Signs (2002)

Note des utilisateurs:

6.9/10   

Réalisateur:

M. Night Shyamalan

Scénariste (WGA):

M. Night Shyamalan (written by)

Release Date:

2 août 2002 (USA)

Genre:

Horror | Mystery | Sci-Fi | Thriller

Accroche:

It's Not Like They Didn't Warn Us.

Plot:

A family living on a farm finds mysterious crop circles in their fields which suggests something more frightening to come.

Plot Keywords:

Crop Circle | Farm | Pennsylvania | Farmhouse | Water

Awards:

2 wins & 15 nominations

Avis des utilisateurs:

Visually terrific

US TV Schedule:

Sat. July 4

4:00 PM

ABC

Ensemble

Mel Gibson	...	Rev. Graham Hess
Joaquin Phoenix	...	Merrill Hess
Rory Culkin	...	Morgan Hess
Abigail Breslin	...	Bo Hess
Cherry Jones	...	Officer Paski
M. Night Shyamalan	...	Ray Reddy
Patricia Kalember	...	Colleen Hess
Ted Sutton	...	SFC Cunningham
Merritt Wever	...	Tracey Abernathy, the Pharmacist
Lanny Flaherty	...	Mr. Nathan
Marion McCorry	...	Mrs. Nathan
Michael Showalter	...	Lionel Prichard
Kevin Pires	...	Brazilian Birthday Boy
Clifford David	...	Columbia University Professor
Rhonda Overby	...	Sarah Hughes

Autre(s) titre(s):

M. Night Shyamalan's Signs (USA) (promotional title)
Signes (France) [fr]

MPAA:

Rated PG-13 for some frightening moments.

Durée:

106 min | Spain:108 min

Pays:

USA

Langue:

Anglais | Portugais

Couleur:

Couleur

Aspect Ratio:

1.85 : 1

Son:

Dolby Digital EX | SDDS | DTS-ES

Classification:

Canada:G (Québec) | Canada:PG (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | Portugal:M/12 | Iceland:12 | South Korea:12 | Germany:12 (f) | Japan:U | Argentina:13 | Australia:M | Austria:14 | Brazil:12 | Finland:K-15 | France:U | Ireland:12 (video rating) | Ireland:15PG (original rating) | Netherlands:16 | New Zealand:M | Norway:11 | Peru:14 | Philippines:PG-13 | Singapore:PG | Spain:7 | Sweden:11 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of the Grisons) | UK:12A (original rating) | UK:12 (video rating) (2003) | USA:PG-13 (certificate #39105) | Venezuela:PG-13

Emplacements De Pelliculage:

Bensalem Township, Pennsylvania, USA

Company:

Touchstone Pictures

Anecdotes:

Director Trademark: [M. Night Shyamalan] [things reflected on television screens].

Goofs:

Continuity: When Graham looks out the window at the large flock of birds, the corn stalks are brown. This is in contrast to all of the other shots, were the corn is green.

Guillemet:

Graham Hess: You're wasting your time here. I'm not going to report this or anything you do to my crops to the police or news or anybody. You're not going to get famous.

Movie Connections:

References Alien Nation (1988)

Visually terrific

M. Night Shyamalan has done it again, and this time, better. If 'Unbreakable' left skepticism about the young director, `Signs' will make you a believer again.

Mel Gibson and his family, one boy, one girl, and Gibson's younger brother (Joaquin Phoenix) take residence in the small town of Bucks County, Pennsylvania. Gibson's wife is not a member of this household (we find out why, later). Shot over and around a 'Walton's-style' house and surrounded by crops, we get the eerie feeling that we are to be entangled here for the next two hours. Immediately, the children notice gigantic perfect circular shapes or signs as we like to call them, appearing within the crops. Is this a hoax or War of the Worlds? And, that's all you need to know. The rest of film will dazzle you with style, suspense, and downright scariness.

The key ingredients to this recipe for storytelling is one half Close Encounters of the Third Kind, a dash of Stephen King, sprinkled with Orson Wells. Shyamalan also uses Hitchcock like close ups, wicked camera angles, and a blasting score. You are locked in as soon as the movie begins. You will tilt your head in wonder and confusion, as characters in the film do. There is a deep desire to figure this all out, while your stuck in the middle of nowhere, nowhere being Bucks County.

The picture gives us two ultimate dilemmas to wrestle with. Two basic questions we must ask ourselves. Are our daily occurrences and the paths we choose Coincidence? Or, are is it just plain Luck? Shyamalan weaves these posing questions into a subplot, with trickery until the end. From scene to scene, he leaves no fades to black. As one scene ends the other smartly begins. That's what keeps the audience watching as if we were tucked tightly into our beds and rapidly turning pages of a good book. Each page is significant. This movie isn't just about crops. That's what makes Shyamalan such a keen filmmaker. He has the talent and ability to fog up the film, and distract you with different propositions.

Shyamalan uses technique to peak his story, rather than dialogue. His masterful and favorite formula is the usage of flashbacks, which gives the audience a chance to catch up on what they might have missed. He emphasizes his points by re-occurring scenes and replaying them for the grand effect, the 11th hour, until he hits you with the finale. Whether you believe the outcome or not, you cannot deny his aptitude for storytelling.

This nervous and paranoid feature film with a heart-pounding ending is terrific. I was still thinking about it when I left the theater. You too, will enjoy the ride. But, when it's over, say your prayers, get into bed, pull the sheets over your head, breathe a sigh of relief, and close the book!