Azzurro is a touching story of a Grandfather, Guiseppe (Paolo Villaggio), who fights against significant odds to pay for the surgery that will restore his blind granddaughter's sight before his weakening heart ends his life. When Guiseppe realizes that the surgery will be impossible in his home in Italy, he and his Granddaughter, (Francesca Pipoli), leave for Switzerland, seeking the help of his former employer. In the process, he confronts and ultimately resolves matters from his secret past. On top of conveying the strong love between Guiseppe and his Granddaughter, this film presents the theme that a man can achieve those things that are most important to him. It is a refreshing film, and I definitely recommend it to viewers of all ages.
4 Reviews
What a nice movie!
benjaminternet5 June 2002
1. "Azzurro" has been released the same year as "Dancer in the Dark". 2. "Azzurro" hits the same thema as "Dancer in the Dark". 3. "Azzurro" and "Dancer in the Dark" are both melodramas. But... "Azzurro" is much more touching than "Dancer in the Dark"! Thank you Denis and staff.
Poor screenplay; too cutesy at times
zetes12 April 2002
Azzurro has its moments, mostly because Paolo Villaggio, who plays Guiseppe, the grandfather, has such a marvelous presence. He's a big, fat man with white hair, a white beard, and black-rimmed glasses. He's probably the only guy like that who wouldn't be mistaken for Santa Clause. A couple of the other actors are decent, mostly because they have expressive faces.
The script, though, is very weak. It should have been killed long before it arrived on the screen. Half of it is a decent drama about an old man coming to terms with his past. That's always a potent subject. It doesn't even really have to be done well to make a good film. But the other half of the film is pure evil: Guiseppe has a granddaughter whom he dearly loves. She is blind, and Guiseppe wants to get her an operation to repair her sight before he dies. Yuck. The whole being-cured-from-blindness thing has been tired for decades. We can forgive Charlie Chaplin for doing it in City Lights. That film is too charming to criticize that much. Douglas Sirk did a pretty good soaper with a blindness angle in Magnificent Obsession. And we can look past it in Lars von Trier's Dancer in the Dark. He was experimenting with the melodramatic genre, and it was of interest. But Azzurro is playing the melodrama so cheaply. It's even too stupid to keep the music from swelling to all hell, which makes the already embarrassing moments more so. Besides, that little girl, Francesca Pipoli, is far too annoying. They play the cute angle all the time, and it hurts my head. To boot, they give ol' Guiseppe a heart condition, just in case the movie wasn't affecting you enough.
There is, like I say, some pretty good material concerning Guiseppe's coming to terms with his past. They really should have scrapped the entire blind girl stuff and concentrated on that. It's not everyday we have a big, plump, white-haired man. He's so awesome! I would cast him in a movie in a second if I were making one. 5/10.
The script, though, is very weak. It should have been killed long before it arrived on the screen. Half of it is a decent drama about an old man coming to terms with his past. That's always a potent subject. It doesn't even really have to be done well to make a good film. But the other half of the film is pure evil: Guiseppe has a granddaughter whom he dearly loves. She is blind, and Guiseppe wants to get her an operation to repair her sight before he dies. Yuck. The whole being-cured-from-blindness thing has been tired for decades. We can forgive Charlie Chaplin for doing it in City Lights. That film is too charming to criticize that much. Douglas Sirk did a pretty good soaper with a blindness angle in Magnificent Obsession. And we can look past it in Lars von Trier's Dancer in the Dark. He was experimenting with the melodramatic genre, and it was of interest. But Azzurro is playing the melodrama so cheaply. It's even too stupid to keep the music from swelling to all hell, which makes the already embarrassing moments more so. Besides, that little girl, Francesca Pipoli, is far too annoying. They play the cute angle all the time, and it hurts my head. To boot, they give ol' Guiseppe a heart condition, just in case the movie wasn't affecting you enough.
There is, like I say, some pretty good material concerning Guiseppe's coming to terms with his past. They really should have scrapped the entire blind girl stuff and concentrated on that. It's not everyday we have a big, plump, white-haired man. He's so awesome! I would cast him in a movie in a second if I were making one. 5/10.
Cute
petarmatic14 January 2014
For some reason not known to me review for this film was not approved by the IMDb crew. And after waiting for 7 days or approval was deleted, together with other 3 film I reviewed. I did not get any explanation for the event.
Well, let me focus on the film. The plot is not very realistic so it made me a little bit uncomfortable watching it. I do not like plots which are not realistic.
Both principal actors were great in their roles, especially the little girl.
I gave this film for m kids to watch and they said they were bored. I guess today unless it is a Lord of the Rings or something similar, kids get bored. It is a pity, since I like social themes, especially in my beloved continent Europe.
All in all if you are for crying and feeling pity for people who have problems this is a film for you, otherwise you can skip it.
Well, let me focus on the film. The plot is not very realistic so it made me a little bit uncomfortable watching it. I do not like plots which are not realistic.
Both principal actors were great in their roles, especially the little girl.
I gave this film for m kids to watch and they said they were bored. I guess today unless it is a Lord of the Rings or something similar, kids get bored. It is a pity, since I like social themes, especially in my beloved continent Europe.
All in all if you are for crying and feeling pity for people who have problems this is a film for you, otherwise you can skip it.
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