The Girl Next Door (2004)

Réalisateur:

Luke Greenfield

Scénaristes (WGA):

David Wagner (story) &
Brent Goldberg (story) ...

Date de sortie:

27 mars 2004 (USA)

Genre:

Comedie | Drame | Romance

Accroche:

Matt never saw her coming... but all his friends had!

Intrigue:

A teenager's dreams come true when a former porn star moves in next door and they fall in love.

Plot Keywords:

Love | Porn Star | High School | High School Senior | Producer

Récompenses:

4 nominations

Avis des utilisateurs:

Just Go With It

Ensemble

Emile Hirsch	...	Matthew Kidman
Elisha Cuthbert	...	Danielle
Timothy Olyphant	...	Kelly
James Remar	...	Hugo Posh
Chris Marquette	...	Eli
Paul Dano	...	Klitz
Timothy Bottoms	...	Mr. Kidman
Donna Bullock	...	Mrs. Kidman
Jacob Young	...	Hunter
Brian Kolodziej	...	Derek
Brandon Irons	...	Troy
Amanda Swisten	...	April
Sung Hi Lee	...	Ferrari
Ulysses Lee	...	Samnang
Harris Laskaway	...	Dr. Salinger (as Harris Laskawy)

MPAA:

Rated R for strong sexual content, language and some drug/alcohol use.

Durée:

108 min | USA:110 min (unrated version)

Pays:

USA

Langue:

Anglais

Couleur:

Couleur (DeLuxe)

Rapport de forme:

1,85 : 1

Son:

DTS | Dolby Digital

Classification:

Iceland:12 (video rating) | Iceland:L | Portugal:M/16 | South Korea:18 | Italy:VM14 | Argentina:16 | Australia:MA | Brazil:14 | Canada:14A (Ontario) | Canada:18A | Chile:14 | Czech Republic:12 | Finland:K-15 | Germany:12 | Ireland:18 | Malaysia:(Banned) | Netherlands:12 | New Zealand:R16 | Norway:15 | Peru:14 | Singapore:R(A) (original rating) (cut) | Singapore:R21 (re-rating) | Spain:18 | Sweden:11 | UK:15 | USA:R (certificate #40269) | USA:Unrated (unrated DVD version)

Lieux de tournage:

Los Angeles, California, USA

Société:

Regency Enterprises

Anecdotes:

Emile Hirsch was really hurt when he is beaten in the car by Timothy Olyphant as Olyphant's rings kept scratching him.

Goofs:

Continuité: When Eli shows Matthew the adult video with Danielle in it, and when Kelly shows the video to group gathered at Matthew's house, the close-up we see of the time counter does not match the wide shot.

Guillemet:

[first lines]
Woman: [voiceover] How do you want me?
Man: Oh, that's good. Yeah. Just, uh... just get comfortable.
Woman: I'm a little nervous.
Man: Nah, you're doing great.

Connexions De Film:

Références X2 (2003)

Bande son:

SONG FOR A BLUE GUITAR

Just Go With It

The Girl Next Door isn't a riotous, laugh-out-loud comedy, à la American Pie or Road Trip (don't get me wrong, I think they are fine movies of a different genre), nor should it be treated as such when being reviewed. It's much more mature, a sweet delight of a story that has you chuckling in amusement rather than rolling on the floor guffawing. For that, I would hardly even classify it in the generic 'comedy' genre. I must admit, I did go in thinking that I'd spend two hours of my life enjoying yet another teen comedy, with an overdone plot, jokes bordering on distasteful, and up to the brim with gratuitous nudity. However, I came out with so much more.

It's a classic tale of boy-meets-girl, boy falls in love with girl, boy lives happily ever after with girl. But what makes The Girl Next Door stand out from the rest is the superb cast. The casting director did a great job, placing Emile Hirsch opposite Elisha Cuthbert (both very talented young up-and-coming actors, I wish them well in luck, love and life). The pair's on-screen chemistry is undeniably electric. They portrayed Matthew and Danielle's relationship perfectly – loving and tender, yet fragile. This boy has fallen hopelessly in love for the first time, with the girl of his dreams. He has no past experience to draw on, he's terrified and confused, and he doesn't know what to do! As director Luke Greenfield pointed out in his commentary (Unrated DVD is a must-have for the hardcore fans), Emile and Elisha were chosen for their ability to act without dialogue, simply with their eyes. The subtleties in each expression brings so much more to the characters when watched closely in detail – every nervous bite of the lip, every slight mischievous arch in the eyebrow – you can tell exactly what they're thinking. Now, I've seen my fair share of movies/TV shows, and I'd be confident in saying that I have not yet seen another actor/actress able to fill those roles as perfectly and effortlessly as Emile and Elisha did. They must've poured their hearts out into these characters, bringing them to life, their romance blossoming on-screen.

And how can we ignore the superb supporting cast? Timothy Olyphant and Chris Marquette's work on this movie was simply priceless. They provided the comedy and laughs, and it would be impossible to list all of their hilarious one-liners here. A lot of people claim that they made the movie, and though I disagree, I can sure see where they're coming from.

And the music, oh, the music. I came of no great surprise to me to learn that Luke Greenfield writes all his projects to music. It is this unique trait that embellishes the movie with such a vivid background. From Bowie & Queen's "Under Pressure" opening montage to The Who's "Baba O'Riley" closing credits, every single song is perfect for its scene, particularly David Gray's "This Year's Love", mine and many other's favourite song in the soundtrack. It kicks in at the exact right moment and manages to capture everything about this innocent, pure, high school romance. Also, Paul Haslinger (second to none at composing scores) wrote some of his best work for The Girl Next Door. Simply put (again, stealing lines from the director) Haslinger is deadly with a piano. Each score enhances and fills the moment with such tension and suspense, most notably "Peeping Matt", when Matthew watches this gorgeous creature undressing through his window for the first time. There is an element of voyeurism and the excitement of the danger of being caught, as he watches the female movement and form unravelling with fascination and awe. He simply can't keep his eyes off her. It's a scene that many of us can connect with.

This is indeed one of those movies that ought to be watched on a DVD, at night, alone, rather than on a huge screen in the cinema with others. You'll find yourself leaving the end with a bittersweet aftertaste – will I find that special someone like Danielle? Do I need to be broken out of my shell? Is the juice worth the squeeze? Sure, it is an idealist fantasy, but it's also sweet, endearing and full of heart. It's how an old-school love story ought be done. Just suspend your belief for two hours, and watch the magic happen. Hell, just go with it.