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Witi Ihimaera (novel)
Niki Caro (screenplay)
4 juillet 2003 (USA) suite
One young girl dared to confront the past, change the present and determine the future suite
A contemporary story of love, rejection and triumph as a young Maori girl fights to fulfill a destiny her grandfather refuses to recognize. full summary | add synopsis
Nominated for Oscar. Another 29 wins & 28 nominations suite
A beautiful film! plus de (330 total)
| Keisha Castle-Hughes | ... | Paikea | |
| Rawiri Paratene | ... | Koro | |
| Vicky Haughton | ... | Nanny Flowers | |
| Cliff Curtis | ... | Porourangi | |
| Grant Roa | ... | Uncle Rawiri | |
| Mana Taumaunu | ... | Hemi | |
| Rachel House | ... | Shilo | |
| Taungaroa Emile | ... | Willie | |
| Tammy Davis | ... | Dog | |
| Mabel Wharekawa | ... | Maka (as Mabel Wharekawa-Burt) | |
| Rawinia Clarke | ... | Miro | |
| Tahei Simpson | ... | Miss Parata | |
| Roi Taimana | ... | Hemi's Dad (as Roimata Tamana) | |
| Elizabeth Skeen | ... | Rehua | |
| Tyronne White | ... | Jake (as Tyrone White) | |
| Taupua Whakataka-Brightwell | ... | Ropata | |
| Tenia McClutchie-Mita | ... | Wiremu | |
| Peter Patuwai | ... | Bubba | |
| Rutene Spooner | ... | Parekura | |
| Riccardo Davis | ... | Maui | |
| Apiata Whangaparita-Apanui | ... | Henare | |
| John Sumner | ... | Obstetrician | |
| Sam Woods | ... | Young Rawiri | |
| Pura Tangira | ... | Ace | |
| Jane O'Kane | ... | Anne | |
| Aumuri Parata-Haua | ... | Baby Paikea |
Réalisé par | |||
| Niki Caro | |||
Scénaristes | ||
| Witi Ihimaera | (novel) | |
| Niki Caro | (screenplay) | |
Produit par | |||
| John Barnett | .... | producer | |
| Reinhard Brundig | .... | co-producer | |
| Bill Gavin | .... | executive producer | |
| Linda Goldstein Knowlton | .... | executive producer | |
| Frank Hübner | .... | producer | |
| Witi Ihimaera | .... | associate producer (as Witi Ihimaera) | |
| Tim Sanders | .... | producer | |
Musique originale | |||
| Lisa Gerrard | |||
Image | |||
| Leon Narbey | |||
Montage | |||
| David Coulson | |||
Distribution des rôles | |||
| Diana Rowan | |||
Création des décors | |||
| Grant Major | |||
Direction artistique | |||
| Grace Mok | |||
Création des costumes | |||
| Kirsty Cameron | |||
Maquillage | |||
| Orlando Bassi | .... | wig maker | |
| Barbie Cope | .... | hair assistant | |
| Barbie Cope | .... | makeup assistant | |
| Denise Kum | .... | hair stylist supervisor | |
| Denise Kum | .... | makeup designer | |
| Denise Kum | .... | makeup supervisor | |
| Jane O'Kane | .... | hair assistant | |
| Jane O'Kane | .... | makeup assistant | |
| Kenzie Sampson | .... | makeup trainee (as Kenzie Samson) | |
Assistant réalisateur | |||
| Anna Gundesen | .... | assistant director: second unit | |
| Neil James | .... | second assistant director | |
| Michelle Sowman | .... | assistant director | |
| Liz Tan | .... | first assistant director | |
Département Art | |||
| Brian Campbell | .... | set finisher | |
| Graham Collins | .... | carpenter | |
| Kerry Dunn | .... | scenic artist | |
| Kate Highfield | .... | art department manager | |
| Maka Makatoa | .... | storyboard artist | |
| Patrick Matete | .... | props | |
| John Miles | .... | construction manager | |
| Lia Neilson | .... | art department runner | |
| Josh Patterson | .... | greens supervisor | |
| Aaron Reedy | .... | property assistant | |
| Michaela Sanders | .... | art department runner | |
| Richard Sheath | .... | leading hand | |
| Anthony Sumich | .... | props stand-by | |
| Megan Vertelle | .... | set dresser | |
| Megan Vertelle | .... | sets buyer | |
| Nick Walter | .... | carpenter | |
| Nick Weir | .... | props buyer | |
| Neil Williamson | .... | carpenter | |
| Roger Murray | .... | propmaker (uncredited) | |
Technicien du son | |||
| Chris Burt | .... | adr supervisor | |
| Stefan Colli | .... | sound designer: atmosphere sound (as Stephan Colli) | |
| Stefan Colli | .... | sound supervisor (as Stephan Colli) | |
| Corrin Ellingford | .... | boom operator | |
| Hubert Henle | .... | stereo sound consultant: Dolby | |
| Stefan Korte | .... | sound re-recording mixer | |
| David Madigan | .... | production sound mixer | |
| David Madigan | .... | sound | |
| Sven Neumann | .... | dialogue editor | |
| Mirko Reinhard | .... | special effects sound designer | |
| Luigi Rensinghoff | .... | dialogue editor | |
| Wilmont Schulze | .... | foley artist | |
| Josef Steinbüchel | .... | special effects sound designer | |
| Markus Wimmer | .... | special effects sound designer | |
| André Zimmerman | .... | sound designer: atmosphere sound | |
Effets spéciaux | |||
| Phil Addenbrook | .... | physical effects (as Phil Addenbrooke) | |
| Dean Clarke | .... | physical effects | |
| Oliver Gee | .... | physical effects | |
Visual Effects | |||
| Dan Blanchard | .... | whale constructor | |
| Christel Brunn | .... | visual effects producer | |
| Justin Buckingham | .... | whale constructor | |
| Manfred Büttner | .... | visual effects producer | |
| Barry Down | .... | whale constructor | |
| Steve Dyson | .... | whale constructor | |
| Erich Eder | .... | digital compositor | |
| Terry Green | .... | whale constructor | |
| Eric Heder | .... | Inferno artist | |
| John Lott | .... | whale constructor | |
| Steve Lowe | .... | whale constructor | |
| George Maihöfer | .... | visual effects supervisor (as George Maihoefer) | |
| Charlie McClellan | .... | digital effects consultant (as Charles McClellan) | |
| Dee McClelland | .... | dailies colorist | |
| Kevin Riley | .... | cinematographer | |
| Caterina Schiffers | .... | digital compositor | |
| Florian Schuck | .... | digital retouching | |
| Dean Taylor | .... | whale constructor | |
| Gaysorn Thavatt | .... | visual effects (as Gatsorn Thavat) | |
| Markus Wollschläger | .... | digital retouching | |
| Steve Young | .... | whale constructor | |
Cascadeur | |||
| Mark Harris | .... | stunt coordinator | |
Caméra et Département Electrique | |||
| Armie Armstrong | .... | underwater camera operator | |
| Rachel Beard | .... | clapper loader | |
| Joshua Creek | .... | additional grip (as Josh Creeks) | |
| Kevin Donovan | .... | key grip | |
| Rhys Duncan | .... | Steadicam operator | |
| Kirsty Griffin | .... | still photographer | |
| Brenden Holster | .... | assistant camera: second unit (as Brendan Holster) | |
| Steven Joyce | .... | generator operator | |
| Brian Laird | .... | best boy | |
| Paul Matete | .... | best boy | |
| Henare Mato | .... | lighting assistant | |
| Grant McKinnon | .... | gaffer | |
| Leon Narbey | .... | camera operator | |
| Kevin Riley | .... | camera operator: second unit | |
| Jim Rowe | .... | grip assistant | |
| Paul Samuels | .... | focus puller | |
| Sigmund Spath | .... | underwater photographer | |
| Gaysorn Thavatt | .... | focus puller: second unit (as Gaysorn Thavat) | |
| Johnny Yarrel | .... | video assistant | |
| James Young | .... | lighting assistant | |
Département Casting | |||
| Christina Asher | .... | additional casting | |
| Robyn Cammell | .... | casting assistant (as Robin Cammell) | |
| Riwia Fox | .... | casting assistant | |
| Riwia Fox | .... | extras casting | |
| Karen Sydney | .... | additional casting | |
| Stewart Turner | .... | additional casting | |
Département Costume et garde-Robe | |||
| Paul Booth | .... | wardrobe runner | |
| Deirdre McKessar | .... | assistant costume designer | |
| Jenny Rushton | .... | stand-by wardrobe (as Jenni Rushton) | |
Dpartement Editorial | |||
| Julie Alp | .... | assistant editor | |
| Hans Joachim Bruß | .... | color grader (as Hans-Joachim Bruß) | |
| Clare Burlinson | .... | video colorist | |
| Renate Dahmen | .... | negative cutter | |
| Charles Knight | .... | editorial advisor | |
| Guido Krajewski | .... | editing facility manager | |
| Dee McClelland | .... | rushes colorist | |
| Robert Pinnow | .... | post-production technical supervisor | |
Département Musique | |||
| Simon Bowley | .... | music mixer | |
| Michael Edwards | .... | orchestrator | |
| Ricky Edwards | .... | technical music supporter (as Rickey Edwards) | |
| Chris Gough | .... | music supervisor: Mana Music | |
| Savage | .... | music performers: "U Want Beef" (as the Deceptikonz) | |
| Jacek Tuschewski | .... | technical music supporter (as Jacek Tushewski) | |
Divers | |||
| Phil Addenbrook | .... | marine engineer (as Phil Addenbrooke) | |
| Kath Allen | .... | chaperone: Gisborne | |
| Shane Armitage | .... | safety officer | |
| Thomas Becker | .... | legal affairs: ApolloMedia | |
| Tania Bettany | .... | financial controller: South Pacific Pictures | |
| Anni Browning | .... | financing: Completion Bond Company | |
| Sally Campbell | .... | head of production: South Pacific Pictures | |
| Alice Carstensen | .... | production runner | |
| Dean Clarke | .... | marine engineer | |
| Sian Clement | .... | unit publicist | |
| Helen Copplestone | .... | assistant accountant | |
| Birthe Danielsen | .... | assistant: Mr. Felscher (as Birthe Danielson) | |
| David Dant | .... | shortfall insurance: Filmvision | |
| Matt Emery | .... | legal and business affairs manager | |
| Thorsten Felscher | .... | financial controller: ApolloMedia | |
| Laura Fong | .... | production coordinator | |
| Oliver Gee | .... | marine engineer | |
| Brett Graham | .... | sculptor: Porourangi | |
| Moira Grant | .... | production coordinator | |
| Carol Haapu | .... | consultant: iwi | |
| Rewa Harker | .... | assistant: John Barnett | |
| Brian Harris | .... | operator: remote head | |
| Karen Hawkyard | .... | animal wrangler | |
| Willie Heatley | .... | boat coordinator (as Willy Heatley) | |
| Eric Heder | .... | technical director | |
| Maude Isaac | .... | chaperone: Gisborne | |
| Lyssa Judd | .... | production runner | |
| Camelija Karlic | .... | production coordinator: Pandora | |
| Jens Kriegel | .... | assistant projectionist | |
| Matt Lawford | .... | shortfall insurance: Filmvision | |
| Di Magee | .... | production accountant | |
| Samia Mainz | .... | assistant: Mr. Hubner | |
| Bruce McArthur | .... | laboratory manager | |
| Pat Merrifield | .... | swimming coach | |
| Guy Moana | .... | maori carvings | |
| Guy Moana | .... | maori designs | |
| James Mok | .... | title designer | |
| Markus Münz | .... | assistant projectionist | |
| Waio Parata-Haua | .... | stand-in: Paikea | |
| Podge | .... | location manager | |
| Johnny Poi | .... | instructor: Taiaha | |
| Ngamaru Raerino | .... | kaumatua: South Pacific Pictures | |
| Karin Reinink | .... | assistant: John Barnett | |
| Robert Sarkies | .... | script editor | |
| Nadine Schäfer | .... | assistant: Mr. Schafer and Mr. Westerkamp | |
| Joan Scheckel | .... | script consultant | |
| Krissy Stainton | .... | production runner | |
| Dominic Stones | .... | unit assistant | |
| Gavin Strawhan | .... | script consultant | |
| Hone Taumaunu | .... | consultant: iwi | |
| Hone Taumaunu | .... | production advisor | |
| Rainer Teusner | .... | accountant: Pandora | |
| Kathleen Thomas | .... | continuity | |
| Kath Thomson | .... | continuity | |
| Aaron Tomlinson | .... | casual assistant | |
| Martin Trendall | .... | insurance: Mahony, Trendall, Jack | |
| Mike Turner | .... | manager: second unit | |
| Karla Wallace | .... | production secretary | |
| Jörg Westerkamp | .... | legal affairs: ApolloMedia (as Jorg Westerkamp) | |
| Stephanie Wilkin | .... | chaperone | |
| Stephanie Wilkin | .... | tutor | |
Merci | |||
| Dave Ahu | .... | special thanks | |
| Nancy Greystone | .... | special thanks | |
| Liddy Holloway | .... | special thanks | |
| Derek Lardelli | .... | special thanks (as Derek & Rose Lardelli) | |
| Rose Lardelli | .... | special thanks (as Derek & Rose Lardelli) | |
| Andrew Lister | .... | special thanks | |
| Ian Mune | .... | special thanks | |
| Murray Newey | .... | special thanks | |
| Kath Te Kani | .... | special thanks | |
| Judith Trye | .... | special thanks | |
| Tim Worrall | .... | special thanks | |
Te kaieke tohora (New Zealand: Maori title)
suite
Rated PG-13 for brief language and a momentary drug reference.
101 min
2,35 : 1 suite
Canada:G (British Columbia/Quebec) | Canada:PG (Alberta/Manitoba/Nova Scotia/Ontario) | Iceland:L | South Korea:Tous | Argentina:Atp | Australia:PG | Brazil:Livre | Finland:K-7 | Germany:6 | Hong Kong:IIA | Ireland:PG | Netherlands:AL | New Zealand:PG | Norway:11 | Portugal:M/6 | Singapore:PG | Sweden:7 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Switzerland:12 (canton of the Grisons) | UK:PG | USA:PG-13
Henderson Valley Studios, Hickory Avenue, Henderson, Auckland, New Zealand suite
A scene showing Keisha Castle-Hughes vomiting was cut because Niki Caro felt that Keisha's vomiting wasn't convincing enough. suite
Continuité: When the girl has been crying and the grandfather is comforting her, he wipes the tears from her face. In some shots, you can see where he wiped the tear, in other shots, you see a tear that has tricked down to her chin, and in some shots, she has a tear that hasn't traveled so far. suite
[first lines]
Paikea:
In the old days, the land felt a great emptiness. It was waiting. Waiting to be filled up. Waiting for someone to love it. Waiting for a leader.
[child birth scene]
Paikea:
And he came on the back of a whale. A man to lead a new people. Our ancestor, Paikea. But now we were waiting for the firstborn of the new generation, for the descendant of the whale rider. For the boy who would be chief.
Paikea:
There was no gladness when I was born. My twin brother died, and took our mother with him.
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figure dans Behind the Scenes of 'Whale Rider' (2003) (V) suite
Jast Passing Through suite
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb New Zealand section | Add this title to MyMovies |
While 1994's "Once Were Warriors" was a violent look at Maori culture this is easily more upbeat and lyrical. Story starts out in a hospital where a mother has just given birth to twins and the male twin dies as does the mother. The remaining twin is a girl and the film is about her and how she thinks and wants to be the future leader of her village. The film is set in modern day and we see the girl Pai (Keisha Castle-Hughes) as a 12 year old who knows that her twin brother that died was suppose to be the future chief. Pai's father is Porourangi (Cliff Curtis) and he's an artist who has left the village for a career and Pai is raised by her grandparents Koro and Nanny (Rawiri Paratene and Vicky Haughton) and she craves the respect from Koro but he is of the old ways and is still searching for a new chief. She wants to learn the ways of being chief but Koro yells at her not to fool with the sacred ways of their people. Women are treated as second class but Pai eavesdrops on Koro's classes with the young boys and learns the ways. The film is directed by Niki Caro and its only her third film but this should definitely put her on everyones list as a great future director. The film is beautiful to look at and even though its not a big budget movie the story and images make this an unforgettable viewing experience. Caro does a wonderful job of allowing the story to tell itself without relying on plot contrivances. Even though the story is more of a fable it still comes across as relevant and believable. One scene in particular stands out and its the one where Pai is receiving an award at school and she has invited Koro to watch her but instead of him making the obligatory entrance, Koro has discovered something more important. The performances are superb and Castle-Hughes gives I think one of the best performances of the year. What makes it so amazing is that its her film debut! You would think that you were watching a seasoned actress but your not! She's incredible to look at and in some scenes she comes across as so strong willed but then in other shots she's just a fun loving young girl. Castle-Hughes conveys both sorrow and pity as she dreams of being a chief. A remarkable performance that was crucial to the film. Without her performance the film would come across as more distant emotionally. The images of Castle-Hughes on the back of the whale as it submerges are so haunting and beautiful and its these scenes that give it a lyrical quality and the emotional impact of the story is impossible to ignore. This is more than just a film its a viewing experience that everyone must see! Beautiful, haunting and a performance that you will never forget. Go see it!