32
Metascore
9 reviews · Provided by Metacritic.com
- 50L.A. WeeklyL.A. WeeklyThe result is a Brooks Brothers comedy -- part Albert, part Mel.
- 50The New York TimesDana StevensThe New York TimesDana StevensFeels more like a thought experiment than a fully developed story.
- 40TV Guide MagazineMaitland McDonaghTV Guide MagazineMaitland McDonaghRalston gets solid performances out of his cast, and the film has a surprisingly polished look. But in the end, there isn't much to it.
- 40The A.V. ClubKeith PhippsThe A.V. ClubKeith PhippsBy the time Arnott's whining monologues begin to number in the dozens, the notion of a swift apocalypse seems like a good idea.
- 40New Times (L.A.)Andy KleinNew Times (L.A.)Andy KleinThis use of narrative irony is in fact not just the central joke; it's the only joke. And as a result, the movie slightly overstays its welcome.
- 38New York Daily NewsElizabeth WeitzmanNew York Daily NewsElizabeth WeitzmanScenario is ripe for subversive humor, but Ralston never even questions the superiority of the genetically privileged.
- 30Village VoiceEd ParkVillage VoiceEd ParkIf The Last Man were the last movie left on earth, there would be a toss-up between presiding over the end of cinema as we know it and another night of delightful hand shadows.
- 25New York PostLou LumenickNew York PostLou LumenickRyan, the bodacious Seven of Nine on "Star Trek Voyager," is the only excuse to suffer through writer-director Harry Ralston's feeble comedy.
- 20Los Angeles TimesJan StuartLos Angeles TimesJan StuartFat, homely men who feel they have been wrongly underrepresented in underwear ads should flock to The Last Man.