| Photos (see all 4 | slideshow) |
| Lars Rudolph | ... | János Valuska | |
| Peter Fitz | ... | György Eszter | |
| Hanna Schygulla | ... | Tünde Eszter | |
| János Derzsi | ... | Man In The Broad-Cloth Coat | |
| Djoko Rosic | ... | Man In Western Boots (as Djoko Rossich) | |
| Tamás Wichmann | ... | Man In The Sailor-Cap | |
| Ferenc Kállai | ... | Director | |
| Mihály Kormos | ... | Factotum | |
| Putyi Horváth | ... | Porter (as dr. Horváth Putyi) | |
| Enikö Börcsök | |||
| Éva Almássy Albert | ... | Aunt Piri (as Almási Albert Éva) | |
| Irén Szajki | ... | Mrs. Harrer | |
| Alfréd Járai | ... | Lajos Harrer | |
| György Barkó | ... | Mr. Nadabán | |
| Lajos Dobák | ... | Mr. Volent | |
| András Fekete | ... | Mr. Árgyelán | |
| Gyuri Dósa Kiss | |||
| Józsi Mihályfi | |||
| Péter Dobai | ... | Chief Constable | |
| Géza Balkay | |||
| Kati Lázár | ... | Sorter | |
| Péter Tóth | |||
| László feLugossy | ... | Housepainter | |
| Gyula Pauer | ... | Mr. Hagelmayer | |
| Barna Mihók | ... | Coachman | |
| Viktor Lois | ... | Loader | |
| Béla Máriáss | ... | Mr. Mádai | |
| Mátyás Dráfi | ... | Man In The Fur-Cap | |
| József Ropog | ... | The Man Beside Him | |
| Sandor Bese | ... | The Prince | |
| Erika Horineczky | |||
| Béla Nagy | |||
| Ágnes Kamondy | |||
| Péter Magyar | |||
| Dóra Kováts | |||
| Gábor Werner | |||
| reste de la distribution par ordre alphabétique: | |||
| Lajos Bulocs | |||
| Ferenc Gazdag | |||
| Gyula Herpai | |||
| Tibor Komáromi | |||
| Géza Kósa | |||
| József Szántó | |||
| János Váradi | |||
| Miklós Waszlavik | (as Vaszlavik Miklós) | ||
Réalisé par | |||
| Béla Tarr | |||
| Ágnes Hranitzky | (co-director) | ||
Scénaristes | ||
| László Krasznahorkai | (novel "The Melancholy of Resistance") | |
| László Krasznahorkai | (screenplay) & | |
| Béla Tarr | (screenplay) | |
| Péter Dobai | (additional dialogue) & | |
| Gyuri Dósa Kiss | (additional dialogue) & | |
| György Fehér | (additional dialogue) | |
Produit par | |||
| Ralph E. Cotta | .... | associate producer | |
| Franz Goëss | .... | producer | |
| Paul Saadoun | .... | producer | |
| Miklós Szita | .... | producer | |
| Béla Tarr | .... | associate producer | |
| Joachim von Vietinghoff | .... | producer | |
Musique originale | |||
| Mihály Vig | |||
Image | |||
| Patrick de Ranter | |||
| Miklós Gurbán | |||
| Erwin Lanzensberger | |||
| Gábor Medvigy | |||
| Emil Novák | |||
| Rob Tregenza | |||
Montage | |||
| Ágnes Hranitzky | |||
Décorateur de plateau | |||
| Sándor Katona | |||
| Zsuzsa Mihalek | |||
| Béla Zsolt Tóth | |||
Création des costumes | |||
| János Breckl | |||
Maquillage | |||
| Erzsébet Rácz | .... | makeup artist | |
Directeur de production | |||
| Lajos Gerhardt | .... | production manager | |
| Gábor Koncz | .... | unit manager | |
| Gábor Téni | .... | production manager | |
Assistant réalisateur | |||
| Jeroen Frantzen | .... | assistant director | |
| Sebestyén Kodolányi | .... | assistant director | |
| Roland Vranik | .... | assistant director | |
| Csaba Bagossy | .... | second assistant director (uncredited) | |
Art Department | |||
| Sándor Katona | .... | set dresser | |
| Gyula Pauer | .... | artistic consultant | |
| Béla Zsolt Tóth | .... | property master | |
Technicien du son | |||
| Csaba Erös | .... | boom operator | |
| László Gyõrffy | .... | sound recordist (as Szentmihályi Gyõrffy László) | |
| Gábor ifj. Erdélyi | .... | sound editor | |
| Brigitta Kajdácsi | .... | dialog editor | |
| György Kovács | .... | sound designer | |
| György Kovács | .... | sound re-recording mixer | |
Effets spéciaux | |||
| Éva Karczag | .... | sculptor | |
| Iván Pohárnok | .... | whale mock-up designer | |
| Péter Pozsonyi | .... | special effects technician | |
| András Rose | .... | sculptor | |
Visual Effects | |||
| Csaba Juhász | .... | title design and production | |
Editorial Department | |||
| András Bederna | .... | grader | |
| Baba Deimanik | .... | grader (as Tamásné Deimanik) | |
| Renate Malinowski | .... | grader | |
| Éva Szentandrási | .... | assistant editor | |
Divers | |||
| Tamás Bolba | .... | voice dubbing: Lars Rudolph | |
| Péter Haumann | .... | voice dubbing: Peter Fitz | |
| Attila Kaszás | .... | voice dubbing: Sandor Bese | |
| László Moog | .... | technician | |
| Marianna Moór | .... | voice dubbing: Hanna Schygulla | |
| Zoltán Pataki | .... | technician | |
| Péter Hagen | .... | production assistant (uncredited) | |
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| Big Fish | Across the Universe | The Unbearable Lightness of Being | Johnny Got His Gun | Cidade de Deus |
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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| Full cast and crew | Company credits | External reviews |
| IMDb Drame section | IMDb Hungary section | Add this title to MyMovies |
There's one film that sends shivers up my spine just with it's mere title and that's Bela Tarr's "the Werckmeister Harmonies". It's one of those films that may infuriate some viewers meanwhile leaving others awestruck. The story concerns a very cold winter in a small Hungarian town. The camera follows a man Janos in his various everyday events. We know that this is no ordinary film during the poetic intro in the bar, where the various customers act out different parts of the solar system in rotation. The peaceful order of the village is disturbed, when a traveling circus comes to town. The circus has a stuffed whale carcass on display and abnormalities in jars. A man known as the prince who runs the circus remains in hiding. The stuffed whale seems to have a mystical power. These and other small events which are not fully explained lead the town's people to go crazy and eventually turn violent. This film is very slow, at some times unbearable. Certain events are filmed in real time. Similar film's that come to mind are Antonioni's "Avventura,L" and Heneke's "Code Unknown" Although this film is super slow at times, I loved it. There is something that is gripping about it. It is very surreal and emotional. The scene where the villagers go crazy and raid a nursing home almost brought me to tears. The films musical score is so haunting, it will stay in your mind forever. Also director Gus Van Sant is highly influenced by the films of Bela Tarr and it's apparent in his more recent work like "Gerry" and "Elephant". "The Werckmeister Harmonies" is a masterpiece that's not for everyone. I recommend it for viewers who are extremely patient and are looking for something different.