If you are are used to the awful amateur version of this that does the circles in operatic societies in the UK.then you are in for a treat. From start to finish this romps along at a cracking pace, and bears little resemblance to the amateur version so well know in operatic society circles. Brought up to date the production is slick, fast and when coupled with superb soloists, choreography & orchestral playing is a real treat. Laurent Naouri & Natalie Dessay make a wonderful couple in the "fly duet" but don't take my word for it but it & see for yourself. Offenbach had a great gift for melody, satire & an naughtiness that is missing from his British Counterparts Gilbert & Sullivan.
3 Reviews
The most fun I've had for any opera production for a long time
TheLittleSongbird2 November 2012
As a life-long opera fan, I simply adored this production. Orphee Aux Enfers has lovely music(the Can-Can is instantly recognisable) and I like the story. It's not one of Offenbach's best compositions in the way Tales of Hoffmann and La Belle Helene are, but it is hardly one to scorn at either. As said, I can find very little to criticise about the production. It is a more modern staging, but it actually looks appealing and the staging maintains the spirit, charm and fun of the work itself. The commentary is also as scathing as ever. The orchestra perform the music with stylish panache, the chorus balance themselves vocally splendidly and really seem to be enjoying themselves and the conductor Minkowski keeps everything going at a cracking pace. The choreography is infectiously witty and danced with such gusto. The performances are superb. Natalie Dessay was the cast member who I saw the production for, and she gives one of her best performances to me on DVD. As well as having a brilliant colouratura voice and technique- fans of her trademark high Gs will be thrilled- she is a deft comedienne as well. Yann Beuron is the best I've seen him so far, he sings beautifully and actually does the seemingly impossible in making a vain and unlikeably jealous person like Orpheus sympathetic. Laurent Naouri's singing is typically sonorous, and he is deliciously comic. The fly duet is superbly done. Jean-Paul Fouchecourt gives him terrific support in carrying the action. Cassandre Berthon's Cupid is an irresistible charmer also, Mercury and the Public Opinion roles are also well-taken. In conclusion, so much fun and very easy to like. 10/10 Bethany Cox
the production that can-can
myriamlenys24 January 2023
Warning: Spoilers
The music has certainly fled from the marriage of Eurydice and Orpheus, who have grown to despise each other. He lusts after the local nymphs, she has an affair with a strapping shepherd. Sadly, the shepherd is none other than the god Pluto in disguise. Before you can say "This does not sound too healthy", Eurydice is whisked off to the Underworld. Her widower exults, but runs afoul of Public Opinion...
In "Orphée aux enfers", Offenbach and his accomplices poke fun at two key institutions of French society, namely marriage and adultery. The work also functions as a rather deadly satire, both of Ancient Greek mythology and of contemporary French politics. Surely there is nothing in the behavior of these lazy, sensual and hypocritical "A-list gods" that suggests a sense of decency or a regard for the common citizen. This is a decadent ruling class out to enjoy itself, taxpayers be damned... Last but not least Offenbach's opéra bouffe parodies the work of earlier composers, most notably the unfortunate Gluck.
Now this "Orphée aux enfers" is an excellent production : sassy, sexy, frothy and impertinent. From the beginning to the "infernal galop" this is inventive, subversive fun. Soprano Natalie Dessay sings and acts her heart out as Eurydice, while showing a remarkable chemistry with Laurent Naouri, who makes for a most seductive Jupiter/Jupin. Unless I'm mistaken both singers are married in real life. Tall and handsome, Naouri is a "mouche" I wouldn't mind discovering in my own humble abode...
(It is said that the fly duet is a direct reference to Napoléon III and his imperial bees, but this is a matter I leave to the specialists.)
Comes with the fastest rendition of the "Hymn to Bacchus" I've ever heard.
In "Orphée aux enfers", Offenbach and his accomplices poke fun at two key institutions of French society, namely marriage and adultery. The work also functions as a rather deadly satire, both of Ancient Greek mythology and of contemporary French politics. Surely there is nothing in the behavior of these lazy, sensual and hypocritical "A-list gods" that suggests a sense of decency or a regard for the common citizen. This is a decadent ruling class out to enjoy itself, taxpayers be damned... Last but not least Offenbach's opéra bouffe parodies the work of earlier composers, most notably the unfortunate Gluck.
Now this "Orphée aux enfers" is an excellent production : sassy, sexy, frothy and impertinent. From the beginning to the "infernal galop" this is inventive, subversive fun. Soprano Natalie Dessay sings and acts her heart out as Eurydice, while showing a remarkable chemistry with Laurent Naouri, who makes for a most seductive Jupiter/Jupin. Unless I'm mistaken both singers are married in real life. Tall and handsome, Naouri is a "mouche" I wouldn't mind discovering in my own humble abode...
(It is said that the fly duet is a direct reference to Napoléon III and his imperial bees, but this is a matter I leave to the specialists.)
Comes with the fastest rendition of the "Hymn to Bacchus" I've ever heard.
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