La stanza del figlio (2001)

Note Générale:

7,4/10   

Réalisateur:

Nanni Moretti

Scénaristes:

Nanni Moretti (story)
Nanni Moretti (screenplay) ...

Date de sortie:

9 mars 2001 (Italy)

Genre:

Drame | Mystère

Intrigue:

A psychoanalyst and his family go through profound emotional trauma when their son dies in a scuba diving accident.

Plot Keywords:

Psychoanalyst | Diving | Scuba Diving | Patient | Fossil

Récompenses:

9 wins & 24 nominations

Avis des utilisateurs:

`Son's Room' reminds me why I love character-driven European films.

Ensemble

Nanni Moretti	...	Giovanni
Laura Morante	...	Paola
Jasmine Trinca	...	Irene
Giuseppe Sanfelice	...	Andrea
Sofia Vigliar	...	Arianna
Renato Scarpa	...	Headmaster
Roberto Nobile	...	Priest
Paolo De Vita	...	Luciano's Father
Roberto De Francesco	...	Record Store Clerk
Claudio Santamaria	...	Dive Shop Clerk
Antonio Petrocelli	...	Enrico
Lorenzo Alessandri	...	Filippo's Father
Alessandro Infusini	...	Matteo
Silvia Bonucci	...	Carla
Marcello Bernacchini	...	Luciano

Autre(s) titre(s):

The Son's Room (International: English title) (UK) (USA)
Giovanni (Italy) (working title)
La chambre du fils (France)

MPAA:

Rated R for language and some sexuality.

Durée:

99 min

Pays:

Italy | France

Langue:

Italien | Latin

Couleur:

Couleur

Rapport de forme:

1,85 : 1

Son:

Dolby Digital

Classification:

Portugal:M/12 | Italy:T | Argentina:13 | Australia:M | Chile:TE | Finland:K-11 | France:U | Germany:12 | Hong Kong:IIB | Japan:PG-12 | Netherlands:AL | Norway:11 | Peru:PT | Singapore:NC-16 | South Korea:12 | Spain:13 | Sweden:7 | Switzerland:0 (canton of the Grisons) | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:R

Lieux de tournage:

Ancona, Marche, Italy

Société:

Rai Cinemafiction

Anecdotes:

The Latin lines that crop up are from Lucretius' De rerum natura. The full passage reads as follows: "Haec sic pernosces parva perductus opella; namque alid ex alio clarescet nec tibi caeca nox iter eripiet, quin ultima naturai pervideas: ita res accendent lumina rebus. (Lucretius, De Rerum Natura I, 1114-1117) An (old-fashioned) English translation: "These points, if thou wilt ponder, Then, with but paltry trouble led along... For one thing after other will grow clear, Nor shall the blind night rob thee of the road, To hinder thy gaze on Nature's Farthest-forth. Thus things for things shall kindle torches new."

Connexions:

Référencé sur Film Geek (2005)

Bande son:

By This River

`Son's Room' reminds me why I love character-driven European films.

`Son's Room' reminds me why I love character-driven European films: the pace is slow, the camera lingers on a face longer than an American shot would dare, and the theme is frighteningly simple but almost always universal. In this case, a loving family has lost a son; the grieving process and the letting go are painful and inevitable. The film makes it all as lyrical as could be possible for a grim topic.

The point of view is consistently the psychiatric-professional dad's, who regrets he had not forced his son to run with him rather than go with his friends that fateful Sunday. Dad's sessions with clients frequently mirror his personal family life, before and after the tragedy, adding a melancholy connection between this flawed evaluator of men and his clients. In a dream he tells one of his clients, `I'm just as boring as you are,' certifying that our analyst and the rest of us are neither above nor below the ties that bind humans. Nanni Moretti writes and directs with Jean Renoir's gifted sense of the romance and tragedy of living everyday.

The exaggerated scenes of happy family life before the tragedy, for instance when they lip-synch to tunes during car trips, serve to highlight the unbearably real grief after. Eventually it takes a young outsider to move the characters to another level of reconciliation. Throughout the film the son's room maintains it role as motif to remind that the son, like us, lives in this space for just a short while.

This plot resolution is best expressed by the lyrics on the radio as the family comes to terms with its grief in the final scene

"Here we are stuck by this river/You and I underneath a sky/That's ever falling down, down, down."

This ending fits well the need to get outside grief to beat it at its corrosive game.

`Son's Room' shows that we will be crushed by that sky if we don't take care. The film deservedly won the top prize last year at the Cannes Film Festival.