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Robert Drewe (novel)
John Michael McDonagh (screenplay)
26 mars 2004 (USA) suite
A film about the legendary outlaw whose story outgrew his life suite
After getting threatened by Kelly's friends and family, Constable Fitzpatrick places the blame on Ned Kelly and exaggerates what happened... suite | add synopsis
3 wins & 13 nominations suite
Very Good but could have so much more plus de (127 total)
| Heath Ledger | ... | Ned Kelly | |
| Orlando Bloom | ... | Joseph Byrne | |
| Geoffrey Rush | ... | Superintendent Francis Hare | |
| Naomi Watts | ... | Julia Cook | |
| Joel Edgerton | ... | Aaron Sherritt | |
| Laurence Kinlan | ... | Dan Kelly | |
| Philip Barantini | ... | Steve Hart | |
| Kerry Condon | ... | Kate Kelly | |
| Kris McQuade | ... | Ellen Kelly | |
| Emily Browning | ... | Grace Kelly | |
| Kiri Paramore | ... | Constable Fitzpatrick | |
| Rachel Griffiths | ... | Susan Scott | |
| Geoff Morrell | ... | Robert Scott | |
| Charles 'Bud' Tingwell | ... | Premier Graham Berry | |
| Saskia Burmeister | ... | Jane Jones | |
| Peter Phelps | ... | Constable Lonigan | |
| Russell Dykstra | ... | Wild Wright | |
| Nick Farnell | ... | Tom Lloyd | |
| Russell Gilbert | ... | Constable Hall | |
| Brooke Harmon | ... | Maggie (as Brooke Harman) | |
| Molly McCaffrey | ... | Fanny Shaw | |
| Tim Wright | ... | Constable McIntyre | |
| Nicholas Bell | ... | Richard Cook | |
| Anthony Hayes | ... | Sergeant Kennedy | |
| Jonathan Hardy | ... | The Great Orlando | |
| Karen Davitt | ... | Anne Jones | |
| Declan Simpson | ... | Johnny Jones | |
| Andrew S. Gilbert | ... | Stanistreet | |
| Jerome Ehlers | ... | Sherrit Trooper | |
| Robert Taylor | ... | Sherrit Trooper | |
| Warwick Sadler | ... | Sherrit Trooper | |
| Morgan Evans | ... | Sherrit Trooper | |
| Warwick Yuen | ... | Chinese Miner | |
| John Muirhead | ... | Reverend Gribble | |
| Bernard Fanning | ... | Irish Singer | |
| Ed McShortall | ... | Constable Scanlon (as Eddy McShortall) | |
| Sharlene Yeh | ... | Laundry Girl | |
| Damian Walshe-Howling | ... | Glenrowan Policeman | |
| John Davidson | ... | Glenrowan Policeman | |
| Chris Birt | ... | Glenrowan Policeman | |
| Peter Forster | ... | Glenrowan Policeman | |
| Peter O'Shea | ... | Reardon | |
| Nick Bourke | ... | Martin Cherry | |
| Christopher Baker | ... | Curnow | |
| Brian Wray | ... | Bracken | |
| Thea Gumbert | ... | Mary Hegarty | |
| Gregan O'Leary | ... | Edward Rogers | |
| Chris Wilson | ... | O'Dea | |
| Graham Jahne | ... | Whelan | |
| Clayton Jacobson | ... | Sullivan | |
| Cody O'Prey | ... | Young Ned | |
| Tasman Vaughan | ... | Richard Shelton | |
| Greg Saunders | ... | Mr. Shelton | |
| Victoria Eagger | ... | Mrs. Shelton | |
| Peter Young | ... | Red Kelly | |
| Jessica Hall | ... | Girl on Aaron's Knee | |
| Monty Maizels | ... | Greta Old Man | |
| Sarah Pass | ... | Older Barmaid | |
| Alexander Ramsey | ... | James Cook | |
| Samuel Shepherd | ... | Matthew Cook | |
| Dan Bourke | ... | Imperial Hotel Musician | |
| Anthony O'Neill | ... | Imperial Hotel Musician | |
| Paddy O'Neill | ... | Imperial Hotel Musician | |
| Steve Simmonds | ... | Imperial Hotel Musician | |
| Edward Carisbrooke | ... | Young Cook Stablehand | |
| Erika Felton | ... | Toddler Ellen Kelly | |
| Frank Magree | ... | Greta Policeman (as Frank McGree) | |
| Talia Zucker | ... | Sarah Wicks | |
| Laurie Jensen | ... | Wicks | |
| Jim Howes | ... | Glenrowan Train Doctor | |
| Michael Williams | ... | Glenrowan Train Policeman | |
| Geoff Wallis | ... | Glenrowan Train Policeman | |
| Lucy Christopher | ... | Jerilderie Young Woman | |
| Thomas Blackburne | ... | Jerilderie Boy | |
| Jim Russell | ... | Jerilderie Man | |
| Mandy McElhinney | ... | Jerilderie Woman | |
| David Ngoombujarra | ... | Tribesman | |
| Jack Mancor | ... | Mandolin Player | |
| John Bedggood | ... | Fiddle Player | |
| Peter Flood | ... | Paying Farmer | |
| Guy Charnock | ... | Child #1 | |
| Madeleine Jay | ... | Child #2 | |
| Matt Molony | ... | Spitting Farmer | |
| Ashley Gosam | ... | Aboriginal Tracker | |
| Jida Gulpilil | ... | Aboriginal Tracker | |
| Colin Aitken-Glass | ... | Aboriginal Tracker | |
| Harold Lawrence | ... | Handcuffed Farmer | |
| Mitchell Pickering | ... | Handcuffed Son | |
| John Bolger | ... | Glenrowan Train Priest | |
| Brendan O'Connor | ... | Policeman | |
| Jamesen Re | ... | Policeman (as James Re) | |
| Mark Blackmore | ... | Newspaper Vendor | |
| David Millar | ... | Prison Warden | |
| Neil Jenkin | ... | Prison Warden | |
| Eileen Dibbs | ... | Jerilderie Hostage | |
| Timothy Gingell | ... | Jerilderie Townsperson | |
| Judith Lee | ... | Ransacked Family Member | |
| Anthony Namor | ... | Umbrella Glenrowan Policeman | |
| Robert Sanders | ... | Police Foot Trooper |
Réalisé par | |||
| Gregor Jordan | |||
Scénaristes | ||
| Robert Drewe | (novel "Our Sunshine") | |
| John Michael McDonagh | (screenplay) | |
Produit par | |||
| Tim Bevan | .... | executive producer | |
| Catherine Bishop | .... | line producer | |
| Liza Chasin | .... | co-producer | |
| Robert Drewe | .... | associate producer | |
| Eric Fellner | .... | executive producer | |
| Debra Hayward | .... | co-producer | |
| Lynda House | .... | producer | |
| Timothy White | .... | executive producer | |
| Nelson Woss | .... | producer | |
Musique originale | |||
| Klaus Badelt | |||
| Bernard Fanning | |||
Image | |||
| Oliver Stapleton | |||
Montage | |||
| Jon Gregory | |||
Distribution des rôles | |||
| Jina Jay | |||
| Christine King | |||
Création des décors | |||
| Steven Jones-Evans | |||
Direction artistique | |||
| Ian Gracie | |||
Décorateur de plateau | |||
| Jill Eden | |||
Création des costumes | |||
| Anna Borghesi | |||
Maquillage | |||
| Angela Conte | .... | makeup artist | |
| Blanka Dudas | .... | makeup artist | |
| Deborah Lester | .... | hair stylist | |
| Helen Magelaki | .... | hair stylist | |
| Jenny Shircore | .... | hair designer | |
| Jenny Shircore | .... | hair stylist | |
| Jenny Shircore | .... | makeup artist | |
| Jenny Shircore | .... | makeup designer | |
| Margaret Stevenson | .... | key makeup artist | |
| Deb Watson | .... | key hair stylist | |
| Helen Magelaki | .... | makeup artist (uncredited) | |
Assistant réalisateur | |||
| Margie Beattie | .... | second second assistant director | |
| Brendan Campbell | .... | first assistant director: second unit | |
| Ben Cox | .... | fourth assistant director | |
| Todd Embling | .... | second assistant director: second unit | |
| Emma Jamvold | .... | third assistant director | |
| Toni Raynes | .... | second assistant director | |
| Brad Shield | .... | second unit director | |
| Liz Tan | .... | first assistant director | |
| Johnny Pacialeo | .... | assistant director (uncredited) | |
Département Art | |||
| Michael Bell | .... | set designer | |
| Ben Corless | .... | construction lead hand | |
| Richie Dehne | .... | property master | |
| Roger Gillespie | .... | head plasterer | |
| Greg Hajdu | .... | construction coordinator | |
| Nell Hanson | .... | assistant designer | |
| Tam Morris | .... | storyboard artist | |
| Jane Murphy | .... | set dresser | |
| Shanthi Nadaraja | .... | construction coordinator | |
| Andy Robinson | .... | set finisher | |
| Timothy Shanahan | .... | art finisher | |
Technicien du son | |||
| Chris Burdon | .... | sound re-recording mixer | |
| Craig Carter | .... | additional sound effects editor | |
| Matthew Gough | .... | additional sound re-recording mixer (as Matt Gough) | |
| Antony Gray | .... | additional sound effects editor | |
| Howard Halsall | .... | dialogue editor | |
| Steve Hancock | .... | sound studio technician | |
| Peter Holt | .... | foley editor | |
| Jacques Leroide | .... | foley editor | |
| Gerard Loret | .... | sound editor | |
| Colin Miller | .... | supervising sound editor | |
| Chris Navarro | .... | adr recordist | |
| Mike Prestwood Smith | .... | additional sound re-recording mixer | |
| Adrian Rhodes | .... | sound re-recording mixer | |
| Martin Schloemer | .... | adr recordist | |
| Eric Thompson | .... | adr mixer | |
| Gary Wilkins | .... | production sound mixer | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
Effets spéciaux | |||
| Sam Abbott | .... | special effects assistant | |
| Gordon Barber | .... | special effects assistant | |
| Rob Collin | .... | special effects assistant | |
| Eucla Davis | .... | special effects assistant | |
| Gillian Farrow | .... | special effects assistant | |
| Jeff Little | .... | special effects coordinator | |
| Costas Maniatis | .... | special effects assistant | |
| Andrew McAllister | .... | special effects assistant | |
| Tim O'Brien | .... | special effects coordinator | |
| Dave Seaborn | .... | special effects technician | |
| Peter Stubbs | .... | special effects supervisor | |
Visual Effects | |||
| Ben Baker | .... | visual effects coordinator | |
| Roger Bolton | .... | digital compositor: Complete Post | |
| Mark Curtis | .... | lead compositor: MPC | |
| Murray Curtis | .... | digital compositor: Complete Post | |
| Murray Curtis | .... | visual effects technical supervisor: Complete Post | |
| Stefan Drury | .... | visual effects producer: MPC | |
| Michael Gracey | .... | digital compositor: Complete Post | |
| Michael Gracey | .... | visual effects supervisor: Complete Post | |
| Andrea Parkes | .... | visual effects producer: Complete Post | |
| Colin Rhodes | .... | digital compositor: Complete Post | |
| Noel Richards | .... | 3D animator: Complete Post | |
| Patrick Roussett | .... | 3D animator: Complete Post | |
| Asmina Samolis | .... | digital compositor: Complete Post | |
| Chris Schwarze | .... | visual effects executive producer: Complete Post | |
| Kerri Schwarze | .... | visual effects executive producer: Complete Post | |
| Jamie Scott | .... | digital compositor: Complete Post | |
| Christina Simons | .... | digital compositor: Complete Post | |
| Sally Spencer | .... | visual effects coordinator: MPC | |
| Ferry Taswin | .... | 3D animator: Complete Post | |
| Ben Walsh | .... | digital matte painter: Complete Post | |
| Daniel Walton | .... | digital artist | |
Cascadeur | |||
| Marky Lee Campbell | .... | stunt double | |
| Zev Eleftheriou | .... | stunt coordinator | |
| John Fairhead | .... | stunt double | |
| Tiny Good | .... | stunt rigger | |
| Amanda Graver | .... | stunts | |
| Nathan James | .... | stunt performer | |
| Tony Lynch | .... | stunt performer | |
| Warwick Sadler | .... | lead stunt double: Heath Ledger | |
Caméra et Département Electrique | |||
| Tov Belling | .... | first assistant camera | |
| Gregg Dunthorne | .... | additional grip | |
| Robyn Good | .... | rigger | |
| Tiny Good | .... | head rigger | |
| Paul Heidke | .... | grip | |
| Andrew Jerram | .... | camera operator: underwater scenes | |
| Carolyn Johns | .... | still photographer | |
| Lee Mariano | .... | second assistant camera: second unit | |
| Katie Milwright | .... | assistant camera | |
| Luke Nixon | .... | first assistant camera: second unit | |
| Troy Paschini | .... | grip | |
| Brad Shield | .... | director of photography: second unit | |
| Oliver Stapleton | .... | camera operator | |
| Peter Stott | .... | assistant camera | |
| Peter Stott | .... | first assistant camera: "b" camera | |
| Paul Thompson | .... | key grip | |
| John Tsiavis | .... | still photographer | |
| Anthony Tulloch | .... | rigging gaffer | |
| Ben King | .... | second assistant camera: "b" camera (uncredited) | |
Département Casting | |||
| Louis Elman | .... | adr voice casting | |
| Gabrielle Healy | .... | extras casting | |
| Kate Leonard | .... | extras casting attachment | |
| Trish McAskill | .... | casting associate | |
Département Costume et garde-Robe | |||
| Samantha Edwards van Gyen | .... | assistant set costumer | |
| Peter Paul | .... | set costumer | |
Dpartement Editorial | |||
| Mark Ellis | .... | assistant editor | |
| Tamsin Jeffrey | .... | assistant editor | |
| Ian Letcher | .... | color grader | |
| Ian Seymour | .... | associate editor | |
| Rob Woiwod | .... | editor trainee | |
Département Musique | |||
| Nick Angel | .... | music supervisor | |
| Christopher Brooks | .... | music editor | |
| Michael Connell | .... | music editor | |
| Ramin Djawadi | .... | composer: additional music | |
| Geoff Foster | .... | score recordist | |
| Bruce Fowler | .... | orchestrator | |
| Vic Fraser | .... | music preparation | |
| Isobel Griffiths | .... | orchestra contractor | |
| Henning Lohner | .... | orchestrator: synthesizer | |
| Gerard McCann | .... | music editor | |
| Blake Neely | .... | orchestrator | |
| Rick Wentworth | .... | conductor | |
| Nick Wollage | .... | score recordist | |
| Gavyn Wright | .... | orchestra leader | |
| Geoff Zanelli | .... | composer: additional music | |
| Alexandra Hill | .... | music assistant (uncredited) | |
| Katy Stephan | .... | featured vocalist (uncredited) | |
Divers | |||
| Martin Addy | .... | animal wrangler | |
| Joanne Agius | .... | animal wrangler | |
| Ian Anderson | .... | laboratory liaison | |
| Jeremy Atcliffe | .... | payroll accountant | |
| Neil Bell | .... | assistant: Mr. Ledger | |
| Linda Benson | .... | assistant: Ms. House | |
| Russell Boyd | .... | location manager | |
| Evanne Chesson | .... | animal supervisor | |
| Emma Cooper | .... | unit publicist | |
| Sara Curran | .... | head of legal/business affairs | |
| Alan Fitzsimmons | .... | assistant animal handler (as Alan Fitzsimmonds) | |
| Mel Flanagan | .... | development executive | |
| Jane Forbes | .... | script supervisor: second unit | |
| John Fox | .... | armorer | |
| Victor Fukushima | .... | assistant unit manager | |
| Bruce Gleeson | .... | assistant animal handler | |
| Gerry Grennell | .... | dialogue coach | |
| Melissa Hasluck | .... | assistant: Mr. Woss | |
| Katherine Heads | .... | assistant: Mr. Jordan | |
| Aliza James | .... | assistant: Mr. Fellner | |
| Ben Lowe | .... | location assistant | |
| Callum Metcalfe | .... | assistant: Mr. Bevan | |
| Greg Meyer | .... | animal wrangler | |
| Victoria Mielewska | .... | dialect coach | |
| John Mullinger | .... | animal wrangler | |
| Roger Phillips | .... | end titles | |
| Claire Pollock | .... | animal wrangler | |
| Jacinta Stone | .... | assistant production coordinator | |
| Adam Sutton | .... | animal wrangler | |
| Dex Tallo | .... | extras on-set supervisor | |
| Jo Weeks | .... | script supervisor | |
| Sen Weir | .... | animal wrangler | |
| Robert Milo Williams | .... | synthesizer programmer | |
| Allon Furstenberg | .... | assistant armorer (uncredited) | |
Merci | |||
| Ian Honeyman | .... | thanks | |
| Steve Jablonsky | .... | thanks | |
| Blake Neely | .... | thanks | |
| Geoff Zanelli | .... | thanks | |
Ned Kelly: Public Enemy No. 1 (Philippines: English title) (poster title)
Our Sunshine (Australia) (working title)
suite
Rated R for violence and brief nudity.
110 min
Couleur (Cinevex)
2,35 : 1 suite
Australia:MA (TV rating) | Iceland:16 | Malaysia:18SG | South Korea:15 | Netherlands:12 (TV rating) | Netherlands:16 (DVD rating) | Argentina:13 | Australia:M (re-rating on appeal) | Canada:14A | Finland:K-15 | Germany:16 | New Zealand:M | Norway:15 | Philippines:PG-13 | Singapore:NC-16 | Sweden:15 | UK:15 | USA:R (certificate #39555)
The Sydney Morning Herald suggested that Heath Ledger was made for the role because when he tried on Ned Kelly's original iron armour, it fit perfectly. Heath Ledger was quoted saying, "It was quite eerie actually ... we're the same height and the same body weight. He was skinny 'cause he was starving, I'm skinny 'cause I don't go to the gym." suite
Anachronismes: Glenrowan Railway Station looks 100 years old with worn timber, faded paint etc. The railway line was built in 1873, so the station would be at most 7 years old. suite
Joe Byrne:
What are these? These skulls?
[picks one up]
Mrs. Scott:
I collect them.
Joe Byrne:
[moving the jaw of the skull] Hello.
suite
figure dans "A Current Affair: Heath Ledger Special" (2008) suite
Kesh Jig suite
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| The Proposition | The Assassination of Jesse James by the Coward Robert Ford | Public Enemies | Ned Kelly | Smokin' Aces |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Action section | IMDb Australia section | Add this title to MyMovies |
Gregor Jordan is going to be great. I have no idea when but he is heading places. Along with this I have only seen two other films he has directed which were Two Hands which was unreal to say the least and Buffalo Soldier which was bloody great and Ned Kelly.
When first seeing this I was excited more than I should have been because I was dying to see a new western, but I don't know whether you would call this a western as it is not set in the west like other American films, this is set in Australia telling the story of legendary outlaw Ned Kelly, a young man who never got on the right side of the law who was raised from an Irish family.
To make the film even better it is directed and starring an Australian. Heath Ledger is sporting an Irish accent in the film which is faultless.
The supporting cast is just as good with Orlando Bloom playing Kelly's best friend Steve along with Naomi Watt's as Kelly's love interest but I wouldn't even call her that as she's not even in it. Geoffrey Rush is not used as much as he should have been as the man chasing Kelly. You feel that Gregor Jordan had the key to the sweet shop in Ned Kelly but didn't take full advantage of it. Geoffrey Rush was only in key scenes but there wasn't much introduction to who he was and his interest in Kelly like in the end when he asks Kelly if he can keep an item of his and Kelly looks at him thinking `Why'. it would have been an interest to see what he really thought of him, he just acts under orders to capture him and that's it. Naomi Watts is the same. So much there but not taken.
As far as the story goes this is not such based on his biography but a novel written by Robert Drewe Called Our Sunshine which is a famous phrase that Ned Kelly's father called him. It's a strong story with terrific acting but the script wasn't long enough to make it into the epic it could have been. Sure enough there is plenty in the film to keep it's audience happy but it doesn't really give you the feel you are hoping for. It's goes down in the books of films that could have been so much more and even though this is still a very good film, it had the opportunity to be a masterpiece but if only the script was up to the task there would be a lot more people talking about this story.