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L.I.E. (2001)

NC-17  |   |  Crime, Drama  |  29 November 2002 (UK)
7.2
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Ratings: 7.2/10 from 8,249 users   Metascore: 73/100
Reviews: 108 user | 72 critic | 25 from Metacritic.com

A 15-year-old Long Island boy loses everything and everyone he knows, soon becoming involved in a relationship with a much older man.

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Title: L.I.E. (2001)

L.I.E. (2001) on IMDb 7.2/10

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22 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Howie Blitzer (as Paul Franklin Dano)
...
Marty Blitzer
...
James Costa ...
Tony Michael Donnelly ...
Brian (as Tony Donnelly)
Michelle Carano ...
Newscaster
Tatiana Burgos ...
Marty's Girlfriend
...
B. Constance Barry ...
Anne Harrigan
...
Scott
Brad Silnutzer ...
Henry
Bob Gerardi ...
Clifford
...
Elliot
Frank Rivers ...
Man with Pizza (as Frank G. Rivers)
Anthony F. Peragine ...
Tough Kid #1
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Storyline

Fifteen-year-old Howie loses just about everything and everyone in the space of a single week, but ends up finding himself in the process. His mother has just died. His father, a building contractor, can barely keep tabs on his young girlfriend, let alone his own son. Thusly, the teen must navigate his adolescence virtually unsupervised. Floating towards an ill-behaved existence, Howie and his crowd begin robbing houses in the middle-class neighborhoods off the Long Island Expressway. Together, he and his best friend Gary break into a place belonging to an old guy named Big John, a local man who is a respected pillar of the community. When Big John fingers Gary for the crime, Howie learns that his pal has been leading a secret, dangerous but also alluring double life. Subsequently, we also discover that Big John has secrets of his own. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

On the Long Island Expressway there are lanes going east, lanes going west, and lanes going straight to hell.

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated NC-17 for some explicit sexual content | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

29 November 2002 (UK)  »

Also Known As:

L.I.E. Long Island Expressway  »

Box Office

Budget:

$700,000 (estimated)

Opening Weekend:

$82,530 (USA) (7 September 2001)

Gross:

$1,141,829 (USA) (22 February 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Brian Cox took the part of Big John Harrigan against the advice of most of his colleagues and his agent. See more »

Goofs

The soap when Big John shaves Howie. See more »

Quotes

[first lines]
Howie: L.I.E. Long Island Expressway. You got the lanes going east, and you got the lanes going west. And you also got the lanes going straight to hell. Lot of people died on it. Harry Chapin, Alan Pakula, the movie director. You probably heard of them. But you never heard of Sylvia Blitzer, my mom. She died on a crash on Exit 52. I really miss her. It's taken a lot of people and I hope it doesn't get me.
See more »

Connections

Featured in The 2002 IFP/West Independent Spirit Awards (2002) See more »

Soundtracks

Harrigan Song
Written by George M. Cohan
Performed by Brian Cox
See more »

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User Reviews

Spoke to me in many ways
15 July 2008 | by (USA) – See all my reviews

Howie Blitzer is having some serious trouble dealing with the death of his mother. His father is never around and is constantly with other women and his only friend is Gary, another troubled kid who Howie is sexually attracted to and who leads him and a couple other misfits to houses to steal from. Eventually, Howie and Gary rob the house of a pederast named Big John(Brian Cox). Big John finds Howie and at first sees him as another teenager that he can fool around with. However, upon meeting Howie, he realizes that Howie doesn't needs a father figure more than he needs a sexual partner.

There is one single flaw with the film. That is the ending. The film ends in heartless violence. It would have been better to end ambiguously. However, even that single flaw doesn't make me love the film any less. This is one of those films that is so honest, so pitch-perfect in the people it is depicting, so fearless in what it's willing to show, that, to me, it is almost required viewing.

This film really spoke to me. I can really relate to it in a lot of ways because I had a terrible time back when I was fifteen since I had been bullied around and didn't really have anyone to talk to. I had experienced the loss of people I loved as well, and I dealt with those bad feelings for a while. I can really relate to the Howie character. I think we all, at one time or another, felt a little like Howie Blitzer. He's a great character. Despite his problems, he still is a good writer and he still appreciates art and the things that matter to him.

The performances are remarkably natural and extraordinary, the cinematography is top-notch, the script is both hilarious and heartbreaking, and the whole film has such a strong sense of intensity and ferocity that it's really difficult to stop watching it once you start. It does everything a film is supposed to do. It's extremely entertaining, challenging, and bizarre. It's one of the best films of the 21st century.


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