... | Luciano's Father | |
| Roberto De Francesco | ... | Record Store Clerk | |
| Claudio Santamaria | ... | Dive Shop Clerk | |
| Antonio Petrocelli | ... | Enrico | |
| Lorenzo Alessandri | ... | Filippo's Father | |
| Alessandro Infusini | ... | Matteo | |
| Silvia Bonucci | ... | Carla | |
| Marcello Bernacchini | ... | Luciano |
Détails supplémentaires
Autre(s) titre(s):
The Son's Room (International: English title) (UK) (USA)Giovanni (Italy) (working title)
La chambre du fils (France)
suite
MPAA:
Rated R for language and some sexuality.Parents Guide:
Add content advisory for parentsDurée:
99 minCouleur:
CouleurRapport de forme:
1,85 : 1 suiteSon:
Dolby DigitalClassification:
Portugal:M/12 | Italy:T | Argentina:13 | Australia:M | Chile:TE | Finland:K-11 | France:U | Germany:12 | Hong Kong:IIB | Japan:PG-12 | Netherlands:AL | Norway:11 | Peru:PT | Singapore:NC-16 | South Korea:12 | Spain:13 | Sweden:7 | Switzerland:0 (canton of the Grisons) | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:RCuriosités
Anecdotes:
The Latin lines that crop up are from Lucretius' De rerum natura. The full passage reads as follows: "Haec sic pernosces parva perductus opella; namque alid ex alio clarescet nec tibi caeca nox iter eripiet, quin ultima naturai pervideas: ita res accendent lumina rebus. (Lucretius, De Rerum Natura I, 1114-1117) An (old-fashioned) English translation: "These points, if thou wilt ponder, Then, with but paltry trouble led along... For one thing after other will grow clear, Nor shall the blind night rob thee of the road, To hinder thy gaze on Nature's Farthest-forth. Thus things for things shall kindle torches new." suiteBande son:
By This River suitefoire aux questions
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`Son's Room' reminds me why I love character-driven European films: the pace is slow, the camera lingers on a face longer than an American shot would dare, and the theme is frighteningly simple but almost always universal. In this case, a loving family has lost a son; the grieving process and the letting go are painful and inevitable. The film makes it all as lyrical as could be possible for a grim topic.
The point of view is consistently the psychiatric-professional dad's, who regrets he had not forced his son to run with him rather than go with his friends that fateful Sunday. Dad's sessions with clients frequently mirror his personal family life, before and after the tragedy, adding a melancholy connection between this flawed evaluator of men and his clients. In a dream he tells one of his clients, `I'm just as boring as you are,' certifying that our analyst and the rest of us are neither above nor below the ties that bind humans. Nanni Moretti writes and directs with Jean Renoir's gifted sense of the romance and tragedy of living everyday.
The exaggerated scenes of happy family life before the tragedy, for instance when they lip-synch to tunes during car trips, serve to highlight the unbearably real grief after. Eventually it takes a young outsider to move the characters to another level of reconciliation. Throughout the film the son's room maintains it role as motif to remind that the son, like us, lives in this space for just a short while.
This plot resolution is best expressed by the lyrics on the radio as the family comes to terms with its grief in the final scene
"Here we are stuck by this river/You and I underneath a sky/That's ever falling down, down, down."
This ending fits well the need to get outside grief to beat it at its corrosive game.
`Son's Room' shows that we will be crushed by that sky if we don't take care. The film deservedly won the top prize last year at the Cannes Film Festival.