Baise-moi (2000)

Note Générale:

4,4/10   

Réalisateurs:

Virginie Despentes
Coralie (co-director)

Scénaristes:

Coralie (writer)
Virginie Despentes (novel)

Date de sortie:

28 juin 2000 (France)

Genre:

Thriller

Intrigue:

Two young women, marginalised by society, go on a destructive tour of sex and violence. Breaking norms and killing men - and shattering the complacency of polite cinema audiences.

Plot Keywords:

Sex | Violence | Revenge | Friend | Real Sex

Récompenses:

3 nominations

Avis des utilisateurs:

Such a shame

Ensemble

Karen Lancaume	...	Nadine (as Karen Bach)
Raffaëla Anderson	...	Manu
Céline Beugnot	...	Blonde at Billiards
Adama Niane	...	Boy at Billiards
Christophe Claudy Landry	...	Guy at Counter
Tewfik Saad	...	Server
Delphine McCarty	...	Severine
Ouassini Embarek	...	Radouan
Patrick Kodjo Topou	...	Big Thug (as Patrick-Kodjo Topou)
Lisa Marshall	...	Karla
Hacène Beddrouh	...	Lakim
Patrick Eudeline	...	Francis
Ian Scott	...	Rapist #1
Philippe Houillez	...	Rapist #2
Steven Jhonsson	...	Rapist #3

Autre(s) titre(s):

Rape Me (International: English title) (USA)
Baise-moi (Australia)
Fuck Me (International: English title) (literal title)

Durée:

77 min | Colombia:72 min | Japan:74 min

Pays:

France

Langue:

Français

Couleur:

Couleur

Rapport de forme:

1,85 : 1

Son:

Dolby SR

Classification:

Canada:18 (New Brunswick/Nova Scotia/Prince Edward Island) | Canada:R (Alberta/British Columbia/Manitoba/Ontario/Saskatchewan) | Singapore:(Banned) | Iceland:16 (strong rating) | France:-18 (re-rating on appeal) | Portugal:M/18 | Ireland:18 (re-rating) | Japan:R-18 | Australia:Refused Classification (re-rating) (2002) | Australia:R (original rating) | Belgium:KNT | Canada:18+ (Québec) | Canada:R | Chile:18 | Finland:K-18 | France:-16 (original rating) | Germany:18 | Hong Kong:III (heavily cut) | Ireland:(Banned) | Italy:VM18 | Japan:R-15 (cut) | Luxembourg:17 | Netherlands:16 | New Zealand:R18 (with restriction) | Norway:18 | Peru:18 | South Africa:18 | Spain:18 | Sweden:15 | UK:18 (cut) | USA:Unrated | Germany:BPjM Restreint

Lieux de tournage:

Biarritz, Pyrénées-Atlantiques, France

Société:

Canal+

Anecdotes:

In Canada the movie went before the Ontario review board and was originally banned because it was too pornographic. The film was then re-submited to the review board under a pornographic license but it was refused because there was too much violence. But the film had received the right to be shown at the Toronto film festival and was available in the provinces of British-Columbia and Québec. Finally on 8 March 2001 the review board gave the movie an 18A license.

Guillemet:

Manu: I've thought about taking a jump or burning alive. Self-immolation is pretty pretentious. After we finish in the Vosges, let's do the jump without the bungee.

Connexions:

figurer Prison (1997) (V)

Bande son:

Cash

Such a shame

It always interests me that anyone can really call this porn. This is an interesting film, even if you think it's 'crap'. Why is it that all the men I know who've watched it, think it's crap? I teach this film as part of a course and without fail all male students thus far have said it's 'not porn' and the thing they most objected to was seeing 'grannies doin' it'. Could it be the fact that for once we actually see men's faces when they come that disturbs so much? What we never or rarely see in porn, is a male appearing vulnerable. In Baise-Moi this is explored. As is said above, yes the 'plot' may be virtually non-existent, but isn't that the case with most regurgitated mainstream films anyway? This film isn't about stimulating an audience sexually, be they male or female, indeed it is just as objectionable to women as it is to men. But I do believe that the reasons are different. The feedback I've received is that men are expecting to be aroused either through plot, character or scenes of a blatant sexual nature. Women are generally just intrigued and then often put off by the violence - by the women - that is often apparently unmotivated. We don't really see films where women are violent without 'good' cause, it's too disturbing and dispels too many myths that potentially undermine society, supposedly. Only just over a decade ago a film, which by comparison views like Bambi, was almost not made because it depicted 'female violence'. Thelma and Louise was viewed as a rather risky production.

So I'm not surprised that Baise-Moi gets a slating. It may well be all those things that the above reviewer suggests, and indeed there are elements I agree with. But this is an important film, even if you watch it just to hate it. If you do hate it, all I ask is that you really think about why you hate it. If you want CGI, predictable narrative structure, drip-feed invisible editing, and to feel absorbed and immersed (I knock none of these things), then don't bother. If you're a thinking person who has an inquiring mind, give it a go.