|
| Blondel Aidoo | .... | executive visual effects producer: Asylum |
| Jance Allen | .... | digital compositor |
| Alfonso Alpuerto | .... | animator: SPI |
| Maura Alvarez | .... | rotoscope artist: SPI (as Maura N. Alvarez) |
| Grant Anderson | .... | technical director |
| Grant Anderson | .... | visual effects artist: color and lighting, SPI (as Grant Madden Anderson) |
| Jason Anderson | .... | high speed compositing coordinator: SPI |
| Kevin Baillie | .... | CG supervisor: The Orphanage |
| Joel Behrens | .... | animator: Asylum |
| Les Bernstien | .... | motion control operator |
| Scott Berri | .... | production assistant: Imageworks |
| David Bleich | .... | digital matte artist: SPI (as David R. Bleich) |
| James Bluma | .... | assistant visual effects editor |
| David M. Blum | .... | high speed compositing artist: SPI |
| Artaya Boonsoong | .... | visual effects artist: Luma Pictures |
| Christian Boudman | .... | high speed compositing artist: SPI |
| Todd Boyce | .... | effects animator: SPI |
| Suzy Brown | .... | texture painter: SPI |
| Shannan Burkley | .... | texture painter: Asylum |
| Daniela Calafatello | .... | lead cloth simulation artist: The Orphanage |
| Aimee Campbell | .... | senior matchmover: SPI (as Aimee L. Campbell) |
| Ozzie Carmona | .... | compositor: Pacific Title & Art Studio |
| Marla Carter | .... | Flame compositor: SPI |
| Marla Carter | .... | high speed compositing artist: SPI |
| Anthony Ceccomancini | .... | systems research engineer |
| S. 'Kiki' Chansamone | .... | high speed compositing artist: SPI (as Det Chansamone) |
| Steve Cho | .... | digital artist |
| Patrick Clancey | .... | digital opticals |
| Timothy Clark | .... | texture painter: Asylum (as Tim Clark) |
| Andrew Cochrane | .... | digital matte painter |
| Bill Coffin | .... | visual effects |
| Danielle Conroy | .... | digital production manager |
| Tim 'Timco' Conway | .... | compositor: CREO |
| Christian Cunningham | .... | technical director |
| Christian Cunningham | .... | visual effects artist: color and lighting, SPI |
| Andy Davis | .... | digital compositor: Creo |
| Matt Davis | .... | Spydercam rigger technician |
| Lisa Deaner | .... | Inferno artist |
| Lisa Deaner | .... | high speed compositing artist: SPI |
| Michael Degtjarewsky | .... | compositor: Pacific Title & Art Studio |
| Francisco De Jesus | .... | visual effects artist: color and lighting, SPI (as Francisco DeJesus) |
| Greg Derochie | .... | visual effects artist: color and lighting, SPI |
| Bill Diaz | .... | digital character animation specialist: SPI |
| Tony Diep | .... | high speed compositing artist: SPI |
| Roxanne Dorman | .... | assistant visual effects editor |
| Renato Dos Anjos | .... | animator: SPI |
| Tim Drnec | .... | Spydercam coordinator |
| Colin Drobnis | .... | visual effects artist: color and lighting, SPI (as Colin J. Drobnis) |
| Travis Dutch | .... | scanning and recording |
| Daniel Eaton | .... | senior CG supervisor: SPI |
| Brandon England | .... | scanning technician |
| Rob Engle | .... | sequence supervisor: dam, SPI |
| Felicia Faden | .... | texture painter: Asylum |
| Arin Finger | .... | visual effects coordinator: The Orphanage |
| Ruben Flores | .... | lead production services technician |
| Chris Flynn | .... | digital compositor: Pacific Title & Art Studio |
| Alyssa Fong | .... | visual effects |
| Doug Forrest | .... | high speed compositing artist: SPI (as Doug T. Forrest) |
| Crys Forsyth-Smith | .... | visual effects producer: SPI |
| Kevin Freeman | .... | technical animator: SPI |
| Jenny Fulle | .... | visual effects executive producer: SPI |
| Gregory Galliani | .... | senior modeler: SPI |
| Shannon Blake Gans | .... | visual effects executive producer: Hunter/Gratzner Industries Inc. |
| Joe Gareri | .... | executive producer: Pacific Title & Art Studio |
| Joshua Geisler-Amhowitz | .... | digital matte painter: SPI (as Joshua Geisler Amhowitz) |
| David 'Rudy' Grossman | .... | creature supervisor: The Orphanage (as Rudy Grossman) |
| Matthew Hackett | .... | animator: Asylum (as Matt Hackett) |
| Jonathan Harman | .... | digital artist: The Orphanage |
| Scott Harper | .... | visual effects |
| Anthony Harris | .... | digital color timer |
| Jordan Harris | .... | animator: SPI |
| Max Harris | .... | digital compositor: SPI |
| Maureen Healy | .... | compositor: Pacific Title & Art Studio |
| Michael Hemschoot | .... | animator: Asylum |
| Matthew Hendershot | .... | lead look developer: The Orphanage |
| Simon Holden | .... | digital compositor |
| Ivo Horvat | .... | lead matte painter: SPI |
| Wensen Ho | .... | digital compositor: Creo Collective |
| Justin Johnson | .... | visual effects artist: Luma Pictures |
| David Jones | .... | visual effects supervisor: Asylum |
| Brad Kalinoski | .... | compositor |
| Joanie Karnowski | .... | digital artist |
| Patrick Keenan | .... | digital artist: Pacific Title Digital |
| Stan Kellam | .... | compositor: Asylum |
| David Keslick | .... | scanning technician |
| Ntana Key | .... | digital intermediate paint artist |
| Marvin Kim | .... | lead modeler: SPI |
| Kevin Kitchel | .... | senior PST |
| Susan Kornfeld | .... | texture painter: SPI (as Susan M. Kornfeld) |
| Stephen Kowalski | .... | senior systems engineer |
| Daniel Kuehn | .... | digital production manager: SPI |
| Erik Lee | .... | lead animator: Asylum |
| Hae-Jeon Lee | .... | effects animator: SPI |
| John T. Lee | .... | visual effects artist: color and lighting, SPI |
| Kui Han Lee | .... | modeler: SPI |
| Jeff Lin | .... | animator: SPI |
| Kevin Lin | .... | digital cleanup artist |
| Robin A. Linn | .... | animation production director |
| Kathryn Liotta | .... | visual effects digital coordinator: SPI (as Kathryn Liotta-Couture) |
| Benjamin Lishka | .... | lighting lead: SPI (as Benjamin F. Lishka) |
| Michael Lloyd | .... | additional matte painter: SPI |
| Christine Lo | .... | visual effects artist: color and lighting, SPI |
| Mark Alan Loso | .... | compositor: Asylum (as Mark Loso) |
| Brian Lutge | .... | effects animator: SPI |
| Andrew MacDonald | .... | visual effects supervisor: Creo Collective |
| James Marbas | .... | digital effects supervisor |
| Lisa Markou | .... | digital coordinator: Pacific Title & Art Studio |
| Nicholas McDowell | .... | systems engineer |
| Rodney J. McFall | .... | effects animator: SPI |
| Rodney J. McFall | .... | senior technical director: SPI |
| Matt McFarland | .... | scan/record manager |
| John McGee | .... | texture painter: SPI (as John W. McGee) |
| Paul McGhee | .... | digital color timer: SPI |
| Emma McGuinness | .... | visual effects executive producer: Asylum |
| Nathan McGuinness | .... | senior visual effects supervisor: Asylum |
| M. Scott McKee | .... | senior compositor: SPI |
| M. Scott McKee | .... | visual effects artist: color and lighting, SPI |
| Scott McLain | .... | compositor |
| Matt Merkovich | .... | modeler: Asylum |
| Todd Mesher | .... | high speed compositing artist: SPI (as Todd B. Mesher) |
| Rob Meyers | .... | digital compositor |
| Rob Moggach | .... | digital compositor: Asylum |
| John Monos | .... | shader writer: SPI |
| Sarah Moore | .... | visual effects artist: color and lighting, SPI |
| Carlos Morales | .... | digital compositor |
| Glenn Morris | .... | digital compositor: Luma Pictures |
| Amanda Morrison | .... | visual effects artist: color and lighting, SPI |
| Jake Morrison | .... | CG supervisor |
| Maks Naporowski | .... | lead technical animator: SPI |
| Alberto Noti | .... | visual effects artist: color and lighting, SPI |
| Luke O'Byrne | .... | visual effects producer: The Orphanage |
| JaeWook Park | .... | technical director: The Orphanage |
| Nicholas Peterson | .... | motion control producer |
| Phil Pham | .... | digital compositor: Luma Pictures |
| Alex Prichard | .... | digital artist: The Orphanage |
| Thomas Pushpathadam | .... | visual effects artist: color and lighting, SPI |
| Mark P. Renton | .... | lead compositor: Asylum (as Mark Renton) |
| César Romero | .... | high speed compositing artist: SPI |
| Jonathan Rothbart | .... | visual effects supervisor: The Orphanage |
| Chris Ryan | .... | high speed compositing artist: SPI (as Christopher Ryan) |
| Marc Sadeghi | .... | executive visual effects producer: The Orphanage |
| Christopher Sage | .... | digital effects artist: Luma Pictures (as Chris Sage) |
| Eric Sanford | .... | modeler |
| David Sanger | .... | producer: New Deal Studios |
| Kosta Saric | .... | visual effects editor: Asylum Visual Effects |
| John E. Sasaki | .... | digital compositor |
| John E. Sasaki | .... | visual effects artist: color and lighting, SPI |
| Gunther Schatz | .... | digital visual effects artist |
| Michael Scheffe | .... | concept designer: dam sequence, SPI |
| Jason Scherbert | .... | digital artist |
| Steven Schmidt | .... | visual effects coordinator: Creo |
| Jason Schugardt | .... | modeler: Asylum |
| Donovan Scott | .... | interactive compositing |
| Eric Scott | .... | senior visual effects coordinator: SPI |
| Todd Semmes | .... | aerial effects coordinator |
| Ira Shain | .... | character animator: Asylum |
| Ira Shain | .... | modeler: Asylum |
| Jeff Shank | .... | visual effects artist: color and lighting, SPI |
| Dong Yeop Shin | .... | visual effects |
| Payam Shohadai | .... | visual effects supervisor: Luma Pictures |
| Thanapoom Siripopungul | .... | visual effects artist: Luma Pictures (as Thana Siripopungul) |
| Ben Britten Smith | .... | spydercam flight control |
| Keith W. Smith | .... | animator: SPI |
| David Sosalla | .... | visual effects supervisor: Pacific Title & Art Studio |
| Michelle Steinau | .... | high speed compositing artist: SPI |
| Mark Stetson | .... | visual effects supervisor |
| Jamie Stevenson | .... | visual effects producer: Asylum |
| Jon Tanimoto | .... | high speed compositing artist: SPI |
| Cecile Tecson | .... | rotoscope artist |
| Chikako Terashita | .... | senior production services technician |
| Bill Tessier | .... | animator: SPI (as William Tessier) |
| Mathew Thomas | .... | senior production services technician |
| Christine Troianello | .... | rotoscope artist: SPI (as Chris Troianello) |
| Ryan Tudhope | .... | digital artist |
| Pepe Valencia | .... | animation supervisor: SPI |
| Bruno Vilela | .... | compositor: SPI |
| Bruno Vilela | .... | senior digital lighter: SPI |
| Christopher Walsh | .... | animation supervisor: The Orphanage (as Christopher Erin Walsh) |
| Carl Walters | .... | visual effects editor: The Orphanage |
| Joey Wartnerchaney | .... | aerial effects-spydercam |
| Barry Weiss | .... | senior staff: SPI |
| Jeff Werner | .... | digital producer: Asylum |
| Len White | .... | visual effects artist: color and lighting, SPI |
| Earl Wiggins | .... | aerial effects supervisor |
| Brian Wolf | .... | digital compositor: Pacific Title & Art Studio |
| David Worman | .... | match mover: SPI |
| Xye | .... | visual effects |
| Dustin Zachary | .... | modeler |
| Dan Ziegler | .... | visual effects artist: color and lighting, SPI |
| Daniel E. Zobrist | .... | digital artist |
| Chris Anderson | .... | paint artist: CIS Hollywood (uncredited) |
| Amanda Burton | .... | rotoscope/paint artist (uncredited) |
| Kevin Gillen | .... | CG effects animator: SPI (uncredited) |
| Leah Hardstark | .... | visual effects still photography (uncredited) |
| Erica Hornung | .... | senior matchmover: SPI (uncredited) |
| Thomas Mathai | .... | data manager (uncredited) |
| Kevin Struckman | .... | re-grainer (uncredited) |
| Helder Sun | .... | motion control technician (uncredited) |
| Matthew Thunell | .... | visual effects production assistant: The Orphanage (uncredited) |
| Kristi Valk | .... | digital artist: The Orphanage (uncredited) |
| |
If you haven't read the person's review that stated "For those that 'get it'....", then read that one. That reviewer states some good points.
Commenting that the movie lacks plot, is cliched, is 'over the top' is like complaining that a Shakespeare play is a lousy action movie; Charlie's Angels 2 is *meant* to be an over-the-top, outrageous, spoofing, comedical parody-type action movie. The characters don't just do action, they do "over the top" action. The stunts are not just amazing, they are "over the top". Part of the comedic elements are derived from characters doing *exagerrated* action sequences, thereby spoofing action movies. The movie broke out in a musical number during the High School reunion scene!! The movie is not *meant* to be a serious philosophical analysis of life!
In my opinion, the movie was awesome. It had stunts, action, comedy, great acting (within the parameters of what the movie intended), great dialogue (again, within the parameters of what the movie intended) and moved at an excellent pace. The cameoes were the cherry on the sundae (although I dont know who "Eve" or "Pink" are....).
IF you view the movie in the style it was intended to watch, this is an excellent movie (9.5 out of 10). If you view this movie too seriously (imagine watching Leslie Neilson's Naked Gun movie with the mindset that you are watching a CSI movie), then you will be disappointed.