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IMDb > Svadba (2000)

Overview

Note des utilisateurs:
7.2/10   646 votes
MOVIEmeter: ?
Down 11% in popularity this week. See rank & trends on IMDbPro.
Réalisateur:
Pavel Lungin
Writers:
Aleksandr Galin (writer)
Pavel Lungin (writer)
Contact:
View company contact information for Svadba on IMDbPro.
Release Date:
27 septembre 2000 (France) suite
Genre:
Comedie | Drame
Plot:
The beautiful Tanya returns to her small mining town, after supposedly working as a model in Moscow... suite | add synopsis
Awards:
1 win & 2 nominations suite
Avis des utilisateurs:
Laughter through tears suite

Ensemble

  (Interprètes principaux)
Marat Basharov ... Mishka
Mariya Mironova ... Tanya
Andrey Panin ... Garkusha
Aleksander Semchev ... Borzov (as Aleksandr Semchev)
Vladimir Simonov ... Borodin
Mariya Golubkina ... Sveta
Natalya Kolyakanova ... Rimma
Yelena Novikova ... Zoika
reste de la distribution par ordre alphabétique:
Oleg Esaulenko ... Svetlanov
Marina Golub ... Café manager
Vladimir Kashpur ... Grandfather
Nadezhda Markina ... Valka
Aleksei Panin
Galina Petrova ... Mother
Pavel Polmatov ... Tolya
Ilya Rutberg ... Kamussidi
Vladimir Salnikov ... Father
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Additional Details

Autre(s) titre(s):
Свадьба (Russia)
La Noce - Die Hochzeitsgesellschaft (Germany)
La noce (France)
Russische Hochzeit (Germany)
The Wedding (International: English title)
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Durée:
114 min
Langue:
Russe
Couleur:
Couleur
Aspect Ratio:
1.66 : 1 suite
Son:
DTS
Emplacements De Pelliculage:
Tula, Tula Oblast, Russia

foire aux questions

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6 out of 6 people found the following comment useful:-
Laughter through tears, 7 January 2007
9/10
Author: plamya-1 de United States

I am grateful to the commentators who suggested comparisons to Robert Altman's "Wedding" and the Indian "Monsoon Wedding"-- the comparison that came to mind for me was "Sweet Home Alabama." But I definitely find it the greatest depiction of contemporary Russian culture, especially as it shows provincial, rather than big-city life. I titled my comments "Laughter through Tears," as that is a phrase associated with one of Russia's greatest writers, Nikolai Gogol, who inaugurated the absurd and grotesque in Russian literature. I know Pavel Lunguin as the director of "Taxi Blues," and find his development as a filmmaker in the 10 years between the two films very compelling. Longuin, to my mind, is one of the few filmmakers who has found his own authentic Russian voice in contemporary cinema.

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