The only way to save Earth from catastrophe is to drill down to the core and set it spinning again.The only way to save Earth from catastrophe is to drill down to the core and set it spinning again.The only way to save Earth from catastrophe is to drill down to the core and set it spinning again.
- Danni
- (as Rékha Sharma)
- Serge
- (as Tcheky Karyo)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- Trivia(at around 9 mins) Near the end of the "birds" scene, a trout is seen smashing into a window instead of a pigeon. This was a joke left in by the team that did the CG pigeons.
- Goofs(at around 1h 30 mins) During the bridge scene the microwave energy can melt through several feet of galvanized carbon steel wire (main cable) and the bridge beams themselves but not through less than 2mm of metal on the car's body shell.
- Quotes
Col. Robert Iverson: Being a leader isn't about ability. It's about responsibility.
Maj. Rebecca Childs: Got it, sir.
Col. Robert Iverson: No you don't, Beck. I mean, you're not just responsible for the good ones. You've got to be responsible for the bad ones. You've got to be ready to make the shitty call.
Maj. Rebecca Childs: What makes you think I'm not?
Col. Robert Iverson: Because you're so damn good. You haven't hit anything you couldn't beat. I mean, hell, you were the one who figured out how to save the space shuttle. You made me, you made the rest of NASA just look like an ass. It's just you're used to winning... and you're not really a leader until you've lost.
- Crazy creditsAt the beginning when the Paramount pictures logo is shown there is a transition between the Paramount pictures logo and the film - the camera zooms in on the mountain then starts to move down through the mountain to the core of the earth.
- ConnectionsFeatured in Troldspejlet: Episode #28.14 (2003)
- SoundtracksWeren't You the One
by Roger Kellaway & K. Lawrence Dunham
Performed by Sherry Williams
Courtesy of WilliamSound West
From the preview stage, this movie was on my "might see it but not pay for it" list, so I just now caught it on cable. Hilary Swank and Aaron Eckhart will definitely have Oscars someday, and most of the other actors who make it on the ship are of similar caliber. The comic relief generally works ("I'm going to need Xena tapes and lots of Hot Pockets"), and the plot is no more ridiculous than, say, "The Day After Tomorrow" (though it is slightly LESS ridiculous-- at least this movie attempts to offer a cause for the problem, however unlikely).
I remember watching "Entrapment," another John Amiel film, and thinking it was, in a word, awful. The editing was off, the plot lumbered ahead only through the will of Sean Connery's accent and Catherine Zeta-Jones spandex-clad anatomy. Watching "The Core," Amiel has decided his mistake was pacing, and turns up the volume to eleven and full speed ahead, hoping the charisma of his actors covers his butt. In the second half of the film, this works fine. In the first half, it just shows his limitations as a director... poor special effects during the space shuttle landing that could easily have been fixed with model work or different camera angles; birds going crazy and smacking into buildings look exactly like someone tossed a dummy against a building, then the editor cut it as close as possible. Truly, this is a man at the helm who doesn't know what a good film is supposed to look like. I wonder what an Ed Wood movie would have looked like, if someone had given THAT guy $50 million?
Characters die with clockwork predictability, and my only problem with the resolution was the actors were TOO good. They play geniuses, the absolute best in their fields, so when the movie ends I wanted to spend more time with them, see what incredible problems, discoveries, adventures they had next. The movie itself is barely a D+, thanks to the actors, occasionally adequate special effects (which we will call simply "effects"), and a really great score to hold it all together. I'd buy the score (not the pop songs over the credits) before I'd watch the movie again, but it's a thumbs up effort for everyone who isn't Amiel. Worth a dollar if you have two hours to kill.
- Quicksand
- Jan 15, 2005
Details
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $31,186,896
- Opening weekend US & Canada
- $12,053,131
- Mar 30, 2003
- Gross worldwide
- $73,498,611
- Runtime2 hours 15 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1