One Hour Photo (2002)
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- R
- 1h 36min
- Drama, Thriller
- 13 Sep 2002 (USA)
- Movie
- 6 wins & 22 nominations.
- See more »
Photos and Videos
Cast verified as complete
Robin Williams | ... |
Seymour Parrish
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Connie Nielsen | ... |
Nina Yorkin
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Michael Vartan | ... |
Will Yorkin
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Dylan Smith | ... |
Jakob Yorkin
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Erin Daniels | ... |
Maya Burson
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Paul Kim Jr. | ... |
Yoshi Araki
(as Paul Hansen Kim)
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Lee Garlington | ... |
Waitress
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Gary Cole | ... |
Bill Owens
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Marion Calvert | ... |
Mrs. Von Unwerth
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David Moreland | ... |
Mr. Siskind
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Shaun P. O'Hagan | ... |
Young Father
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Jim Rash | ... |
Amateur Porn Guy
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Nick Searcy | ... |
Repairman
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Dave Engfer | ... |
Sav-Mart Clerk
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Jimmy Shubert | ... |
Soccer Coach
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Eriq La Salle | ... |
Det. James Van Der Zee
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Clark Gregg | ... |
Det. Paul Outerbridge
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Andy Rolfes | ... |
Officer Lyon
(as Andrew A. Rolfes)
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Carmen Mormino | ... |
Officer Bravo
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Izrel Katz | ... |
Superintendent
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Peter Mackenzie | ... |
Hotel Desk Manager
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Andy Comeau | ... |
Duane
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Robert Clotworthy | ... |
Eye Surgeon
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Jesse Borja | ... |
Cook
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Jeana Wilson | ... |
Nurse
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Megan Corletto | ... |
Risa Owens
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Rest of cast listed alphabetically: | |||
Scott Burns | ... |
Mr. Ankrum - Diner Father (uncredited)
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Kenneth Dixon | ... |
Security Guard (uncredited)
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Noah Forrest | ... |
Cop (uncredited)
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Suzanne Grzanna | ... |
Shopper (uncredited)
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Spencer Kayden | ... |
Mrs. Ankrum - Diner Mother (uncredited)
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Anne Kathleen Murphy | ... |
Extra (uncredited)
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Kristin Quick | ... |
Diner Girl (uncredited)
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Mark Romanek | ... |
Little Boy in Photos (uncredited)
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Wayne Wilderson | ... |
Booking Clerk (uncredited)
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Directed by
Mark Romanek | ... | (directed by) |
Written by
Mark Romanek | ... | (written by) |
Produced by
Jeremy W. Barber | ... | executive producer |
Robert Katz | ... | associate producer |
Pamela Koffler | ... | producer (produced by) |
Robert B. Sturm | ... | executive producer |
Christine Vachon | ... | producer (produced by) |
John Wells | ... | executive producer |
Stan Wlodkowski | ... | producer (produced by) |
Music by
Reinhold Heil | ... | (music composed by) |
Johnny Klimek | ... | (music composed by) |
Cinematography by
Jeff Cronenweth | ... | director of photography |
Editing by
Jeffrey Ford | ... | film editor |
Editorial Department
Bill Balas | ... | post-production assistant |
Gary Burritt | ... | negative cutter |
Glenn Cowan | ... | assistant editor |
Justine Halliday | ... | first assistant editor |
Michael Healey | ... | colorist |
Maurissa Horwitz | ... | apprentice editor |
Jim Passon | ... | color timer |
Kimberly L. Sewell | ... | assistant editor |
Jason A. Wallace | ... | post-production assistant |
Mark Nowicki | ... | colorist (uncredited) |
Casting By
Deborah Aquila | ||
Tricia Wood | ... | (casting by) |
Production Design by
Tom Foden |
Art Direction by
Michael Manson |
Set Decoration by
Tessa Posnansky |
Costume Design by
Arianne Phillips |
Makeup Department
Cheri Minns | ... | key makeup artist |
Stephen Robinette | ... | assistant hair stylist (as Steve Robinette) |
Suzanne Rodier | ... | makeup artist |
Toni-Ann Walker | ... | key hair stylist |
Timothy Huizing | ... | special makeup effects artist (uncredited) |
Todd Masters | ... | prosthetic effects (uncredited) |
Production Management
Stan Wlodkowski | ... | unit production manager |
Second Unit Director or Assistant Director
Seth Edelstein | ... | second assistant director |
Noga Isackson | ... | first assistant director |
Tyler Jackson | ... | camera operator |
Bradley Morris | ... | second second assistant director |
Jason Dudek | ... | third assistant director (uncredited) |
Art Department
David Agajanian | ... | on-set dresser |
Steven Atwell | ... | swing gang |
Christine Berges | ... | art department coordinator |
Gary L. Brennan | ... | propmaker (as Gary Brennan) |
Clovis Chamberet | ... | buyer (as Clovis Chambaret) |
Elizabeth Colomba | ... | visual consultant (as E. Colomba) |
Larce Crawford | ... | construction foreman |
Sam Dean | ... | propmaker (as Samuel E. Dean) |
Joe Del Monte | ... | construction coordinator |
Josh Ian Elliott | ... | on-set dresser (as Josh Elliott) |
Brendan C. Fenton | ... | set dresser (as Brendan Fenton) |
Lilly Frank | ... | painter (as Lilly 'Kristin' Frank) |
Sean Gallagher | ... | propmaker |
Jimmy Garcia | ... | painter |
Robert Loyal Good | ... | assistant property master |
Andy Gregory | ... | swing gang |
Rod Gregory | ... | swing gang |
Dane Junod | ... | assistant property master |
Colin Thomas Kass | ... | propmaker (as Colin Kaas) |
Brian Kent | ... | swing gang (as Brian Kent Rogers) |
Scott Kitchen | ... | propmaker |
Aaron Mays | ... | propmaker (as John Aaron Mays) |
Alberto Miyares | ... | propmaker |
Melissa Mollo | ... | graphic designer |
Michele Munoz | ... | buyer (as Michele Muñoz) |
Chris Nakayama | ... | propmaker gang boss |
Eric Reichardt | ... | paint gang boss |
Bob Renna | ... | on-set dresser |
Charles Reyes | ... | propmaker |
Marc Richards | ... | painter |
Robin Richesson | ... | illustrator |
Glenn Rivers | ... | set designer |
Steve Salazar | ... | propmaker |
Keith Sawyer | ... | lead scenic |
Rod Scheuerman | ... | propmaker |
Michael Sexton | ... | property master |
Tim Snowber | ... | leadman |
Mike Stanley | ... | painter |
Carl J. Stensel | ... | set designer (as Carl Stensel) |
Jeannine Stevens | ... | swing gang (as Jeannine Fenton) |
Gary Tuers | ... | assistant property master (as Gary F. Tuers) |
David Brennan | ... | 2nd Unit Property Master (uncredited) |
John S. Ogden | ... | propmaker (uncredited) |
Jason Sweers | ... | graphic designer (uncredited) |
Sound Department
Matthew C. Beville | ... | adr mixer |
Richard Burnette | ... | mix facility coordinator |
Michael C. Casper | ... | re-recording mixer |
John Chandler | ... | transfer |
Patrick Cusack | ... | sound editorial assistant |
Andrew DeCristofaro | ... | supervising sound editor |
Brian Emrich | ... | sound designer |
David Esparza | ... | sound editorial assistant |
John Michael Fanaris | ... | sound effects coordinator |
Amy Hammer | ... | mix facility coordinator |
Laura Macias | ... | foley artist |
Michael A. Morongell | ... | sound mixing engineer |
Chris Navarro | ... | adr recordist |
Nancy Nugent | ... | adr editor (as Nancy K. Nugent) / dialogue editor (as Nancy K. Nugent) |
Todd Overton | ... | boom operator |
Michael Payne | ... | sound designer / sound effects supervisor |
Andy Peach | ... | mixing recordist |
Stephen P. Robinson | ... | sound effects editor |
Sean Rowe | ... | foley artist |
Dan Scolnik | ... | foley assistant (as Daniel Scolnik) |
John C. Stuver | ... | adr editor / dialogue editor |
Eric Thompson | ... | adr mixer / foley mixer |
Richard Van Dyke | ... | sound mixer |
Jonathan Wales | ... | re-recording mixer |
Tim Walston | ... | sound effects editor |
Corey Woods | ... | cable person |
Michael Axinn | ... | supervising assistant sound editor (uncredited) |
David Horner | ... | adr mixer (uncredited) |
Shawn Kennelly | ... | foley mixer (uncredited) |
Martin Schloemer | ... | adr recordist (uncredited) |
Jay Shilliday | ... | sound recordist (uncredited) |
John Soukup | ... | sound transfer (uncredited) |
Special Effects by
Steve Dearth | ... | special effects technician |
David Peterson | ... | special effects coordinator |
Joel P. Blanchard | ... | special effects technician (uncredited) |
Visual Effects by
Johnny Alves | ... | digital artist: BUF |
Richard 'Dr.' Baily | ... | digital animator: Image Savant |
Gil Baron | ... | visual effects artist: Method |
Valerie Delahaye | ... | production: Buf |
Christophe-Olivier Dupuis | ... | supervising CG artist: Buf (as Christophe Dupuis) |
Marjorie Hebrard | ... | production: Buf |
Neysa Horsburgh | ... | visual effects executive producer: Method |
Justin M. Lane | ... | visual effects producer: Method (as Justin Lane) |
Mark Alan Loso | ... | visual effects artist: A52 |
Scott McNiel | ... | visual effects artist: Method |
Michael Mongrieff | ... | film scanning and recording: E-Film |
Joe Morrison | ... | visual effects apprentice: Method |
Cedric Nicolas-Troyan | ... | visual effects artist: Method (as Cedric Nicolas) |
Brandon Sanders | ... | visual effects apprentice: Method |
Chris Staves | ... | visual effects supervisor: Method |
Scott Taylor | ... | technical engineer: Method Studios |
Susan Thurmond | ... | visual effects producer: A52 |
Andreas Wacker | ... | technical support: Method |
Ashley Beck | ... | visual effects artist (uncredited) |
Mark Sawicki | ... | optical camera (uncredited) |
Stunts
Danielle Burgio | ... | stunts |
Ritchie Copenhaver | ... | stunts |
Marguerite Happy | ... | stunts |
Ben Scott | ... | stunt coordinator (as Ben R. Scott) |
Walter Scott | ... | stunt coordinator |
Lee Smith | ... | stunts |
Camera and Electrical Department
Doug Aitken | ... | additional property photographer |
Steve Austin | ... | video playback supervisor |
Michael Brennan | ... | dolly grip (as Mike Brennan) |
Billy Clevenger | ... | camera operator |
Tim Cronenweth | ... | photographer: additional inserts |
Jeff Cutter | ... | photographer: additional inserts |
François Duhamel | ... | still photographer |
Jean-Yves Escoffier | ... | photographer: additional inserts (as Jean Yves Escoffier) |
Greg Etheredge | ... | lamp operator |
Brian Evans | ... | best boy electric |
Russell Lee Fine | ... | additional prop photographer (as Russell L. Fine) |
F.J. Eric Holzer | ... | company grip |
Tyler Jackson | ... | camera operator |
Wilfried Jeanblanc | ... | video operator |
David Kanner | ... | camera loader |
Gary Kanner | ... | second assistant camera |
Dan Kneece | ... | steadicam operator |
Michael Krajci | ... | second assistant camera |
Ed Maloney | ... | chief lighting technician |
Michael E. Matteson | ... | key rigging grip |
Daniel Page McDonough | ... | first assistant camera (as Daniel P. McDonough) |
Robert Morales | ... | video assistant |
Greg Mustin | ... | key grip |
Jason Palinkas | ... | company grip |
Brian Perry | ... | best boy grip |
Alexia C. Pilat | ... | additional prop photographer (as Alexia Pilat) |
Coliena Rentmeester | ... | still photographer: props (as Coliena Rentmeister) |
Clive Richards | ... | lamp operator |
Harold Skinner | ... | lamp operator |
Pablo Suarez | ... | company grip |
Elizabeth Ziegler | ... | steadicam operator |
Richard A. Anderson | ... | lighting technician (uncredited) |
Barry Clack | ... | still photographer (uncredited) |
Samuel R. Harrison III | ... | video assist operator (uncredited) |
Ann Rabin | ... | assistant camera: insert unit (uncredited) |
David D. Scott | ... | 24 frame video operator (uncredited) |
Jarred Waldron | ... | gaffer: additional unit (uncredited) |
Casting Department
Jennifer Bender | ... | extras casting |
Johnny Gidcomb | ... | voice casting: Loop De Loop |
Mariann H.W. Lee | ... | extras casting |
Barbara Fiorentino | ... | additional casting: Child Search (uncredited) |
Christian Kaplan | ... | executive in charge of casting (uncredited) |
Kelly O'Brien | ... | casting assistant (uncredited) |
Jennifer L. Smith | ... | casting associate (uncredited) |
Costume and Wardrobe Department
Derek J. Baskerville | ... | costumer: Robin Williams |
Alix Hester | ... | set costumer |
Renee Madison | ... | set costumer (as Renee Madison-Macdonald) |
Gerardo Rosette | ... | tailor |
Hope Slepak | ... | costume supervisor (as Hope B. Slepak) |
Sanford Slepak | ... | key costumer (as Sandy Slepak) |
Location Management
Christine Bonnem | ... | location manager |
Michael Pew | ... | assistant location manager |
Rick Poyner | ... | assistant location manager (as Rick M. Poyner) |
Michael Anthony | ... | location scout (uncredited) |
Alex Apple | ... | key assistant location manager (uncredited) |
Music Department
Lisa Bauman-Wasiak | ... | music clearances (as Lisa Bauman Wasiak) |
Chris Douridas | ... | music supervisor |
Darrell Hall | ... | music editor |
Reinhold Heil | ... | score mixer |
Bronwen Jones | ... | orchestrator |
Johnny Klimek | ... | score mixer |
Gabriel Isaac Mounsey | ... | additional music programmer |
Dana Niu | ... | orchestrator |
David Sabee | ... | orchestra contractor |
Adam Milo Smalley | ... | music editor: temp music (as Adam Smalley) |
Scott Stambler | ... | music editor: temp music |
Armin Steiner | ... | orchestra mixer / orchestra recordist |
Joseph Pollard White | ... | conductor |
John Carrington | ... | musician: harp (uncredited) |
Thomas Cavanaugh | ... | music business & legal affairs (uncredited) |
Celeste Chada | ... | music licensing (uncredited) |
Martin Christensen | ... | score assistant (uncredited) |
Shiro Gutzie | ... | soundtrack producer (uncredited) |
Bryan Lawson | ... | assistant music editor (uncredited) |
Julia Michels | ... | executive in charge of music (uncredited) |
Script and Continuity Department
Jayne-Ann Tenggren | ... | script supervisor |
Mamie Mitchell | ... | script supervisor additional (uncredited) |
Transportation Department
Jeff Couch | ... | transportation captain |
Paulie DiCocco III | ... | driver |
Julie E. Furnas | ... | transportation assistant |
'Wild Bill' Laczko | ... | driver |
A. Welch Lambeth | ... | transportation coordinator (as Welch Lambeth) |
Paulie DiCocco | ... | driver: Robin Williams (uncredited) |
Alan Kaminsky | ... | transportation co-captain (uncredited) |
Additional Crew
Laird Adamson | ... | assistant to producers |
Michael Anderson | ... | medic |
Debra Leilani Bakeman | ... | medic (as Debra Bakeman) |
Paul Belenardo | ... | production accountant |
Andrew Blau | ... | assistant to producers |
Stephanie Stearns Bonnem | ... | production assistant |
Adam Bryant | ... | stand-in: Robin Williams |
Peter Buffo | ... | consultant: photo finishing |
Judy Dickerson | ... | dialect coach: Ms. Nielsen (as Judi Dickerson) |
John Dorsey | ... | assistant: Mark Romanek (as John T. Dorsey III) |
Jason Dudek | ... | set production assistant |
Hank Fawcett | ... | production assistant (as Charles 'Hank' Fawcett) |
Lorin Flemming | ... | chef: Deluxe Motion Picture Catering |
Dusten Gazzola | ... | set production assistant |
Ryan Gomez | ... | production secretary |
Celeste Healy | ... | production coordinator (as Celeste A. Healy) |
Michelle Hoffman | ... | craft service |
Boysie Jereza | ... | payroll accountant |
Ken Kawaguchi | ... | technical support: photo finishing |
Ashley Kravitz | ... | research consultant |
Steven Krul | ... | assistant production coordinator |
Jack Liversage | ... | craft service |
Nick Mestrundrea | ... | craft service (as Nick Mestrandrea) |
Terry Lee Painovich | ... | craft service |
Jennifer Payson | ... | assistant production coordinator (as Jennifer Tamez) |
Deborah Ricketts | ... | research consultant |
Melissa Rubel | ... | production assistant |
Ben Scissors | ... | set production assistant (as Benjamin Scissors) |
Matthew Segal | ... | set production assistant |
Rebecca Erwin Spencer | ... | assistant: Mr. Williams (as Rebecca Spencer) |
Jack Stern | ... | studio teacher |
Sue Stone | ... | advisor: photo finishing |
Michael Umble | ... | unit publicist |
Pranay K. Verma | ... | VP Finance: Catch 23 Entertainment |
Edna Wilkerson-Fuentes | ... | second assistant accountant |
Howard Young | ... | first assistant accountant |
Joe Cappelletti | ... | additional voices (uncredited) |
Caryn Cheever | ... | post-production accountant (uncredited) |
Juliann M. Chow | ... | office production assistant (uncredited) |
Kyle Cooper | ... | title designer (uncredited) |
Clark Credle | ... | production assistant (uncredited) |
Terri Douglas | ... | adr voice (uncredited) |
Andrew Lawrence Fisher | ... | dailies duplication (uncredited) |
Jeff Maksym | ... | pre-production office intern (uncredited) |
Joe Pichirallo | ... | production executive (uncredited) |
Joan Scheckel | ... | workshop development (uncredited) |
Production Companies
- Fox Searchlight Pictures (presents)
- Catch 23 Entertainment (in association with)
- Killer Films
- Laughlin Park Pictures
- Madjak Films
Distributors
- Fox Searchlight Pictures (2002) (United States) (theatrical)
- 20th Century Fox Argentina (2002) (Argentina) (theatrical)
- FS Film (2002) (Finland) (theatrical)
- Fox-Warner (2002) (Switzerland) (theatrical)
- Hispano Foxfilms S.A.E. (2002) (Spain) (theatrical)
- InterCom (2002) (Hungary) (theatrical)
- Twentieth Century Fox (2002) (Italy) (theatrical)
- Twentieth Century Fox (2002) (Mexico) (theatrical)
- Twentieth Century Fox (2002) (Netherlands) (theatrical)
- Twentieth Century Fox (2002) (Norway) (theatrical)
- Twentieth Century Fox (2002) (Sweden) (theatrical)
- Twentieth Century Fox (2002) (United Kingdom) (theatrical)
- UGC-Fox Distribution (UFD) (2002) (France) (theatrical)
- Gemini Film (Russia) (theatrical)
- Twentieth Century Fox (2003) (Germany) (theatrical)
- Twentieth Century Fox (2003) (Japan) (theatrical)
- 20th Century Fox Home Entertainment (2003) (Germany) (DVD)
- 20th Century Fox Home Entertainment (2003) (Germany) (VHS)
- 20th Century Fox Home Entertainment (2003) (United States) (DVD)
- FS Film (2003) (Finland) (DVD) (VHS)
- Fox Pathé Europa (2003) (France) (DVD)
- Gativideo (2003) (Argentina) (DVD)
- Twentieth Century Fox Home Entertainment (2003) (Netherlands) (VHS)
- 20th Century Fox Home Entertainment (2005) (Mexico) (DVD)
- 20th Century Fox Home Entertainment (2005) (Mexico) (VHS)
- RTL Entertainment (2005) (Netherlands) (tv) (RTL5)
- Mainostelevisio (MTV3) (2006) (Finland) (tv)
- SubTV (2007) (Finland) (tv)
- 20th Century Fox Home Entertainment (2013) (United States) (Blu-ray)
Special Effects
- A52 (additional visual effects)
- BUF (visual effects)
- EFILM (film scanning and recording)
- Full Scale Effects
- Image Savant (digital animation effects)
- MastersFX (special effects makeup)
- Method Studios (visual effects)
Other Companies
- 20th Century Fox Television (thanks: "The Simpsons" footage)
- American Humane Association (animals monitored by: AHA 00206)
- BT Industrial Supply (expendables)
- Central Casting (extras casting)
- Chapman/Leonard Studio Equipment (camera cranes and dollies)
- Custom Film Effects (opticals)
- DTS (acknowledgement)
- DeLuxe Laboratories (color timing)
- Deluxe Catering (catering)
- Direct Tools & Fasteners (expendables)
- EFILM (recording)
- Imaginary Forces (main and end titles designed and produced by)
- Inter Video (computer and video playback)
- Internet Connect (thanks)
- Klimax Studios (score recording)
- Kodak (motion picture film)
- Locarno International Film Festival (festival)
- Loop de Loop (voice casting)
- Panavision (camera equipment provided by)
- Panavision (filmed with)
- Post Modern Sound (ADR recording facility)
- Power Blue Music (score recorded and mixed at)
- Scarlet Letters (end titles)
- SoundStorm (digital sound design and editing)
- Studio X (orchestra recorded at)
- Sundance Film Festival (festival)
- Superb Records (soundtrack published by)
- The Holmes Group (thanks)
- The Wilshire Stages (digital sound re-recording)
- Twentieth Century Fox (thanks: "The Day the Earth Stood Still" footage)
- Video Hawks (thanks)
- Vivid Entertainment Group (thanks: "Hawaiian Blast" video clip)
- Worldwide Film Completion (completion guarantee provided by)
Storyline
Plot Summary |
Middle aged Sy Parrish works as a technician at a one hour photo lab located in a SavMart store in a suburban mall. Sy is a lonely man, never having had any friends. He knows much about his customers through the photographs they have developed. But he knows more about the Yorkin family - specifically Nina Yorkin and her adolescent son Jake Yorkin, the two in the family who drop off and pick up the family's photofinishing - the family about whom he is obsessed, than anyone else. Nina's husband, Will Yorkin, is incidental to his obsession since Sy has only seen him in photographs. Sy's obsession includes fantasizing about being their favorite "Uncle Sy". He has even been making an extra set of prints for himself of all of their photographs since Jake was a newborn. After an incident at work and after Sy finds out more about the family through a set of photographs, he decides to right the injustices he sees in the only way he knows how. His actions demonstrate his true mental state. Written by Huggo |
Plot Keywords | |
Taglines | The things that we fear the most have already happened to us... See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Box Office
Budget | $12,000,000 (estimated) |
Opening Weekend United States | $321,515, 25 Aug 2002 |
Cumulative Worldwide Gross | $52,223,306 |
Did You Know?
Trivia | After the film premiered at the Sundance Film Festival, Robin Williams overheard viewers say that they forgot it was Williams in the lead role 15 minutes into the film. An observation that made Williams proud. See more » |
Goofs | Red light is added by the filmmakers to show the film moving through the developing machine. Color film is sensitive to all light, therefore all of that film would be fogged. Red light is only used for black and white paper print developing. See more » |
Movie Connections | Featured in One Hour Photo (2002). See more » |
Soundtracks | Coming Home See more » |
Quotes |
Sy Parrish:
And if these pictures have anything important to say to future generations, it's this... I was here. I existed. I was young. I was happy... and someone cared enough about me in this world to take my picture. See more » |