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Ni pour, ni contre (bien au contraire) (2002)
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Overview
Release Date:
5 mars 2003 (Belgium) suiteAccroche:
La mauvaise route est souvent la meilleurePlot:
"Ni Pour, Ni Contre" tracks the fall of a young TV camerawoman, Caty (Marie Gillain), after she becomes... suite | add synopsisAvis des utilisateurs:
Nothing for, nothing against suiteEnsemble
(Cast overview, first billed only) | Marie Gillain | ... | Caty |
 | Vincent Elbaz | ... | Jean |
| Simon Abkarian | ... | Freddy Karparian dit Lecarpe |
| Dimitri Storoge | ... | Loulou |
| Zinedine Soualem | ... | Mouss |
| Natacha Lindinger | ... | Caprice |
| Jocelyn Lagarrigue | ... | Gilles |
| Pierre-Ange Le Pogam | ... | Le directeur du dépôt |
 | Diane Kruger | ... | La call-girl |
| Thierry Levaret | ... | Le vigile |
| Michaël Abiteboul | ... | Bernard dit Le King |
| Robert Plagnol | ... | Journaliste Caprice |
 | Camille Natta | ... | Liz |
| Michaël Tissier | ... | Anthony Karparian, le fils de Freddy (as Mickaël Tissier) |
| Didier Menin | ... | Concierge Marriott |
Additional Details
Autre(s) titre(s) :
Not for or Against (International: English title)Personne n'est comme tout le monde (France)
suite
Parents Guide:
Add content advisory for parentsDurée:
111 minPays:
FranceCouleur:
CouleurAspect Ratio:
2.35 : 1 suiteClassification:
UK:15 | Netherlands:12 | Finland:K-15 | France:U | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Germany:16 | Italy:VM14MOVIEmeter: 
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Bit of a disappointment really - after a good start in Goodfellas mode (where the anti-hero's life of crime is linked to his love of good shoes) and an initially mildly intriguing set-up that never pays off, the film just gradually flat lines. It isn't terrible, but it isn't particularly good. Performances are fine but not outstanding and the plot ticks along on the usual robbery goes wrong lines without ever threatening any surprises. The biggest surprise is a bit part for Diane Kruger as a hooker, much more attractive here than in Troy.
The one thing which does impress is Klapisch's Scope framing. This is a man who really knows how to fill the wide, wide screen, and he throws in the greatest shot of Cannes' Carlton Hotel ever. It's just a shame that the script never rises to the level of visual invention.