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Saenghwalui balgyeon (2002) More at IMDbPro »

Overview

Note des utilisateurs:
7.5/10   400 votes
MOVIEmeter: ?
Up 7% in popularity this week. See rank & trends on IMDbPro.
Réalisateur:
Sang-soo Hong
Scénariste:
Sang-soo Hong (writer)
Contact:
View company contact information for Saenghwalui balgyeon on IMDbPro.
Release Date:
22 mars 2002 (South Korea) suite
Genre:
Drame suite
Plot Keywords:
suite
Awards:
2 wins suite
Avis des utilisateurs:
A New Antonioni? suite

Ensemble

  (in credits order)
Sang-mi Choo ... Seon-young
Ji-won Ye ... Myung-sook
reste de la distribution par ordre alphabétique:
George Georgiou ... Roger
Hak-sun Kim ... Seong-wu
Sang-kyung Kim ... Gyung-soo
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Réalisé par
Sang-soo Hong 
 
Scénaristes
(in alphabetical order)
Sang-soo Hong  writer

Produit par
Byoung-ju Ahn .... executive producer
In-gi Choi .... executive producer
Lee Hanna .... producer
 
Musique originale
Il Won 
 
Image
Yeong-taek Choi 
 
Montage
Sung-won Ham 
 
Technicien du son
Sang-ho Ahn .... sound
Weon-chul Oh .... sound
 

Production CompaniesDistributors
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Additional Details

Autre(s) titre(s):
On the Occasion of Remembering the Turning Gate (International: English title)
Turning Gate (International: English title)
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Parents Guide:
Add content advisory for parents
Durée:
115 min
Pays:
South Korea
Langue:
Coréen
Couleur:
Couleur
Classification:
Hong Kong:III | South Korea:18 | Japan:R-15
Company:
Cinema Service suite

Curiosités

Guillemet:
Seon-young: Even though it's difficult to be a human being, let's not turn into monsters. suite

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Avis des utilisateurs

   (Comment on this title)
12 out of 12 people found the following comment useful:-
A New Antonioni?, 7 October 2002
9/10
Author: kinolieber

This low key, insightful, and ultimately devastating film quietly observes a callow young man in his search for love. Utterly ill-equipped for the challenge, he bounces from one encounter to another, hoping that he'll find the connection to life that's missing in his life, but instead, he causes pain wherever he goes in his self-absorbed quest. When he finally utters the words "I love you" they are hollow and come immediately after his admission of dishonesty, manipulation and deception.

There's a sad charm to the guy, especially if you identify even a little with his plight, and that takes some of the sting out of the film maker's subtle satire.

I was reminded often of Antonioni who also analyzed the failed searching of young people for love and connection in a culture that left them hopelessly alienated and cut off from each other except for their sexual couplings, which seemed to leave them even more selfish and heartless.

The performances are sublime, especially Sang Mi Chu, who lights up the film the minute she appears.

Not as depressing as I may have made it sound, it has moments of humor, and not a little affection for its characters.

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Related Links

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