There was much reason for celebration at the 2017 Full Frame Documentary Film Festival (April 6-9) down in Durham, North Carolina. The state had just (kinda sorta) repealed the ridiculous bathroom bill — which had had me scrambling to cover all the queer films I could find at the 2016 fest — and this year’s 20th anniversary inspired artistic director Sadie Tillery to create “DoubleTake,” a wide-ranging retro program featuring 19 films, one from each year of the festival’s history. This diverse selection included everything from Jem Cohen and Peter Sillen’s 2001 Benjamin Smoke, to Linda Goode Bryant and Laura […]...
- 4/25/2017
- by Lauren Wissot
- Filmmaker Magazine - Blog
Keep up with the wild and wooly world of indie film acquisitions with our weekly Rundown of everything that’s been picked up around the globe. Check out last week’s Rundown here.
– Bleecker Street has announced it has acquired U.S. and select territory rights to “The Man Who Invented Christmas,” to be directed by Bharat Nalluri. The film will start shooting next month and is targeting a holiday 2017 release date.
The cast includes Dan Stevens as Charles Dickens, Christopher Plummer as Scrooge and Jonathan Pryce as Dickens’ father. The Solution is handling rights for the rest of the world. The script is written by Susan Coyne and is based on the book “The Man Who Invented Christmas” by Les Standiford, published by Crown. The film recounts how Charles Dickens created the classic holiday fable, “A Christmas Carol.”
– Exclusive: Gravitas Ventures has announced it has acquired exclusive distribution rights...
– Bleecker Street has announced it has acquired U.S. and select territory rights to “The Man Who Invented Christmas,” to be directed by Bharat Nalluri. The film will start shooting next month and is targeting a holiday 2017 release date.
The cast includes Dan Stevens as Charles Dickens, Christopher Plummer as Scrooge and Jonathan Pryce as Dickens’ father. The Solution is handling rights for the rest of the world. The script is written by Susan Coyne and is based on the book “The Man Who Invented Christmas” by Les Standiford, published by Crown. The film recounts how Charles Dickens created the classic holiday fable, “A Christmas Carol.”
– Exclusive: Gravitas Ventures has announced it has acquired exclusive distribution rights...
- 11/11/2016
- by Kate Erbland
- Indiewire
Tonight in London, the Barbican presents We Have an Anchor, Jem Cohen's "cinematic love letter to Nova Scotia's Cape Breton. Multiple layered film projections are interspersed with texts ranging from poems to local folklore, and buoyed by [an] alternately ethereal and epic original score written and performed by members of Godspeed You! Black Emperor, Fugazi, Dirty Three and more." A Jem Cohen Film Season begins at Whitechapel Gallery on April 9 with a screening of Museum Hours and runs through May 28's presentation of Chain. And the Hackney Picturehouse will present Benjamin Smoke on May 17 and Instrument on May 18. All this occasions Sukhdev Sandhu's excellent profile for the Guardian. » - David Hudson...
- 3/31/2015
- Fandor: Keyframe
Tonight in London, the Barbican presents We Have an Anchor, Jem Cohen's "cinematic love letter to Nova Scotia's Cape Breton. Multiple layered film projections are interspersed with texts ranging from poems to local folklore, and buoyed by [an] alternately ethereal and epic original score written and performed by members of Godspeed You! Black Emperor, Fugazi, Dirty Three and more." A Jem Cohen Film Season begins at Whitechapel Gallery on April 9 with a screening of Museum Hours and runs through May 28's presentation of Chain. And the Hackney Picturehouse will present Benjamin Smoke on May 17 and Instrument on May 18. All this occasions Sukhdev Sandhu's excellent profile for the Guardian. » - David Hudson...
- 3/31/2015
- Keyframe
"I'm frantically making these," says Jem Cohen. "I'm just figuring out in my mind what these are." Cohen, whose documentary works include "Benjamin Smoke" and the upcoming "Museum Hours," went to Occupy Wall Street on the first day, September 17, armed with a Super-8 camera. “To be honest, I had no expectation that it would last a week, much less take off,” he said. But Cohen returned two weeks later, ...
- 10/28/2011
- Indiewire
If you’re in New York, come out tonight for an evening with Pete Sillen at the IFC Center. Filmmaker is hosting a screening of Pete’s short-form work, and I’m moderating the Q & A. The evening begins at 7:00, and here’s the description:
Tonight at 7:00pm! We’re proud to welcome critically acclaimed director Peter Sillen Tuesday December 14 discussing his works with Filmmaker Magazine Editor-In-Chief Scott Macaulay. Sillen will present screenings of a number of his short films, including Speed Racer: Welcome to the World of Vic Chesnutt, Grand Luncheonette, Branson: Musicland U.S.A., and a short working cut of his upcoming feature length documentary on the Masonic Order in America, Free and Accepted. Sillen’s new feature-length documentary I Am Secretly An Important Man opens on Wednesday, December 15.
Peter Sillen is a New York based documentary filmmaker. Best known for his low-tech approach and...
Tonight at 7:00pm! We’re proud to welcome critically acclaimed director Peter Sillen Tuesday December 14 discussing his works with Filmmaker Magazine Editor-In-Chief Scott Macaulay. Sillen will present screenings of a number of his short films, including Speed Racer: Welcome to the World of Vic Chesnutt, Grand Luncheonette, Branson: Musicland U.S.A., and a short working cut of his upcoming feature length documentary on the Masonic Order in America, Free and Accepted. Sillen’s new feature-length documentary I Am Secretly An Important Man opens on Wednesday, December 15.
Peter Sillen is a New York based documentary filmmaker. Best known for his low-tech approach and...
- 12/14/2010
- by Scott Macaulay
- Filmmaker Magazine - Blog
[Our thanks to Kier-La Janisse for the following.]
Another Ottawa International Festival of Animation has wrapped, and a recent move to the vicinity has finally allowed me to attend the legendary event, the largest in Canada of its kind, and renowned internationally as a launching pad for many up-and-coming animators. The industry section of the festival alone - a robust conference that facilitates interaction between animation studios, schools and budding talent - makes the festival unique, but at the head of it all is Artistic Director Chris Robinson, eccentric animation scholar whose curatorial preference for underdog animation ensures that Oiaf stays vital and exciting.
Going through last year's schedule, I was a bit worried that the programming was going mainstream, but any doubts were allayed by this year's feature competition (which forewent some obvious choices - the new Svankmajer, for example - in favour of more personal, low budget productions) and various indie-focused retrospectives.
Winnipeg animator Mike Maryniuk...
Another Ottawa International Festival of Animation has wrapped, and a recent move to the vicinity has finally allowed me to attend the legendary event, the largest in Canada of its kind, and renowned internationally as a launching pad for many up-and-coming animators. The industry section of the festival alone - a robust conference that facilitates interaction between animation studios, schools and budding talent - makes the festival unique, but at the head of it all is Artistic Director Chris Robinson, eccentric animation scholar whose curatorial preference for underdog animation ensures that Oiaf stays vital and exciting.
Going through last year's schedule, I was a bit worried that the programming was going mainstream, but any doubts were allayed by this year's feature competition (which forewent some obvious choices - the new Svankmajer, for example - in favour of more personal, low budget productions) and various indie-focused retrospectives.
Winnipeg animator Mike Maryniuk...
- 10/27/2010
- Screen Anarchy
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