| Photos (see all 12 | slideshow) | Videos |
| John Turturro | ... | Aleksandr Ivanovich 'Sascha' Luzhin | |
| Emily Watson | ... | Natalia Katkov | |
| Geraldine James | ... | Vera, Natalia's Mother | |
| Stuart Wilson | ... | Leo Valentinov | |
| Christopher Thompson | ... | Jean de Stassard | |
| Fabio Sartor | ... | Dottore Salvatore Turati | |
| Peter Blythe | ... | Ilya | |
| Orla Brady | ... | Aunt Anna | |
| Mark Tandy | ... | Luzhin's Father | |
| Kelly Hunter | ... | Luzhin's Mother | |
| Alexander Hunting | ... | Young Aleksandr Luzhin | |
| Alfredo Pea | ... | 1st Official | |
| Fabio Pasquini | ... | 2nd Official | |
| Luigi Petrucci | ... | Santucci | |
| Carlo Greco | ... | Hotel Manager | |
| Massimo Sarchielli | ... | Tailor | |
| Luca Foggiano | ... | Fascist | |
| Antonio Carli | ... | Fascist | |
| David Ambrosi | ... | Fascist | |
| reste de la distribution par ordre alphabétique: | |||
| Géza Schramek | ... | Maitre'D (uncredited) | |
Réalisé par | |||
| Marleen Gorris | |||
Scénaristes | ||
| Vladimir Nabokov | (novel "Zashchita Luzhina") | |
| Peter Berry | (screenplay) | |
Produit par | |||
| Péter Barbalics | .... | co-producer | |
| Louis Becker | .... | producer | |
| Stephen Evans | .... | producer | |
| Philippe Guez | .... | producer | |
| Jody Patton | .... | executive producer | |
| Leo Pescarolo | .... | co-producer | |
| Eric Robison | .... | co-producer | |
| Andrew Warren | .... | line producer | |
| Caroline Wood | .... | producer | |
Musique originale | |||
| Alexandre Desplat | |||
Image | |||
| Bernard Lutic | (director of photography) | ||
Montage | |||
| Michiel Reichwein | (as Michaël Reichwein) | ||
Distribution des rôles | |||
| Celestia Fox | |||
Création des décors | |||
| Tony Burrough | |||
Direction artistique | |||
| John Hill | (supervising art director) | ||
Création des costumes | |||
| Jany Temime | |||
Maquillage | |||
| Cristiana Bertini | .... | additional hair stylist | |
| Cristiana Bertini | .... | additional makeup artist | |
| Elaine Browne | .... | hair stylist | |
| Elaine Browne | .... | makeup artist | |
| Harisa Centani | .... | additional hair stylist | |
| Harisa Centani | .... | additional makeup artist | |
| Lamberto Deli | .... | additional hair stylist (as Lambero Deli) | |
| Lamberto Deli | .... | additional makeup artist (as Lambero Deli) | |
| Annamaria Ginnoto | .... | additional hair stylist | |
| Annamaria Ginnoto | .... | additional makeup artist | |
| Lesley Noble | .... | hair stylist | |
| Lesley Noble | .... | makeup artist | |
| Carla Ruffert | .... | additional hair stylist | |
| Carla Ruffert | .... | additional makeup artist | |
| Roseann Samuel | .... | hair designer | |
| Roseann Samuel | .... | makeup designer | |
| Allison Sing | .... | hair stylist | |
| Allison Sing | .... | makeup artist | |
| Rozalia Szegedi | .... | additional hair stylist | |
| Rozalia Szegedi | .... | additional makeup artist | |
Directeur de production | |||
| Ferenc Béres | .... | unit production manager (as Ferenc Beres) | |
| Fleur Fontaine | .... | post-production supervisor | |
| László Lakatos | .... | unit manager | |
| Mark Mostyn | .... | unit manager | |
| Rosanna Roditi | .... | production manager | |
| Paolo Rosada | .... | unit manager | |
| László Sipos | .... | production manager | |
| Maria Walker | .... | post-production supervisor | |
Assistant réalisateur | |||
| Gábor Gajdos | .... | assistant director: Hungary (as Gabor Gajdos) | |
| Tommy Gormley | .... | first assistant director | |
| Tamás Mink | .... | second assistant director (as Tamas Mink) | |
| Sarah Purser | .... | second assistant director | |
| Boyana Sutic | .... | assistant director: Italy (as Bojana Sutic) | |
| Aoife Thunder | .... | third assistant director | |
Art Department | |||
| Daniel Bacciu | .... | props buyer | |
| Zsuzsanna Borvendég | .... | art director: Hungary (as Zsuzsanna Borvendeg) | |
| Sarah Jane Cornish | .... | stand-by art director | |
| Noel Cowell | .... | stand-by propsman | |
| Luciano Curti | .... | painter | |
| Paolo Cusin | .... | laborer | |
| Gisella Ingrassia | .... | painter | |
| Marino Ingrassia | .... | painter | |
| Ermanno Kerstich | .... | laborer (as Ermanno Kersich) | |
| Imre Kiss | .... | assistant construction manager | |
| Luciano Magagnini | .... | assistant props man | |
| Kamlan Man | .... | production buyer | |
| Mihaly Marton | .... | assistant props man | |
| Mauro Masotti | .... | assistant props man | |
| Ennio Meloni | .... | assistant construction manager | |
| Norman Mitchell | .... | glass chess set | |
| Tiziano Nardoni | .... | construction manager | |
| Alessandra Querzola | .... | set dresser: Italy | |
| Shirley Robinson | .... | graphic designer | |
| Miklós Schmelcz | .... | construction manager (as Miklos Schmelz) | |
| Dominic Smithers | .... | supervising set decorator | |
| John Smith | .... | props storeman | |
| Francesco Staltari | .... | assistant construction manager | |
| Sam Stokes | .... | property master | |
| Lajos E. Szabó | .... | stand-by construction manager (as Lajos E Szabo) | |
| István Tóth | .... | set dresser: Hungary (as István Toth) | |
| Emanuele von Normann | .... | art director: Italy (as Emanuele Von Normann) | |
| Béla Tollay | .... | swing gang (uncredited) | |
Technicien du son | |||
| Andrea Azzolini | .... | sound trainee | |
| John Bateman | .... | adr mixer | |
| John Bateman | .... | foley mixer | |
| James Boyle | .... | assistant sound editor | |
| Michael Crouch | .... | adr editor | |
| Solrey Dupray | .... | recording producer | |
| Richard Fettes | .... | supervising sound editor | |
| Robert Gavin | .... | foley editor | |
| Peter Glossop | .... | production sound mixer | |
| Craig Irving | .... | sound re-recording mixer | |
| Mark Kenna | .... | stereo sound consultant: Dolby | |
| Mark Lafbery | .... | assistant sound re-recording mixer | |
| György Mihályi | .... | sound trainee (as Gyorgy Mihalyi) | |
| Shaun Mills | .... | boom operator | |
| Colin Ritchie | .... | dialogue editor | |
| Lionel Selwyn | .... | foley artist | |
| Ruth Sullivan | .... | foley artist | |
| Alan Sutcliffe | .... | sound recordist | |
| Jack Whittaker | .... | assistant sound editor | |
Effets spéciaux | |||
| Attila Erczkovi | .... | stand-by pyrotechnician (as Attila Erckovi) | |
| Zsolt Furedi | .... | special effects technician | |
| István Gittinger | .... | stand-by pyrotechnician (as Istvan Gittinger) | |
| Gyula Krasnyánszky | .... | pyrotechnic technical advisor (as Gyula Krasnyanszky) | |
| Ferenc Ormos | .... | special effects supervisor | |
| György Solymosi | .... | special effects technician (as Gyorgy Solymosi) | |
| Alfredo Spadaro | .... | special effects technician | |
| Massimo Ticchiati | .... | special effects technician | |
| Gabor Kiszelly | .... | special effects technician (uncredited) | |
Visual Effects | |||
| Craig Chandler | .... | visual effects producer (uncredited) | |
| Alan Church | .... | visual effects supervisor (uncredited) | |
Cascadeur | |||
| David Ambrosi | .... | stunt coordinator | |
| Giovanna Leici | .... | stunts | |
| Riccardo Mioni | .... | stunt coordinator | |
| Alessandro Novelli | .... | stunts (as Allessandro Novelli) | |
| Emiliano Novelli | .... | stunts | |
Casting Department | |||
| Louis Elman | .... | adr voice casting | |
| Adriana Sabbatini | .... | casting director: Italy | |
| Alex Johnson | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Mari Balázs-Piri | .... | wardrobe assistant (as Mari Balazs-Piri) | |
| Sergio Ballo | .... | wardrobe assistant | |
| Amanda Craze | .... | stand-by costume supervisor | |
| Françoise Fourcade | .... | wardrobe assistant | |
| György Homonnay | .... | wardrobe supervisor | |
| Péter Kincs | .... | wardrobe assistant (as Peter Kincs) | |
| Mark Lord | .... | wardrobe assistant | |
| Barbara Vianello | .... | wardrobe assistant | |
Editorial Department | |||
| Kevin Ahern | .... | first assistant film editor | |
| Peter Hunt | .... | grader | |
| Lucy Smith | .... | first assistant film editor | |
| Wiebe van der Vliet | .... | non-linear assistant editor (as Wiebe Van Der Vliet) | |
| Lucy H. Williams | .... | second assistant film editor (as Lucy Williams) | |
Music Department | |||
| Riccardo Chailly | .... | conductor: Royal Concertgebouw Orchestra, "Waltz 2" from "Suite for Jazz Orchestra No. 2" | |
| Simon Chamberlain | .... | musician: piano solo | |
| Alexandre Desplat | .... | conductor | |
| Alexandre Desplat | .... | orchestrator | |
| Tom Jenkins | .... | assistant music recordist | |
| John Timperley | .... | music mixer | |
| John Timperley | .... | music recordist | |
| David Walter | .... | assistant music recordist | |
Divers | |||
| Zoltán Baráth | .... | extras coordinator (as Zoltán Barat) | |
| Tessa Beazley | .... | production secretary | |
| Réka Belsô | .... | assistant to director (as Reka Belsö) | |
| Ferenc Béres | .... | unit location manager (as Ferenc Beres) | |
| Gabor Boda | .... | stand-in: Mr. Turturro | |
| Bobe Bodzsar | .... | assistant accountant (as Erzsebet Bodzsar) | |
| Nicola Catullo | .... | location assistant | |
| Clara Collati | .... | production secretary | |
| Giovanni Constantino | .... | paramedic | |
| Alessandro Cosma | .... | unit caterer | |
| Gabriella Csoma | .... | production coordinator | |
| Tommaso Dabala | .... | production assistant | |
| Marco Dandola | .... | production assistant (as Marco B Dandola) | |
| Judit Dégi | .... | interpreter | |
| Filippo De Martin | .... | floor runner | |
| Sándor Dénes | .... | extras coordinator (as Sandor Denes) | |
| Domenico Di Parigi | .... | extras coordinator | |
| Lorenzo Donegana | .... | stand-in: Mr. Turturro | |
| Péter Dr. Hertzka | .... | unit doctor | |
| Stephanie Eatwell | .... | design assistant supervisor | |
| Viktoria Elek | .... | stand-in: Ms. Watson | |
| Elizabeth Every | .... | tutor: Alexander Hunting | |
| Roberta Facchettin | .... | assistant accountant | |
| Ron Forder | .... | assistant production accountant | |
| Bela Frey | .... | shipping agent | |
| Sean Gaji | .... | assistant to director | |
| Theodore Goddard | .... | legal services | |
| Tamás Guba | .... | location manager | |
| Mate Gyori | .... | stand-in: Master Hunting | |
| István Havlik | .... | additional stand-in (as Istvan Havlik) | |
| Susan Hunting | .... | chaperone | |
| Ildiko Kemeny | .... | production associate (as Ildiko Kemény) | |
| Ray Kenny | .... | floor runner | |
| Iren Kertesz | .... | production secretary (as Irén Kertiesz) | |
| Tamás Kertész | .... | assistant extras coordinator (as Tamas Kertesz) | |
| Barnabas Kiraly | .... | floor runner | |
| Brigitta Kosztandi | .... | production accountant | |
| Pierro Loy | .... | dance instructor | |
| Charles Mcdonald | .... | publicist (as Charles Macdonald) | |
| Harry Naylor | .... | projectionist | |
| Chiara Orefice | .... | stand-in: Ms. Watson | |
| Rita Pilinyi | .... | production assistant | |
| Jo Pond | .... | production accountant | |
| Sara Rossini | .... | floor runner | |
| Fabiano Rubeo | .... | assistant accountant | |
| Judit Sági | .... | interpreter | |
| Gregor Schimdinger | .... | tennis coach | |
| Jean Simmons | .... | computer operator | |
| Diego Somigliana | .... | assistant extras coordinator | |
| John Speelman | .... | chess consultant | |
| Paul Swann | .... | laboratory contact | |
| Nathalie Tanner | .... | production coordinator | |
| Sophie Thévenet-Becker | .... | script supervisor (as Sophie Thevenet Becker) | |
| Daniele Tiberi | .... | production accountant (as Daniele Tiberi) | |
| Anita Tomaselli | .... | production coordinator | |
| Micol Tummino | .... | accounts runner | |
| Mónika Varga | .... | unit nurse (as Monika Varga) | |
| Béla Vaszary | .... | unit doctor (as Dr. Béla Vaszary) | |
| Fabio Vianello | .... | location manager | |
| Mario Vianello | .... | unit caterer | |
| Elizabeth West | .... | script supervisor | |
| Claudia Kalindjian | .... | unit publicist (uncredited) | |
| Rita Pilinyi | .... | assistant accountant (uncredited) | |
| Paolo Rosada | .... | location manager (uncredited) | |
Thanks | |||
| Jonathan Berger | .... | special thanks | |
| Anthony Davies | .... | special thanks | |
| Michael Freundlich | .... | special thanks | |
| Thomas Gardiner | .... | special thanks | |
| Dominique Green | .... | special thanks | |
| Sophie Janson | .... | special thanks | |
| Simon McBurney | .... | special thanks | |
| József Romvári | .... | special thanks (as Romváry József) | |
| Anne Sheehan | .... | special thanks | |
| Evelyne Tissier | .... | special thanks | |
| Maria Uitdehaag | .... | special thanks | |
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| The Man Who Cried | The Notebook | Giant | City of Shoulders and Noses | Mansfield Park |
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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| Full cast and crew | Company credits | External reviews |
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John Turturro, Emily Watson, Geraldine James, Stuart Wilson; directed by Marleen Gorris, loosely based on the novel by Vladimir Nabokov The Luzhin Defence is set in nineteen-twenties Italy's lake district where the world championships of Chess are being staged. Our hero Luzhin (Turturro) is a main contender for the title and recognized as one of the greatest chess minds of the era. He is utterly consumed by game, and has utterly devoted his life to the contest since a young age. It has been both obsession and addiction for the man, as it is both all he knows and what gives his life meaning. While competing in the championships, he meets Natalia (Watson), a wealthy socialite. Showing his peculiarity, he immediately asks her to marry him, sight unseen. Intrigued by his straight forward manner, she does not immediately dismiss him.
This is due to the fact that she is here for her mother to choose a suitor for her, and Luzhin's eccentricity is seen by her as a welcome change. Her mother (James) is completely taken aback by such an idea, and wants her daughter to marry someone of similar prestige and means. All of this transpires while his old chess teacher (Wilson) tutors his chief rival, wanting nothing more than to see Luzhin humiliated.
Being a chess movie, it could immediately be set aside as dull and unwatchable, being as Chess is not exactly a spectator sport.
However, this movie is much less about chess and much more about the people surrounding the game; making it a piece about the interactions of personalities and not pieces. The movie does find a parallel however, as it is shown like a chess match between two sides, the present and the past (shown through flashbacks), with one side prevailing at the end. This storytelling choice works surprisingly well, as we gain much insight as to why Luzhin is the way he is, and how he views the world.
The movie begins with a telling piece of cinematography, as the audience is given the perspective of a train conductor emerging from a tunnel. This is especially significant when viewed in the sense of Luzhin's later mental breakdown, and can be seen as meaning the same thing. This scene is then segued into the first flashback, giving us a pattern that can be seen in the rest of the film. Other notable scenes include the meeting of Natlalia and Alexander at a tennis court, and later when he is thinking to himself in their bedroom, "There is a pattern emerging!" cries the eccentric chess genius Alexander Luzhin. "I must keep track--every second!" To which Natalia, whom he loves can only reply, "It sounds like such a lonely battle.' This all encompassing effect of chess on him can also be seen earlier in the film, as he is being driven by one of his old chess teachers chauffeurs into the middle of the countryside, is dropped off there, and does not notice. The end adds character to the film without being overly dramatic, but is a departure from the finish of the novel, however it is believable and adds to the sense that Luzhin does not really control himself, or know how.
Overall an enjoying piece of film, more about camera angles and people then chess. After the first half, the films pace drastically speeds up, and the plot becomes much more intriguing. Can best be compared to other independent films of its ilk, yet also suffices quite well as a period piece. Probably not a buy, but a worthy rental for an evening at home.