Directed by
| Jack Bender | ||
Writing Credits (WGA)
| Crystal Zevon | ... | (story) & |
| Ramey E. Ward | ... | (story) (as Ramey Ward) and |
| Howard Korder | ... | (story) |
| Howard Korder | ... | (teleplay) |
Cast (in credits order)
Produced by
| Chad Hoffman | ... | executive producer (as Chad S. Hoffman) |
| Sascha Schneider | ... | producer |
| Ramey E. Ward | ... | co-producer (as Ramey Ward) |
| Elizabeth Missan Yost | ... | associate producer |
| Crystal Zevon | ... | co-producer |
Music by
| David Schwartz | ||
Cinematography by
| Ronald Víctor García | ... | (as Ron Garcia) |
Editing by
| Mark Melnick | ||
Casting By
| Libby Goldstein | ||
| Junie Lowry-Johnson | ||
Production Design by
| Peter Politanoff | ||
Set Decoration by
| Natalie Pope | ||
Costume Design by
| Amy Stofsky | ||
Makeup Department
| Janet Moore | ... | hair stylist |
| Lisa Rocco | ... | makeup artist / makeup department head |
Production Management
| Mel A. Bishop | ... | executive in charge of production |
| Wes Irwin | ... | post-production supervisor |
| Sascha Schneider | ... | unit production manager |
Second Unit Director or Assistant Director
| Michael Helfand | ... | second assistant director (as Mike Helfand) |
| Paul Lawrence | ... | second second assistant director |
| W. Thomas Snyder | ... | first assistant director |
Art Department
| Jo Brown | ... | scenic |
| Lilly Frank | ... | paint decorator |
| Vic Petrotta Jr. | ... | property master (as Victor Petrotta Jr.) |
| Steven M. Saylor | ... | lead set designer |
| David Napoli | ... | on-set dresser (uncredited) |
Sound Department
| Daniel Colman | ... | sound effects editor |
| Ross Davis | ... | re-recording mixer |
| Mark DeSimone | ... | adr mixer |
| Tom Fox | ... | utility sound |
| Grover B. Helsley | ... | re-recording mixer |
| Robert Janiger | ... | sound mixer |
| Deni King | ... | supervising sound editor |
| Tim Philben | ... | re-recording mixer |
| George W. Scott | ... | boom operator |
Stunts
| Jose Vasquez | ... | stunt performer (as Jose L. Vasquez) |
Camera and Electrical Department
| Doug Chartier | ... | dolly grip operator: "a" camera |
| Lee Johnson | ... | best boy |
| Eugene B. Kerry | ... | key grip |
| Patriq Luo | ... | electrician |
| Elan Yaari | ... | gaffer |
| Vincent Torres | ... | best boy grip (uncredited) |
Casting Department
| Tana Roller | ... | extras casting |
Costume and Wardrobe Department
| Cheri Reed | ... | costume supervisor |
Editorial Department
| Ryan D. Adams | ... | post-production coordinator |
| J. Randolph Harrison | ... | assistant editor |
Location Management
| Patrick McIntire | ... | location manager |
Music Department
| David Bondelevitch | ... | music editor |
Script and Continuity Department
| Adrienne Hamalian-Mangine | ... | script supervisor (as Adrienne Hamalian) |
Transportation Department
| Jay Kennedy | ... | transportation coordinator |
| DeAnna Weippert | ... | driver |
Additional Crew
| Heather Allyn | ... | assistant to executive producer |
| Amy D'Alessandro | ... | title designer |
| Fred Eldridge | ... | film transfer |
| Debra R. Lopez | ... | first assistant accountant (as Debra R. Duff) |
| Lisa Martley | ... | production coordinator |
| Randy McKenney | ... | stand-in |
| Carla Meyer | ... | dialect coach |
| Susan Slattery | ... | production accountant |
| Leslie Windram | ... | assistant: Mr. Bender |
