Sur mes lèvres (2001)

Note des utilisateurs:

7.4/10   

Réalisateur:

Jacques Audiard

Writers:

Jacques Audiard (writer)
Tonino Benacquista (writer)

Release Date:

17 octobre 2001 (Belgium)

Genre:

Crime | Drame | Thriller

Accroche:

Il va lui apprendre les mauvaises manières... Elle lui apprendra les bonnes.

Plot:

She is almost deaf and she lip-reads. He is an ex-convict. She wants to help him. He thinks no one can help except himself.

Plot Keywords:

Trainee | Secretary | Ex Convict | Debt | Older Woman Younger Man

Awards:

7 wins & 12 nominations

Avis des utilisateurs:

What A Wonderful Film

Ensemble

Vincent Cassel	...	Paul
Emmanuelle Devos	...	Carla
Olivier Gourmet	...	Marchand
Olivier Perrier	...	Masson
Olivia Bonamy	...	Annie
Bernard Alane	...	Morel
Céline Samie	...	Josie
Pierre Diot	...	Keller
François Loriquet	...	Jean-François
Serge Boutleroff	...	Mammouth
David Saracino	...	Richard Carambo
Christophe Vandevelde	...	Louis Carambo
Bô Gaultier de Kermoal	...	Le Barman
Loïc Le Page	...	Quentin
Nathalie Lacroix	...	L'Employée ANPE
Laurent Valo	...	Le jeune sourd du café
Christiane Cohendy	...	Mathilde
Isabelle Caubère	...	Jeanne
Chloé Mons	...	Boubou (as Chloë Mons)
Patrick Steltzer	...	Le Haleur
Philippe Wintousky	...	Le chef de chantier
Gladys Gambie	...	Danseuse no. 1
Maurine Nicot	...	Danseuse no. 2
Keena	...	Danseuse no. 3

Réalisé par
Jacques Audiard

Scénaristes (in alphabetical order)
Jacques Audiard		writer
Tonino Benacquista		writer

Produit par
Philippe Carcassonne	....	producer
Jean-Louis Livi	....	producer
Bernard Marescot	....	executive producer
Alix Raynaud	....	executive producer

Musique originale
Alexandre Desplat

Image
Mathieu Vadepied

Montage
Juliette Welfling

Distribution des rôles
Richard Rousseau

Création des décors
Michel Barthélémy

Direction artistique
Etienne Rohde

Décorateur de plateau
Boris Piot
Ségolène Rocher

Création des costumes
Virginie Montel

Maquillage
Pierre Chavialle	....	key hair stylist
Alexis Kinebanyan	....	assistant makeup artist
Alexis Kinebanyan	....	special makeup effects artist
Frédérique Ney	....	key makeup artist
Cécile Pellerin	....	makeup artist
Emmanuel Pitois	....	special makeup effects artist

Directeur de production
Gwenael Camuzard	....	assistant unit manager
Michael Ermogeni	....	unit manager
Brigitte Faure	....	post-production manager
Jean Louis Nieuwbourg	....	production manager

Assistant réalisateur
Serge Boutleroff	....	assistant director
Vincent Dachet	....	second assistant director
Dominique Gerbi	....	second second assistant director
Fabrice Nordmann	....	second second assistant director

Art Department
Boris Piot	....	set dresser
Thomas Reichlin Meldegg	....	artistic collaborator
Tom Danos	....	carpenter (uncredited)

Technicien du son
Philippe Amouroux	....	sound re-recording mixer
Marc-Antoine Beldent	....	sound
Christophe Bourreau	....	foley artist
Christophe Bourreau	....	sound effects editor
Matthieu Bricout	....	boom operator
Matthieu Bricout	....	sound assistant
Jean De Sagey	....	foley recordist
Cyril Holtz	....	sound re-recording mixer
Nikolas Javelle	....	assistant sound editor
Pedro Marques	....	synchronization sound engineer
Gael Nicolas	....	sound editor
Pascal Villard	....	sound editor

Cascadeur
Rémi Canaple	....	stunts
Michel Carliez	....	stunts advisor

Camera and Electrical Department
Sébastien Leclercq	....	assistant camera
Jean-Marie Leroy	....	still photographer
Vincent Plaidy	....	assistant camera
Pénélope Pourriat	....	camera loader

Casting Department
Laurent Couraud	....	extras casting

Costume and Wardrobe Department
Isabelle Pannetier	....	costume supervisor
Isabelle Pannetier	....	costumer

Editorial Department
Mathias Duhayer	....	post-production assistant
Marie-Pierre Frappier	....	assistant editor

Music Department
Edouard Dubois	....	music consultant

Divers
Sophie Ba	....	production assistant
Sandrine Boulet	....	production assistant
Emmanuel Rondeau du Noyer	....	location scout
Stephan Guillemet	....	assistant location manager
Philippe Morlier	....	location manager
Nathalie Vierny	....	script supervisor

Production Companies

• Canal+
• Centre National de la Cinématographie (CNC)
• Ciné B
• France 2 Cinéma
• Pathé Image Production
• Sédif Productions

Distributors

• A-Film Home Entertainment (2003) (Netherlands) (video)
• Cinema Parisien
• Cinemagroup (Argentina)
• Karma Films (Spain)
• Kino Bez Granits (2003) (Russia) (theatrical)
• Magnolia Pictures (2002) (USA) (subtitled)
• Nexo
• Pathé International (2001) (worldwide) (all media)
• Pathé
• Primer Plano Film Group Video (Argentina) (DVD)
• Primer Plano Film Group Video (Argentina) (VHS)
• Upstream Pictures (2003) (Netherlands) (theatrical)
• Wise Policy (2003) (Japan) (all media)

Autre(s) titre(s):

Read My Lips (Canada: English title) (DVD title)

MPAA:

Rated R for language, violence and some sexual content.

Durée:

115 min | Argentina:119 min | UK:118 min

Pays:

France

Langue:

Français

Couleur:

Couleur

Aspect Ratio:

1.85 : 1

Son:

Dolby Digital

Classification:

Argentina:13 | Australia:MA | France:U | Netherlands:12 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | USA:R

Emplacements De Pelliculage:

Paris, France

Company:

Canal+

Goofs:

Crew or equipment visible: When the man calls for Paul Angeli and then hangs up, Carla peers into the copy room and then hangs up the phone. As she is sitting at her desk, the reflection of a moving crane or boom mic extension is visible in the glass behind her.

Movie Connections:

References Rear Window (1954)

Soundtrack:

Positive Education

What A Wonderful Film

I watched this movie over the span of two days. The whole day after watching the first part, I was distracted by recollections of the imagery and just basic feel of the movie and couldn't wait to see the rest.

It was so refreshing to see a movie with a captivating plot and sensuality without excessive sexuality. The directing and editing tied everything together wonderfully. Definitely a nail-biter towards the end and fast-paced enough to keep one interested but not so much so that it leaves one confused.

I can't think of anything negative to say about it. If only they made movies this good in America these days.....