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Réalisé par | |||
| Eli Roth | |||
Scénaristes | ||
| Eli Roth | (written by) and | |
| Randy Pearlstein | (written by) | |
| Eli Roth | (story) | |
Produit par | |||
| Evan Astrowsky | .... | producer | |
| Sam Froelich | .... | producer | |
| Jeffrey D. Hoffman | .... | co-executive producer | |
| Susan Jackson | .... | executive producer | |
| Lauren Moews | .... | producer | |
| Eli Roth | .... | producer | |
Musique originale | |||
| Angelo Badalamenti | |||
| Nathan Barr | |||
Image | |||
| Scott Kevan | |||
Montage | |||
| Ryan Folsey | |||
Distribution des rôles | |||
| Joe Adams | |||
| Ayo Davis | |||
Création des décors | |||
| Franco-Giacomo Carbone | |||
Création des costumes | |||
| Paloma Soledad | |||
Maquillage | |||
| Jessica Elder | .... | makeup artist | |
| Joan Shay | .... | hair department head | |
Directeur de production | |||
| Claudia Carey | .... | unit production manager | |
Département Art | |||
| Tommy Estridge | .... | assistant property master | |
| Richard A. Mazzochi | .... | property master | |
| Charles B. Walker | .... | assistant set dresser | |
Technicien du son | |||
| Pembrooke Andrews | .... | sound editor | |
| Brian Best | .... | supervising sound editor | |
| Jeffree Bloomer | .... | sound mixer | |
| Lance Brown | .... | sound re-recording mixer | |
| Timothy A. Carpenter | .... | foley mixer | |
| Timothy A. Carpenter | .... | sound re-recording mixer | |
| William Cawley | .... | sound effects editor | |
| Brion Condon | .... | boom operator: Los Angeles | |
| David P. Earle | .... | sound effects editor | |
| Frederick Howard | .... | foley supervisor | |
| Steve Mann | .... | sound effects editor | |
| Marc Meyer | .... | sound effects editor | |
| Shelley Roden | .... | foley artist (as Shelley Smith) | |
| Scott Solan | .... | boom operator | |
| Joseph Tsai | .... | sound effects editor | |
| Steve Weiss | .... | sound mixer: Los Angeles | |
| Aaron Wilcox | .... | facilities management | |
| Aaron Wilcox | .... | re-recording projectionist | |
| J. Aloysius Flanagan III | .... | assistant sound re-recording mixer (uncredited) | |
Effets spéciaux | |||
| Howard Berger | .... | special makeup effects supervisor | |
| Chiz Hasegawa | .... | coordinator: KNB EFX Group | |
| Garrett Immel | .... | key special makeup effects artist and set supervisor | |
| Robert Kurtzman | .... | special makeup effects supervisor | |
| Gregory Nicotero | .... | special makeup effects supervisor | |
| Scott Patton | .... | sculptor | |
| Alan Tuskes | .... | special makeup effects crew | |
Visual Effects | |||
| Steven Emmert | .... | optical compositor: THDX | |
| Scott Grossman | .... | poster design | |
| Scott Grossman | .... | title design | |
| Erick Schiele | .... | poster design | |
| Erick Schiele | .... | title design | |
| Jan S. Owen | .... | visual effects producer: Pacific Title (uncredited) | |
Cascadeur | |||
| John Copeman | .... | stunt coordinator | |
| Dino Muccio | .... | stunts | |
Caméra et Département Electrique | |||
| Robin Acutt | .... | gaffer | |
| Casey Alicino | .... | key grip | |
| Raymond Benthall | .... | set electrician | |
| Nathan Crum | .... | camera loader | |
| Julie Donovan | .... | first assistant camera | |
| Bryan Haigh | .... | second assistant camera | |
| C. David Jones | .... | grip | |
| Eric Leach | .... | director of photography: second unit | |
| Michael Lowrance | .... | electrician | |
| Dominic Mainl | .... | first assistant camera | |
| Benjamin Root | .... | jib operator | |
| Derek E. Tindall | .... | best boy electric | |
| David Troutman | .... | electrician | |
Département Casting | |||
| Jordan Beswick | .... | additional casting | |
| Mitzi Corrigan | .... | casting: North Carolina | |
Département Costume et garde-Robe | |||
| Juli Trotter | .... | wardrobe assistant | |
Dpartement Editorial | |||
| Jennie Blackwood | .... | post-production coordinator | |
| Erica Mireles Folsey | .... | assistant editor (as Erica Acevedo) | |
| Harry Muller | .... | color timer | |
| Kelly Reese | .... | telecine colorist: high definition | |
| Chris Regan | .... | color timer | |
Département Musique | |||
| Michael Farrow | .... | music scoring mixer | |
| Christine H. Luethje | .... | music editor | |
| Brian Richards | .... | music editor | |
| Mark Skillingberg | .... | assistant music editor | |
Département Transport | |||
| Paul Feddersen | .... | transportation coordinator: Los Angeles | |
| D.J. Hall | .... | picture car coordinator | |
| D.J. Hall | .... | transportation co-captain | |
| Hugo Ocana | .... | driver | |
| Colleen Rea | .... | driver: Los Angeles | |
| Lew Strong | .... | driver | |
Divers | |||
| Jennie Blackwood | .... | assistant accountant | |
| Barry L. Caldwell | .... | script supervisor | |
| Sam Childs | .... | production accountant | |
| Crystal Connell | .... | craft service | |
| Andrew Daniel | .... | production assistant | |
| Chantelle Grady | .... | production secretary | |
| Michael Hayworth | .... | production assistant | |
| Pascual Romero | .... | promotional consultant | |
| Gabriel Roth | .... | documentarian | |
| Barbara Rushworth | .... | assistant to producer | |
| Lindsay Vivian | .... | production assistant | |
| Mark Garbett | .... | production assistant (uncredited) | |
Merci | |||
| Angelo Badalamenti | .... | very special thanks | |
| George Folsey Jr. | .... | very special thanks | |
| Michael Hassan | .... | very special thanks | |
| Rich Hassan | .... | very special thanks | |
| David Lynch | .... | very special thanks | |
| Michael Rosenbaum | .... | special thanks | |
| Andy Sawyer | .... | very special thanks | |
| Darren Thomas | .... | special thanks | |
| Remerciements de la Société | Box office et business | Spécifications techniques |
| Soundtrack listing | Crazy credits | Principaux Détails |