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Vue d'ensemble
Note Générale:
Réalisateur:
Scénaristes (WGA):
Rebecca Wells (novels)
Mark Andrus (adaptation)
suite
Date de sortie:
7 juin 2002 (USA) suite
Accroche:
Mothers. Daughters. The never-ending story of good vs. evil. suite
Intrigue:
After years of mother-daughter tension, Siddalee receives a scrapbook detailing the wild adventures of the "Ya-Yas", her mother's girlhood friends. full summary | add synopsis
Récompenses:
3 nominations suite
Avis des utilisateurs:
An unforgettable celebration of friendship plus de (189 total)
Ensemble
(Vue d'ensemble du casting, par ordre d'apparence)Détails supplémentaires
MPAA:
Rated PG-13 for mature thematic elements, language, and brief sensuality.
Parents Guide:
Durée:
116 min
Pays:
Langue:
Couleur:
Rapport de forme:
2,35 : 1 suite
Son:
DTS | Dolby Digital | SDDS
Classification:
UK:12 (video rating) (2002) | UK:12A (original rating) | Iceland:10 ) | Iceland:12 (video rating) | Malaysia:U | Canada:A (Ontario) | Finland:K-11 | South Korea:12 | Argentina:13 | Australia:M | Brazil:12 | France:U | Germany:12 | Netherlands:12 | Norway:11 | Peru:14 | Philippines:PG-13 | Singapore:PG | Spain:13 | Sweden:11 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of the Grisons) | USA:PG-13 (certificate #38793)
Lieux de tournage:
Société:
Curiosités
Anecdotes:
Filmed in Wilmington, North Carolina at the same time as was A Walk to Remember (2002). suite
Goofs:
Erreurs factuelles: The invitation to Vivi's birthday party is for Friday, December 18, 1944. December 18, 1944, fell on a Monday. suite
Guillemet:
Vivi:
I tried to be the best momma I could.
Connor:
How did that go?
Vivi:
Not so hot.
suite
Connexions De Film:
Références History of the World: Part I (1981) suite
Bande son:
Little Birdy suite
foire aux questions
This FAQ is empty. Add the first question.plus de (189 total)
Forum
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Liens liés
| Casting et équipe complète | Remerciements de la Société | Revues externes |
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"I'm not O.K. and you're not O.K. and that's O.K." That's one of the messages of this funny, profound, honest film. The flawed humanity of its characters stands alongside the transcendent miracle of friendship.
Young Siddalee Walker (played with passion and humor by Sandra Bullock) has made it as a playwright in New York. She has been successful in starting an entirely new life, in the process gaining distance from her alcoholic, mercurial mother back in Louisiana. She has escaped -- or has she? Something makes her send a postcard home by giving an interview to Time Magazine in which she attributes her creativity to the mistreatment she suffered as a child. That serves as a call to action for her mother's lifelong friends (Fionnula Flanagan, Shirley Knight, and the incomparable Maggie Smith, wheeling an oxygen tank). It seems likely at this point that Siddalee's mother Vivi (Ellen Burstyn) will go to her grave without ever speaking to her beloved daughter again. Drastic action is called for, and these three ladies are no frail blossoms.
They kidnap Siddalee, bring her to a backwoods cottage in Louisiana, and set about the task of helping both mother and daughter to remember that growth comes from acknowledging connections, not severing them. They are aided in this task by an ornate scrapbook that the four of them kept of their youthful adventures as the Ya-Ya Sisterhood.
The members of this sisterhood do not turn a blind eye to each other's shortcomings. In one of the film's many poignant moments, Siddalee does a cruel impersonation of her mother. As the audience readies itself for Vivi's friends to rush to her defense, one of them (Maggie Smith, of course) says dryly, "She's got her pegged all right." These women, who are about as far from perfect as the cottage in Louisiana is from New York, dare to love each other with eyes wide open.
Flanagan, Knight, and Smith are delightful as Vivi's three friends, and James Garner contributes a fine performance as the quiet, forbearing husband and father. Most memorable of all is the wounded beauty of Ellen Burstyn as the tempestuous Vivi, who has grown up with two kinds of savagery --- the naked brutality of her father and the merciless piety of her mother. Through the whole film shines the keen emotional intelligence of director Callie Khouri.
This film is a masterpiece that should not be missed.