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Natalie Babbitt (novel)
Jeffrey Lieber (screenplay) ...
(suite)
11 octobre 2002 (USA) suite
If you could choose to live forever, would you? suite
A young woman meets and falls in love with a young man who is part of a family of immortals. full summary | add synopsis
3 nominations suite
Wonderful Film For All Ages plus de (116 total)
| Alexis Bledel | ... | Winnie Foster | |
| William Hurt | ... | Angus Tuck | |
| Sissy Spacek | ... | Mae Tuck | |
| Jonathan Jackson | ... | Jesse Tuck | |
| Scott Bairstow | ... | Miles Tuck | |
| Ben Kingsley | ... | Man in the Yellow Suit | |
| Amy Irving | ... | Mother Foster | |
| Victor Garber | ... | Robert Foster | |
| Kosha Engler | ... | Miles' Wife | |
| Richard Pilcher | ... | Constable Henry | |
| Bradley Coryell | ... | Lead Mill Boy | |
| John Badila | ... | Baker | |
| Julia Hart | ... | Sally Hannaway | |
| Naomi Kline | ... | Beatrice Ruston | |
| Kathryn Kelley | ... | Mrs. Hannaway | |
| Brigid Cleary | ... | Mrs. Ruston | |
| Sean Pratt | ... | Young Pastor | |
| Kyle Prue | ... | Sore Loser | |
| Neal Moran | ... | Lounge Tender | |
| Irving Jacobs | ... | Old Timer | |
| Robert Lewis | ... | Night Deputy (as Robert Logan) | |
| Jean Schertler | ... | Grandmother Foster | |
| Dominic Angelella | ... | Bernard Price | |
| Theresa Flynn | ... | Mrs. Price | |
| Elizabeth McNamara | ... | Maid | |
| Steven Walker | ... | Card Player (as Steve Walker) | |
| Maurice Philogene | ... | Bouncer | |
| Kelly McDaniel | ... | Young Anna (Age 8) | |
| Reeny Eul | ... | Young Anna, Age 11 | |
| Jordan McDaniel | ... | Young Anna, age 14 | |
| Beau Russell | ... | Beau (Age 3) | |
| Dillion Gardner | ... | Beau, age 8 | |
| Charlie Cooper | ... | Beau, age 11 | |
| Lester Horn | ... | Driver at Croquet Game | |
| Cynthia Webb | ... | Cook / Maid (as Cynthia Webb-Manly) | |
| Stephen Szibler | ... | Dinner Guest | |
| Sam De Crispino | ... | Dinner Guest | |
| Tom McNutt | ... | Dinner Guest | |
| Helene McNutt | ... | Dinner Guest | |
| Megan Cooper | ... | Dinner Guest | |
| Mac McLure | ... | Dinner Guest | |
| Matthew R. Staley | ... | Dinner Guest (as Matthew Staley) | |
| Tamara Carter | ... | Dinner Guest | |
| Elisabeth Shue | ... | Narrator (voice) | |
| reste de la distribution par ordre alphabétique: | |||
| Bruce Hefke | ... | Blacksmith | |
| Robert Randolph Caton | ... | Searcher (uncredited) | |
| Bob Colletti | ... | Vigilante (uncredited) | |
| Patsy Dougherty | ... | Carriage Passenger #3 (uncredited) | |
| Peter Epstein | ... | Vigilante (uncredited) | |
| Rick Kain | ... | Store Clerk (uncredited) | |
| Lauren Levitt | ... | Party Guest (uncredited) | |
| Michelle Mulitz | ... | Natalie Foster (uncredited) | |
Réalisé par | |||
| Jay Russell | |||
Scénaristes(WGA) | ||
| Natalie Babbitt | (novel) | |
| Jeffrey Lieber | (screenplay) and | |
| James V. Hart | (screenplay) | |
Musique originale | |||
| William Ross | |||
Image | |||
| James L. Carter | |||
Montage | |||
| Jay Cassidy | (as Jay Lash Cassidy) | ||
Distribution des rôles | |||
| Mary Gail Artz | |||
| Barbara Cohen | |||
| Pat Moran | |||
Création des décors | |||
| Tony Burrough | |||
Direction artistique | |||
| Ray Kluga | |||
Décorateur de plateau | |||
| Catherine Davis | |||
Création des costumes | |||
| Carol Ramsey | |||
Maquillage | |||
| Gina W. Bateman | .... | second makeup artist | |
| Charmaine Henninger | .... | assistant hair stylist | |
| Thomas Nellen | .... | makeup department head | |
| Linda Williams | .... | additional hair stylist | |
Directeur de production | |||
| Dana Robin | .... | unit production manager | |
Assistant réalisateur | |||
| Julian Brain | .... | second second assistant director | |
| Alison C. Rosa | .... | second assistant director | |
| John Rusk | .... | first assistant director | |
| Kurt Uebersax | .... | additional second assistant director | |
Département Art | |||
| Elizabeth Bell | .... | set dresser | |
| Carl Catanese | .... | additional set buyer | |
| Michael Davis | .... | construction coordinator | |
| Lisa Dietrich | .... | props | |
| Patrick T. Eagan | .... | carpenter | |
| Susanna Glattly | .... | scenic gangboss | |
| Randy G. Herbert | .... | carpenter | |
| Chris Lines | .... | art department coordinator | |
| Ted Lubonovich II | .... | construction gang boss | |
| John Millard | .... | set dresser | |
| Swift Moseley | .... | key greens | |
| Ron Napier | .... | head foreman | |
| Ted Nolan | .... | prop maker | |
| Scott T. Pina | .... | construction foreman | |
| Jennie Hill Robinson | .... | assistant greens | |
| Lorrie Walker | .... | property master | |
| Steven Walker | .... | property master (as Steve Walker) | |
| Tiffany Zappulla | .... | art department assistant | |
| Brick Mason | .... | storyboard artist (uncredited) | |
Technicien du son | |||
| Dean Beville | .... | adr editor | |
| Mark DeSimone | .... | adr engineer | |
| Stephen Hunter Flick | .... | supervising sound editor | |
| Kirk Francis | .... | production sound mixer | |
| Dan Guachione | .... | boom operator | |
| Jamie Hardt | .... | assistant sound editor | |
| Samuel Lehmer | .... | sound re-recording mixer | |
| Martin Lopez | .... | sound editor | |
| Darrin Mann | .... | foley mixer | |
| Charles Maynes | .... | supervising sound editor | |
| Jon Mete | .... | dialogue editor | |
| Jack M. Nietzsche Jr. | .... | boom operator | |
| Jeffrey Perkins | .... | sound re-recording mixer | |
| Alexander Schwartz | .... | foley artist | |
| Cameron Steenhagen | .... | dialogue editor | |
| Greg ten Bosch | .... | foley editor | |
| Allison Wilke | .... | adr coordinator | |
| Gary Coppola | .... | foley mixer (uncredited) | |
| Erin B. Lillis | .... | sound intern (uncredited) | |
| Edward M. Steidele | .... | foley artist (uncredited) | |
Effets spéciaux | |||
| Mark Bero | .... | special effects coordinator | |
| William Catania | .... | special effects technician | |
| Thomas Turnbull | .... | special effects technician | |
Visual Effects | |||
| Mat Beck | .... | visual effects supervisor | |
| Shawn Broes | .... | digital mastering editor | |
| Chris Flynn | .... | digital compositor | |
| Cindy Jones | .... | visual effects producer | |
| Erik Liles | .... | digital compositor | |
| Trent Smith | .... | visual effects coordinator | |
| Greg Strause | .... | digital effects supervisor | |
| Yoshiya Yamada | .... | animator | |
| Yoshiya Yamada | .... | modeler | |
| Colin Strause | .... | 3D supervisor: Pixel Envy (uncredited) | |
Cascadeur | |||
| G.A. Aguilar | .... | stunt coordinator | |
| Jennifer Badger | .... | stunt double: Alexis Bledel | |
| Blaise Corrigan | .... | stunts | |
| Peter Epstein | .... | stunts | |
| Jeffrey Lee Gibson | .... | stunts | |
| Captain Jeff Johnson | .... | water safety coordinator | |
| Rick Le Fevour | .... | stunts | |
| David Brian Martin | .... | stunt double: jonathan jackson | |
| Stephen A. Pope | .... | utility stunts | |
| Brian Smyj | .... | key stunt rigger | |
| Jay Spadaro | .... | stunt double | |
Caméra et Département Electrique | |||
| Wayne Arnold | .... | assistant camera | |
| John C. Barber | .... | grip | |
| Rob Coughlin | .... | electrician | |
| Jennifer Evans | .... | grip | |
| Rodney French | .... | key grip | |
| Rusty Gardner | .... | video assist operator: second unit (as William 'Rusty' Gardner) | |
| John R. Hamilton | .... | film loader | |
| John Hamilton | .... | camera loader | |
| Steve Hurson | .... | first assistant camera | |
| Mark Hutchings | .... | grip | |
| Michael Kleiman | .... | additional second assistant camera | |
| Richard Klompus | .... | video assist operator | |
| Martin J. Layton | .... | director of photography: second unit (as Marty Layton) | |
| Ethan McQuerrey | .... | grip | |
| Ron Phillips | .... | still photographer | |
| Mark Walpole | .... | second assistant camera: "b" camera | |
Département Casting | |||
| Carlyn Davis | .... | extras casting | |
| Molly Dedham | .... | extras casting | |
| Terri Douglas | .... | adr voice casting | |
| Kevin Gassman | .... | casting assistant | |
| Pat Moran | .... | casting: Baltimore | |
| Luis Sanchez-Cañete | .... | extras casting | |
| Leanna Sheldon | .... | casting associate | |
| Jonathan Strauss | .... | casting associate: New York | |
| John Strawbridge | .... | casting associate | |
Département Costume et garde-Robe | |||
| Marisa Aboitiz | .... | costume supervisor: Los Angeles | |
| Linda M. Boyland | .... | set costumer | |
| Carl Curnutte III | .... | set costumer | |
| Deb Dalton | .... | costume supervisor | |
| Lois DeArmond | .... | assistant costume designer | |
| Robert DeGrazia | .... | set costumer | |
| Robert DeGrazia | .... | set costumer: second unit | |
| Catharine Fletcher Incaprera | .... | assistant costume designer | |
| Mara Majorowicz | .... | key costumer | |
| Christine Wada | .... | costume supervisor | |
Dpartement Editorial | |||
| Mike Bellamy | .... | senior digital film colorist | |
| Jonathan Chibnall | .... | first assistant editor | |
| David Dresher | .... | post-production executive | |
| Anthony Durazzo | .... | apprentice editor | |
| Kimberly Masimore | .... | post-production | |
| Dana Mulligan | .... | first assistant editor | |
| Jeff Smithwick | .... | color timer | |
| Stuart Sperling | .... | assistant editor | |
Département Musique | |||
| Brian Bulman | .... | assistant music editor | |
| Lesley Langs | .... | music editor | |
| Larry Mah | .... | digital score recordist | |
| John Rodd | .... | orchestral scoring recordist | |
| Booker White | .... | music preparation | |
Département Transport | |||
| Charles E. Bauer | .... | driver | |
| Jacqueline Hurd | .... | picture car coordinator | |
| Thomas F. Lombardi | .... | picture car coordinator | |
| Michael Luckeroth | .... | driver | |
| Gerald Titus | .... | driver | |
| Douglas A. Walk | .... | transportation co-captain | |
Merci | |||
| Terrence Malick | .... | special acknowledgment | |
Rated PG for some violence.
90 min | Argentina:96 min
2,35 : 1 suite
DTS | Dolby Digital | SDDS
Portugal:M/12 | Canada:PA (Ontario) | Iceland:L | South Korea:Tous | Argentina:Atp | Australia:PG | Singapore:PG | UK:PG | USA:PG (certificate #38641)
Jared Padalecki was offered the role of Jesse Tuck due to his and Alexis Bledel's onscreen chemistry in "Gilmore Girls" (2000). Padalecki declined because he wanted a chance to work with other people. suite
Continuité: When Robert Foster is talking to the Man in the Yellow Suit at the police station, the right-hand side of the collar of the man's shirt keeps on going up and down between shots. suite
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| Tuck Everlasting | Mystic River | Breakfast on Pluto | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | Boy A |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
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I can be a pretty cynical fella, but I had actually read the young adult novel this film is based on and really enjoyed it. The message of the book is brought to the screen and I was thoroughly impressed with the adaptation. A fine cast does great work and Ben Kingsley has a field day playing the mysterious Man In The Yellow Suit. The film is a little slow going in the beginning but all the strands and backstory must be laid out and once it gets going - the film moves with a beauty and tenderness that is rare. The music score is lovely as is the cinematography but overall, the message of the movie is what is special - it is not how LONG we live, but HOW we live. A beautiful film - for kids 9 and up.