DVD Playhouse—February 2012
By Allen Gardner
To Kill A Mockingbird 50th Anniversary Edition (Universal) Robert Mulligan’s film of Harper Lee’s landmark novel pits a liberal-minded lawyer (Gregory Peck) against a small Southern town’s racism when defending a black man (Brock Peters) on trumped-up rape charges. One of the 1960s’ first landmark films, a truly stirring human drama that hits all the right notes and isn’t dated a bit. Robert Duvall makes his screen debut (sans dialogue) as the enigmatic Boo Radley. DVD and Blu-ray double edition. Bonuses: Two feature-length documentaries: Fearful Symmetry and A Conversation with Gregory Peck; Featurettes; Excerpts and film clips from Gregory Peck’s Oscar acceptance speech and AFI Lifetime Achievement Award; Commentary by Mulligan and producer Alan J. Pakula; Trailer. Widescreen. Dolby and DTS 2.0 mono.
Outrage: Way Of The Yakuza (Magnolia) After a brief hiatus from his signature oeuvre of Japanese gangster flicks,...
By Allen Gardner
To Kill A Mockingbird 50th Anniversary Edition (Universal) Robert Mulligan’s film of Harper Lee’s landmark novel pits a liberal-minded lawyer (Gregory Peck) against a small Southern town’s racism when defending a black man (Brock Peters) on trumped-up rape charges. One of the 1960s’ first landmark films, a truly stirring human drama that hits all the right notes and isn’t dated a bit. Robert Duvall makes his screen debut (sans dialogue) as the enigmatic Boo Radley. DVD and Blu-ray double edition. Bonuses: Two feature-length documentaries: Fearful Symmetry and A Conversation with Gregory Peck; Featurettes; Excerpts and film clips from Gregory Peck’s Oscar acceptance speech and AFI Lifetime Achievement Award; Commentary by Mulligan and producer Alan J. Pakula; Trailer. Widescreen. Dolby and DTS 2.0 mono.
Outrage: Way Of The Yakuza (Magnolia) After a brief hiatus from his signature oeuvre of Japanese gangster flicks,...
- 2/26/2012
- by The Hollywood Interview.com
- The Hollywood Interview
Reviewer: Philip Tatler IV
Ratings (out of five): Set **** 1/2
Poto and Cabengo *****
Routine Pleasures **** 1/2
My Crasy Life **** 1/2
Jean-Pierre Gorin is probably best been known for partnering with Jean-Luc Godard in the late ‘60s to form the Dziga Vertov Group. Their aim was to take cinema in an authorless, overtly political direction and produced (among others) the Jane Fonda-starring Tout Va Bien. Thanks to Criterion’s latest Eclipse release, Gorin’s work is finally making its American DVD debut and will hopefully increase his stature to beyond just a footnote in Godard’s career.
Ratings (out of five): Set **** 1/2
Poto and Cabengo *****
Routine Pleasures **** 1/2
My Crasy Life **** 1/2
Jean-Pierre Gorin is probably best been known for partnering with Jean-Luc Godard in the late ‘60s to form the Dziga Vertov Group. Their aim was to take cinema in an authorless, overtly political direction and produced (among others) the Jane Fonda-starring Tout Va Bien. Thanks to Criterion’s latest Eclipse release, Gorin’s work is finally making its American DVD debut and will hopefully increase his stature to beyond just a footnote in Godard’s career.
- 1/31/2012
- by weezy
- GreenCine
Hellion
Today's the day Sundance 2012 opens and Salon's Andrew O'Hehir pretty well sums up why those who've written the festival off completely might want to reconsider:
If Robert Redford's annual celebration of independent film is no longer the cutting-edge cultural phenomenon it appeared to be in the 1990s, it also isn't the wretched-excess Sundance of the early 2000s, when the overly precious downtown of Park City, Utah, was bedecked with 'gifting lounges' that attracted all kinds of entertainment and sports celebrities who had no plausible connection to the independent-film business. Current festival director John Cooper took the reins from longtime director Geoff Gilmore (a charismatic and polarizing figure) two and a half years ago, just as the national economy was going south. Whether by coincidence, strategy or an inevitable consequence of structural change, Cooper's first two festivals have felt leaner and more focused on actual films and filmmakers — and...
Today's the day Sundance 2012 opens and Salon's Andrew O'Hehir pretty well sums up why those who've written the festival off completely might want to reconsider:
If Robert Redford's annual celebration of independent film is no longer the cutting-edge cultural phenomenon it appeared to be in the 1990s, it also isn't the wretched-excess Sundance of the early 2000s, when the overly precious downtown of Park City, Utah, was bedecked with 'gifting lounges' that attracted all kinds of entertainment and sports celebrities who had no plausible connection to the independent-film business. Current festival director John Cooper took the reins from longtime director Geoff Gilmore (a charismatic and polarizing figure) two and a half years ago, just as the national economy was going south. Whether by coincidence, strategy or an inevitable consequence of structural change, Cooper's first two festivals have felt leaner and more focused on actual films and filmmakers — and...
- 1/20/2012
- MUBI
If the Costa Concordia, which ran aground off the west coast of Italy last night, looks familiar to you, it's likely that it's because it's the cruise ship that's the setting for the first movement of Jean-Luc Godard's Film socialisme ("It's less a tourist cruise than an international summit of bastards," wrote David Phelps in June). The accident, which cost the lives of three people and injured many more (and around 40 of the 4000 passengers are still missing), occurred on the same evening that a rogue vigilante group going by the name of Standard and Poor's downgraded the credit ratings of nine eurozone countries.
Which brings us to our first set of DVDs. A Forum topic on Artificial Eye's release of its Theo Angelopoulos Collection has been rumbling along for half a year now and, with the third volume coming out next month, David Jenkins has a good long...
Which brings us to our first set of DVDs. A Forum topic on Artificial Eye's release of its Theo Angelopoulos Collection has been rumbling along for half a year now and, with the third volume coming out next month, David Jenkins has a good long...
- 1/14/2012
- MUBI
We at Mubi think that celebrating the films of 2010 should be a celebration of film viewing in 2010. Since all film and video is "old" one way or another, we present Out of a Past, a small (re-) collection of some of our favorite of 2010's retrospective viewings.
***
This is a list of older movies I saw for the first time in 2010—not necessarily the best, but the ones that gave me the greatest sense of discovery. It’s a sad commentary on contemporary film culture that only five of the twelve films I mention are available on Netflix.
Routine Pleasures (Jean-Pierre Gorin, USA, 1986)
An essay film from the Godard’s former collaborator during his leftist Dziga Vertov Group days. The movie begins as a documentary about a group of model train enthusiasts in San Diego who have constructed an elaborate imaginary world with enormous and minutely detailed landscapes and a...
***
This is a list of older movies I saw for the first time in 2010—not necessarily the best, but the ones that gave me the greatest sense of discovery. It’s a sad commentary on contemporary film culture that only five of the twelve films I mention are available on Netflix.
Routine Pleasures (Jean-Pierre Gorin, USA, 1986)
An essay film from the Godard’s former collaborator during his leftist Dziga Vertov Group days. The movie begins as a documentary about a group of model train enthusiasts in San Diego who have constructed an elaborate imaginary world with enormous and minutely detailed landscapes and a...
- 1/5/2011
- MUBI
The second annual Migrating Forms experimental media festival will descend on the Anthology Film Archives in NYC on May 14-23 featuring the world’s greatest experimental videos, cultural documentaries, some that are a little of both; plus, several filmmaker retrospectives, some classic films and the endearingly popular Tube Time! video tournament.
Migrating Forms is such an entirely different beast than its predecessor, the New York Underground Film Festival, that we don’t have to keep saying this new event arose from the Nyuff’s ashes, do we? Ok, we’ll just say that one more time. Next year we won’t mention it because, even in it’s first year, Migrating Forms proved itself to be a completely unique arena in the field of experimental media making.
A couple of highlights from the lineup below: The new feature film by cultural explorer Kevin Jerome Everson, Erie, which captures life in...
Migrating Forms is such an entirely different beast than its predecessor, the New York Underground Film Festival, that we don’t have to keep saying this new event arose from the Nyuff’s ashes, do we? Ok, we’ll just say that one more time. Next year we won’t mention it because, even in it’s first year, Migrating Forms proved itself to be a completely unique arena in the field of experimental media making.
A couple of highlights from the lineup below: The new feature film by cultural explorer Kevin Jerome Everson, Erie, which captures life in...
- 5/6/2010
- by Mike Everleth
- Underground Film Journal
Migrating Forms, the avant-garde and experimental media festival, comes blasting into its second year on May 14 and runs through May 23 at the beloved Anthology Film Archives in NYC. While the full, official lineup is still weeks away from being announced, fest co-directors Nellie Killian and Kevin McGarry have teased what that lineup will bring with the announcement of the fest’s opening night film, plus a few, select special programs.
The opening night film on May 14 will be the fourth feature film by experimental documentary filmmaker Kevin Jerome Everson. Erie is comprised entirely of single take shots of communities around Lake Erie. Everson describes the film himself as:
I’m hanging out, coolin’, on the frames that connect the necessity and the coincidence. Formally, that is. With a sense of place and historical research, my films combine scripted and documentary elements with rich elements of formalism. The subject matter is...
The opening night film on May 14 will be the fourth feature film by experimental documentary filmmaker Kevin Jerome Everson. Erie is comprised entirely of single take shots of communities around Lake Erie. Everson describes the film himself as:
I’m hanging out, coolin’, on the frames that connect the necessity and the coincidence. Formally, that is. With a sense of place and historical research, my films combine scripted and documentary elements with rich elements of formalism. The subject matter is...
- 4/10/2010
- by Mike Everleth
- Underground Film Journal
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.