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Ni pour, ni contre (bien au contraire) (2002) More at IMDbPro »

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Overview

Note des utilisateurs:
6.7/10   899 votes
MOVIEmeter: ?
Up 89% in popularity this week. See rank & trends on IMDbPro.
Réalisateur:
Cédric Klapisch
Writers:
Santiago Amigorena (writer)
Alexis Galmot (writer)
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Contact:
View company contact information for Ni pour, ni contre (bien au contraire) on IMDbPro.
Release Date:
5 mars 2003 (Belgium) suite
Genre:
Crime | Drame suite
Accroche:
La mauvaise route est souvent la meilleure
Plot:
"Ni Pour, Ni Contre" tracks the fall of a young TV camerawoman, Caty (Marie Gillain), after she becomes... suite | add synopsis
Avis des utilisateurs:
Nothing for, nothing against suite

Ensemble

  (Cast overview, first billed only)

Marie Gillain ... Caty
Vincent Elbaz ... Jean
Simon Abkarian ... Freddy Karparian dit Lecarpe
Dimitri Storoge ... Loulou
Zinedine Soualem ... Mouss
Natacha Lindinger ... Caprice
Jocelyn Lagarrigue ... Gilles
Pierre-Ange Le Pogam ... Le directeur du dépôt

Diane Kruger ... La call-girl
Thierry Levaret ... Le vigile
Michaël Abiteboul ... Bernard dit Le King
Robert Plagnol ... Journaliste Caprice

Camille Natta ... Liz
Michaël Tissier ... Anthony Karparian, le fils de Freddy (as Mickaël Tissier)
Didier Menin ... Concierge Marriott
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Additional Details

Autre(s) titre(s):
Not for or Against (International: English title)
Personne n'est comme tout le monde (France)
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Durée:
111 min
Pays:
France
Couleur:
Couleur
Aspect Ratio:
2.35 : 1 suite
Classification:
Finland:K-15 | Netherlands:12 | UK:15 | France:U | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Germany:16 | Italy:VM14
Company:
Bac Films suite

Curiosités

Movie Connections:
Features "Les shadoks - Troisième série" (1973) suite
Soundtrack:
So I begin suite

foire aux questions

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9 out of 16 people found the following comment useful:-
Nothing for, nothing against, 27 June 2004
5/10
Author: burrobaggy de Newcastle, home of footie

Bit of a disappointment really - after a good start in Goodfellas mode (where the anti-hero's life of crime is linked to his love of good shoes) and an initially mildly intriguing set-up that never pays off, the film just gradually flat lines. It isn't terrible, but it isn't particularly good. Performances are fine but not outstanding and the plot ticks along on the usual robbery goes wrong lines without ever threatening any surprises. The biggest surprise is a bit part for Diane Kruger as a hooker, much more attractive here than in Troy.

The one thing which does impress is Klapisch's Scope framing. This is a man who really knows how to fill the wide, wide screen, and he throws in the greatest shot of Cannes' Carlton Hotel ever. It's just a shame that the script never rises to the level of visual invention.

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