In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
Fifteen-year-old Beni falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, Beni is willing to follow him where ever he takes him. But Fögi is a drug addict and pulls Beni ... See full summary »
Urs Peter Halter
Sensitive, somewhat effeminate farm-boy Duncan Mudge can barely cope with grim, since Ma's death even gloomier father Edgar's manly expectations, and seeks comfort in petting a chicken he ... See full summary »
Young Tim Cornish's life has begun with great promise. Blessed with extraordinary good looks, Tim enjoyed much attention and cared little of broken hearts. At University he was a favored ... See full summary »
Fifteen-year-old Howie loses just about everything and everyone in the space of a single week, but ends up finding himself in the process. His mother has just died. His father, a building contractor, can barely keep tabs on his young girlfriend, let alone his own son. Thusly, the teen must navigate his adolescence virtually unsupervised. Floating towards an ill-behaved existence, Howie and his crowd begin robbing houses in the middle-class neighborhoods off the Long Island Expressway. Together, he and his best friend Gary break into a place belonging to an old guy named Big John, a local man who is a respected pillar of the community. When Big John fingers Gary for the crime, Howie learns that his pal has been leading a secret, dangerous but also alluring double life. Subsequently, we also discover that Big John has secrets of his own. Written by
Sujit R. Varma
Brian Cox took the part of Big John Harrigan against the advice of most of his colleagues and his agent. See more »
As Marty searches for his stolen money just before being arrested, the big screen TV in his room is off, but when Howie gets home and looks for his dad, the TV is on. See more »
L.I.E. Long Island Expressway. You got the lanes going east, and you got the lanes going west. And you also got the lanes going straight to hell. Lot of people died on it. Harry Chapin, Alan Pakula, the movie director. You probably heard of them. But you never heard of Sylvia Blitzer, my mom. She died on a crash on Exit 52. I really miss her. It's taken a lot of people and I hope it doesn't get me.
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A true to life tale of a young suburban male teenager.
I've practically lived this film so I know what it portray's isn't exploitive or audacious in the negative sense. It's a simple story of a kid growing up in the suburbs. The meaninglessness and frustration of this way of life I felt was painted nicely by the cinematographer and the director. The omnipotent lukewarm attempts by the high school and social structure were represented in a fair manner. It's a story of a teenager dealing with many things straight on. This movie is really an interesting look into modern western life as seen by a young kid. The movie draw's you in like all good film-making should. The acting is great. The story will hold your attention and be engaging to you regardless of your childhood. The only stumbling blocks will be your own pretenses or cynicism. It's not a complex story on the surface but everything that isn't spelled out is where the weight of the film resides.
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