IMDb > 28 Days Later... (2002)
28 Days Later...
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28 Days Later... (2002) Plus avec IMDbPro »

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28 Days Later... (2002) -- Four weeks after a mysterious, incurable virus spreads throughout the UK, a handful of survivors try to find sanctuary.
28 Days Later... (2002) -- Four weeks after a mysterious, incurable virus spreads throughout the UK, a handful of survivors try to find sanctuary.
28 Days Later... (2002) -- CineMagia.ro - Trailer (Flash)
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Vue d'ensemble

Note Générale:
7,6/10   93 343 votes
MOVIEmeter: ?

Down 23% in popularity this week. See why on IMDbPro.

Réalisateur:

Danny Boyle

Scénariste:

Alex Garland (written by)

Contact:

View company contact information for 28 Days Later... on IMDbPro.

Date de sortie:

27 juin 2003 (USA) suite

Genre:

Action | Horreur | Science-Fiction | Thriller suite

Accroche:

His fear began when he woke up alone. His terror began when he realised he wasn't. suite

Intrigue:

Four weeks after a mysterious, incurable virus spreads throughout the UK, a handful of survivors try to find sanctuary. full summary | add synopsis

Plot Keywords:

suite

Récompenses:

7 wins & 21 nominations suite

Avis des utilisateurs:

one of the best European horror films this decade plus de (1344 total)

Ensemble

  (dans l'ordre des crédits) (Vérifié comme complet)
Alex Palmer ... Activist

Bindu De Stoppani ... Activist
Jukka Hiltunen ... Activist
David Schneider ... Scientist

Cillian Murphy ... Jim
Toby Sedgwick ... Infected Priest

Naomie Harris ... Selena

Noah Huntley ... Mark
Christopher Dunne ... Jim's Father
Emma Hitching ... Jim's Mother
Alexander Delamere ... Mr. Bridges
Kim McGarrity ... Mr. Bridges' Daughter

Brendan Gleeson ... Frank
Megan Burns ... Hannah
Justin Hackney ... Infected Kid

Luke Mably ... Private Clifton
Stuart McQuarrie ... Sergeant Farrell
Ricci Harnett ... Corporal Mitchell
Leo Bill ... Private Jones
Junior Laniyan ... Private Bell

Ray Panthaki ... Private Bedford

Christopher Eccleston ... Major Henry West
Sanjay Rambaruth ... Private Davis

Marvin Campbell ... Private Mailer
Adrian Christopher ... Featured Infected
Richard Dwyer ... Featured Infected
Nick Ewans ... Featured Infected
Terry John ... Featured Infected
Paul Kasey ... Featured Infected

Sebastian Knapp ... Featured Infected
Nicholas James Lewis ... Featured Infected
Jenni Lush ... Featured Infected
Tristan Matthiae ... Featured Infected
Jeffrey Rann ... Featured Infected (as Jeff Rann)
Joelle Simpson ... Featured Infected

Al Stokes ... Featured Infected

Steen Young ... Featured Infected
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Réalisé par
Danny Boyle 
 
Scénaristes
Alex Garland (written by)

Produit par
Robert How .... line producer
Andrew Macdonald .... producer
 
Musique originale
John Murphy 
 
Image
Anthony Dod Mantle 
 
Montage
Chris Gill 
 
Distribution des rôles
Gail Stevens 
 
Création des décors
Mark Tildesley 
 
Direction artistique
Mark Digby (supervising art director)
Rod Gorwood  (as Rob Gorwood)
Patrick Rolfe 
 
Décorateur de plateau
Fanny Taylor 
 
Création des costumes
Rachael Fleming 
 
Maquillage
Nuala Conway .... additional makeup artist
Lisa Crawley .... prosthetic makeup artist
Polly Earnshaw .... additional makeup artist
Andy Garner .... special makeup effects artist
Adrian Getley .... prosthetic makeup artist
Barrie Gower .... prosthetic makeup artist
Sian Grigg .... makeup artist
Alan Hedgcock .... prosthetics makeup effects
Kate Hill .... prosthetic makeup artist
Kerry Hormbrey .... makeup trainee: FT2
Deborah Jarvis .... additional makeup artist
Sallie Jaye .... makeup designer
Melissa Lackersteen .... additional makeup artist
Ian Morse .... prosthetic makeup artist
Anthony Parker .... prosthetic makeup artist
Susan Parkinson .... additional makeup artist (as Sue Parkinson)
Justin Pitkethly .... prosthetic makeup artist (as Justin Pitkethley)
John Schoonraad .... prosthetic makeup artist
Robin Schoonraad .... prosthetic makeup artist
Tristan Schoonraad .... prosthetic makeup artist
Dee Sherwood-Wallace .... prosthetic makeup artist
Miho Suzuki .... prosthetic makeup artist
Cliff Wallace .... prosthetics makeup effects
Norma Webb .... additional makeup artist
 
Directeur de production
Monika Kintner .... production manager: German production crew
Anje Krutz .... unit manager: Germany (as Antje Krutz)
Clare St. John .... post-production supervisor
Claire Tovey .... unit manager
Sara Desmond .... production manager: reshoots (uncredited)
 
Assistant réalisateur
Vicki Allen .... additional third assistant director
Sara Desmond .... second assistant director
Carlos Fidel .... third assistant director
Richard Styles .... first assistant director
Sallie Anne Hard .... second assistant director: re-shoots (uncredited)
Eliot Mathews .... third assistant director: re-shoots (uncredited)
Alex Oakley .... additional second assistant director (uncredited)
Chris Stoaling .... third assistant director (uncredited)
 
Département Art
Britta Albert .... prop buyer: Germany
Bruce Barnes .... carpenter
Mark Bewley .... plasterer
John Burgess .... carpenter
Gillian Campbell .... scenic painter
Joe Casey .... plasterer
Jamie Churchouse .... plasterer
Raymond Churchouse .... head plasterer (as Ray Churchouse)
Charlie Cobb .... art department assistant
David Cooper .... carpenter
Andrea Couch .... art department assistant
Dan Crandon .... construction manager
Hannah Crick .... scenic painter
Quentin Davies .... stand-by props
Michelle Day .... art department assistant
Sophie Geliot .... scenic painter
Rod Gorwood .... draughtsman (as Rob Gorwood)
Claire Gould .... art department trainee: FT2
Chris Grace .... carpenter
Ben Green .... carpenter
Mark Guest .... stand-by props
Paul Halter .... carpenter
Martin Kelly .... art department trainee: FT2
Tim Leadley .... stand-by carpenter
Warren Lever .... carpenter
Chris Lightburn-Jones .... assistant construction manager
Charlie Malik .... storeman
Kam-Lan Man .... stand-by art director (as Kam Lan Man)
Jane Matthews .... scenic painter
Toby Neville .... carpenter
Tim Powis .... carpenter
Tim Powis .... foreman
Jody Raynes .... scenic painter
Beth Roberts .... dressing props
Stuart Rushbrook .... carpenter
Denis Schnegg .... art director: Germany (as Dennis Schnegg)
Simon Scullion .... scenic painter
Nick Slater .... stand-by carpenter
Matthew Streatfield .... art department trainee: FT2
Paul Tappin .... plasterer
Marc Telford .... carpenter
Nick Thomas .... prop master
Daniel Vernon .... art department trainee: FT2
Kip Walker .... dressing props
Kellie Waugh .... prop buyer (as Kelly Waugh)
John Weller .... supervising rigger
Matthew Button .... carpenter (uncredited)
Brendan Houghton .... storyboard artist (uncredited)
Mike Rawlings .... props (uncredited)
 
Technicien du son
Orin Beaton .... boom operator
Ricky Butt .... foley artist
Paul Carr .... adr mixer
Felicity Cottrell .... foley artist
Adam Daniel .... sound re-recordist: final mix
Graham Daniel .... re-recording mixer: final mix
Gillian Dodders .... adr editor
Gillian Dodders .... dialogue editor
Glenn Freemantle .... sound designer
Glenn Freemantle .... supervising sound editor
Peter Gleaves .... adr mixer
John Hayward .... sound re-recording mixer: pre-mix
Alex Hudd .... sound consultant: dolby
Nicolas Le Messurier .... re-recording mixer: pre-mix (as Nick Lemessurier)
Mitch Low .... assistant sound (as Mitch Lowe)
Ray Merrin .... re-recording mixer: final mix
Grahame Peters .... foley editor
John Rodda .... sound recordist
Tom Sayers .... sound effects editor
Lyle Scott-Darling .... sound re-recordist: final mix
Ruth Sullivan .... foley artist
Ted Swanscott .... adr mixer
Kevin Tayler .... foley mixer
Andrew Wilkinson .... assistant sound editor (as Andy Wilkinson)
Andrew Caller .... sound technician (uncredited)
Colin Cooper .... adr recordist (uncredited)
Mitch Low .... sound recordist: pick-ups (uncredited)
Richard Pryke .... sound re-recording mixer (uncredited)
 
Effets spéciaux
Richard Conway .... special effects supervisor
Sam Conway .... special effects technician
Bob Hollow .... special effects supervisor
Andrew Kelly .... special effects technician
Stephen Paton .... special effects technician (as Steve Paton)
Mark White .... special effects technician
Nigel Nixon .... special effects senior technician (uncredited)
Tez Palmer .... special effects technician (uncredited)
 
Visual Effects
Peter Bach .... digital effects consultant
Matthew Bristowe .... producer: MPC
Greg Caplan .... visual effects executive producer: Clear
Michael Elson .... head of production: MPC
Richard Etchells .... Filmtel operator
Simon Fallon .... visual effects executive producer: Clear
Symi Fuchs .... visual effects production staff
Steve Garrad .... digital effects producer (as Steve Garrard)
Josh George .... 3D animator
Will Goodchild .... visual effects editor: video tape
Tom Harding .... digital artist
John Harvey .... 3D animator
Jonny Hicks .... digital artist
Simon Hutala .... digital artist (as Simon Huhtala)
Tony Lawrence .... digital effects supervisor
Begoña Lopez .... producer: MPC
Andy Merlino .... digital artist
Hollie Moreton .... visual effects production staff
Ben Murray .... digital artist
Olly Nash .... 3D animator
Matthew Packham .... Filmtel operator
Jim Parsons .... digital artist
Damien Raymond-Barker .... visual effects production staff
Adrian Russell .... 3D animator
Gary Sandbrook .... visual effects editor: video tape
Jean-Clement Soret .... colourist (as Jean Clement Sorret)
Moriah Sparks .... visual effects production staff
Aleks Ugarow .... digital artist
Scott Winter .... visual effects editor: video tape
Marcus Wood .... visual effects editor: video tape
Melissa Agate .... data operator (uncredited)
Simon Cox .... data operator (uncredited)
Paddy Eason .... digital compositor (uncredited)
Rob Hill .... data operator (uncredited)
Sally Spencer .... data operator (uncredited)
John Van Hoey Smith .... data operator (uncredited)
David J. Zimmerman .... tape librarian: CLEAR (uncredited)
 
Cascadeur
Tom Aitken .... stunts (as Tom Aitkin)
Dani Biernat .... stunts
George Cottle .... stunts (as George Cottle Jnr.)
David Cronnelly .... stunts
Richard Dwyer .... stunts
Amanda Foster .... stunts
Eunice Huthart .... stunts
Rowley Irlam .... stunts
Charles Jarman .... stunts
Kim McGarrity .... stunts
Ray Nicholas .... stunts fire safety
Peter Pedrero .... stunts
Andreas Petrides .... stunts
Gary Powell .... stunts
Nick Powell .... stunt coordinator (as Nicholas Powell)
Seon Rogers .... stunts (as Séon Rogers)
Gordon Seed .... stunts
Colin Skeaping .... stunts
Julian Spencer .... stunts
Len Woodcock .... stunts (as Lenny Woodcock)
 
Caméra et Département Electrique
Nick Allsop .... camera trainee
Bill Bullpit .... additional electrician
Ian Chisholm .... additional assistant camera
Andrew Cole .... best boy
Andy Cole .... best boy
Adam Dale .... camera operator: aerial unit
Wayne Mansell .... generator operator
Dave May .... additional grip (as David May)
Peter Mountain .... still photographer
Charlie Muspratt .... rigger
Thomas Neivelt .... gaffer
Ian Pape .... rigger
Neil Paul .... rigger
Barry Reid .... electrician
Peter Richardson .... additional electrician
John Rundle .... grip
Bob Shipsey .... second camera operator
Simon Tindall .... assistant camera
Steve Wallace .... additional camera operator
Robert Weller .... rigger
Jaimz Williams .... video assist
Jaimz Williams .... video assist: re-shoots
Ray Wilson .... rigger
Charlie Woodburn .... assistant camera: Wescam
Marcel Zyskind .... Steadicam operator
Marcel Zyskind .... camera operator: "b" camera
Brandon Evans .... gaffer (uncredited)
Thomas Townend .... cinematographer: second unit (uncredited)
 
Département Casting
Maureen Duff .... casting assistant
Louis Elman .... adr voice casting
Robin Hudson .... casting assistant
 
Département Costume et garde-Robe
Charlotte Child .... costume assistant
Anne Lavender-Jones .... wardrobe supervisor
Esme Young .... costume maker
 
Dpartement Editorial
Emanuele Giraldo .... editor trainee: FT2
Nick Packer .... assistant editor
Jean-Clement Soret .... colorist (as Jean Clement Sorret)
Martin Walsh .... color timer
Joanna Garrard .... assistant editor (uncredited)
Steve Harrow .... post-production consultant (uncredited)
 
Département Musique
Hugo Adams .... music editor
Nicole Catino .... music coordinator: Avenger Entertainment
Simon Denny .... score engineer
Daniel L. Griffiths .... score mixer
Daniel L. Griffiths .... score producer
Lee Herrick .... music editor
Mike Hunter .... music recordist: strings and choir
Andrew Price .... musician: strings
Barrie Robinson .... music coordinator: Avenger Entertainment
Laura Ziffren .... music consultant (as Laura Z. Wasserman)
 
Département Transport
Mike Beaven .... unit driver
Roy Clarke .... unit driver
Simon Hudnott .... unit driver
Jara Pohnitzsch .... driver: Germany (as Jara Pöhnitzsch)
Ceva Ural .... driver: Germany
Keith Winyard .... stand-by driver: props
Ulrich Bohnefeld .... driver: Germany (uncredited)
Mandula Hilf .... driver: Germany (uncredited)
 
Divers
Jennifer Allen .... aerial unit operations
John Almond .... paramedic
Tom Bayliss .... rushes runner
Carey Berlin .... assistant to producer
Sophie Burden .... catering manager
Sally Burns .... chaperone
Jo Cameron Brown .... voice coach
Henry Camilleri .... military advisor
Donna Casey .... accounts trainee: FT2
Caroline Chapman .... floor runner
Sarah Clark .... unit publicist
Matt Dalton .... post-production accountant
Emma Dawson .... production assistant: DNA Films
Candice Fonseca .... production coordinator
Alex Gladstone .... location manager
Theodore Goddard .... production legal services
Jim Hajicosta .... production accountant
Matthew Horrocks .... production runner
Sylvia Hudlemaier .... chimpanzee trainer
Thomas Hudlemaier .... chimpanzee trainer
Christian Hünemörder .... production services: Germany
Lisa Inman .... continuity trainee: FT2
Michael Jungfleisch .... production services: Germany
Pat Karam .... location manager
Ged Lynch .... drums & percussion (as Ged 'God' Lynch)
Jill McCullough .... voice coach
Sarada McDermott .... production secretary
Maggie Murray .... accounting assistant
Ben Nicholas .... cutting room assistant
Stephen North .... helicopter safety engineer (as Steve North)
Dan Palmer .... assistant accountant
Nina Pickford .... tutor
Elvis Plese .... runner
Rima Schmidt .... accounts assistant: Germany
Jemma Scott-Knox-Gore .... contact lenses (as Gemma Scott)
Faujja Singh .... armorer
Cory Smith .... catering assistant
Joanne Smith .... general manager: DNA Films
Eve Spence .... script supervisor
Paul Swann .... laboratory contact
Tracey Tucker .... assistant location manager
Simon Warne .... chef
Sarah Wiener .... caterer: Germany
Hayley Williams .... production runner
Birgit Wollny .... production coordinator: Germany
Dave Evans .... armorer: boot camp (uncredited)
Darren Helman .... location assistant (uncredited)
Carlton Jarvis .... medical advisor (uncredited)
Carlton Jarvis .... medical special effects (uncredited)
Oliver Kersey .... set production assistant: dailies (uncredited)
Jamie Lengyel .... location manager (uncredited)
Ian Lisi .... facilities (uncredited)
Christian McWilliams .... location manager (uncredited)
Alexander Xavier Ponce-Bonano .... production assistant (uncredited)
Paul Ralph .... production assistant (uncredited)
Sascha Robey .... weapons armorer (uncredited)
Katryna Samut-Tagliaferro .... production coordinator (uncredited)
Tom Stourton .... location assistant (uncredited)
 
Merci
Cornell Chin .... thanks
Walter Donohue .... thanks
Masahiro Hirakubo .... thanks
Alwin H. Kuchler .... thanks (as Alwin Kuchler)
Chris Lane .... thanks
Elaine Lane .... thanks
Lois Lane .... thanks
Tom Miller .... thanks
Richard Whelan .... thanks
 

Companies de productionDistributeursTechnicien des effets spéciauxAutres Companies
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Détails supplémentaires

Autre(s) titre(s):

28 Days Later (UK) (closing credits title)
29 Days Later (USA) (longer version)
suite

MPAA:

Rated R for strong violence and gore, language and nudity.

Parents Guide:

Add content advisory for parents

Durée:

113 min

Pays:

UK

Langue:

Anglais | Espagnol | Finlandais | Français | Korean Sign Language | Italien

Couleur:

Couleur (Technicolor)

Rapport de forme:

1,85 : 1 suite

Son:

Dolby Digital

Classification:

Malaysia:18SG | France:-16 | India:A | Argentina:16 | Australia:MA | Brazil:16 | Canada:16+ (Québec) | Canada:18A | Chile:14 | Finland:K-18 | Germany:18 (nf) | Hong Kong:IIB (cut) | Hong Kong:III | Iceland:16 | Ireland:18 | Italy:VM14 | Japan:PG-12 | Mexico:C | Netherlands:16 | New Zealand:R16 | Norway:18 | Peru:14 | Philippines:R-18 | Poland:18 | Portugal:M/18 | Singapore:M18 (DVD rating) | Singapore:NC-16 (edited for re-rating) | Singapore:R(A) (original rating) | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:18 | USA:R (certificate #38512)

Lieux de tournage:

Badminton House, Gloucestershire, England, UK suite

Société:

DNA Films suite

Curiosités

Anecdotes:

If you did actually travel 27 miles North East of Manchester as stated in the movie, you would end up in Huddersfield, West Yorkshire. suite

Goofs:

Révélant des erreurs: When the soldiers are marching Jim and Sergeant Farrell off to shoot them, they are standing by piles of dead people. A few of the dead victim's chest can be seen rising and falling. suite

Guillemet:

[first lines]
Activist: Bingo.
suite

Connexions De Film:

Référencé sur Chris Rock: Never Scared (2004) (TV) suite

Bande son:

Whatever Will Be, Will Be (Que Sera Sera) suite

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Avis des utilisateurs

   (Faites un commentaire sur ce titre)
130 internautes sur 172 ont trouvé ce commentaire utile
one of the best European horror films this decade, 16 août 2003
10/10
Auteur : MisterWhiplash de Etats-Unis

The key to keeping the sci-fi horror genre alive in the cinemas, as of late, is to make sure the material and techniques the filmmakers present is at least competent, at it's average creative, and at it's best something that we haven't seen before or haven't seen in such a style or form. George A. Romero did that back in prime 60s and 70s era of film-making, bringing forth one of the most memorable trilogies of all time for the genre. While many consider Romero to be on any given list one of the greatest horror directors (I included), it is important to know that he too had his sources for his little independent film in 1968, and after that was when he really got inventive, resulting in a masterpiece and a lackluster. Director Danny Boyle and author Alex Garland know that if they were to cook up a yarn all too similar to Romero it wouldn't be satisfying. So, they've done what is essential to the success of 28 Days Later- they take ideas that have been in practice for many years, turn them fresh, and as the audience we feel repelled, excited, terrified, nauseous (perhaps), and enthralled, but we won't leave feeling like we've seen complete hack work.

What does Boyle and his team set out to do to freshen up the zombie string? By making not in precise terms a "zombie" movie- you never hear "living-dead" uttered in this film, although you do hear "infected" and a new word for what these people have, "rage". Indeed, this is what the infected have in Britain, when a monkey virus gets let loose on the Island, and from the beginning of the infectious spread the film cuts to a man, Jim, lying in a hospital bed, who wanders abandoned streets and views torn fragments of society in front of him. That Boyle implements atmosphere as heavily as he does with the action/chase scenes gives an indication of his dedication to the detail. Jim soon finds a few other survivors, including Selena (Naomie Harris) and a father and his daughter (Brendan Gleeson and Megan Burns) who hear of salvation on a radio and decide to brave it out to find it. When they do, it's a military outpost that's without any true salvation, outside of the various military typos.

Like in Boyle and producer Andrew MacDonald's spellbinding (if that's the proper terminology) adaptation of Trainspotting, the craft is on par (or arguably topping) with the story and characters, and thus it has to captivate us all the more so to care about the plight of Jim and his companions. The photography by Anthony Dod Mantle is striking, not the least of which since it was done on digital photography (like in Blair Witch, the use of non-professional camera equipment adds the proper shading when needed), but also many of the shot compositions are different for such a film. The editing by Chris Gill goes quicker than expected in the attack scenes, going so fast between the infected throwing up blood, the screaming on-looker; the new infected transforming within seconds, and then the results that follow. Mark Tildesley's production design, as well as John Murphy's music, evokes haunting, evocative moods even in the more mundane scenes. And the acting, considering not many of the actors are well-known, is more than believable for such a script.

I'm not sure if 28 Days Later will be everyone's cup of tea. Some of the horror and science fiction fans out there will immediately hear of this film, see a preview or a TV ad, or even see it, and dismiss it as phooey rubble borrowed from the video-store. I can see their points of view, since I saw many similarities in Romero and some other films (the military scenes reminded me of Day of the Dead, though the chained up Zombie in this was done for more practical reasons, and the supermarket scene is a little unneeded considering the satirical reverence it had in Dawn of the Dead). But what they should understand is that Boyle isn't making a 100% original film, and no one could at this point of the genre's history. He has done, however, the most credible job he could in getting a different tone, a different setting in country, and of a different, enveloping view of the scene structures. Overall, 28 Days Later is constructed and executed like most sci-fi horror films you've ever seen, and like not many other sci-fi horror films you've ever seen combined, in a sense, for a modern audience: fascinating throughout.

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