| Photos (Voir toutes les 89 | Diaporama) | Videos (see all 10 NOUVEAU) |
| Gael García Bernal | ... | Ernesto Guevara de la Serna (Argentina) | |
| Rodrigo De la Serna | ... | Alberto Granado (Argentina) | |
| Mercedes Morán | ... | Celia de la Serna (Argentina) | |
| Jean Pierre Noher | ... | Ernesto Guevara Lynch (Argentina) (as Jean-Pierre Noher) | |
| Lucas Oro | ... | Roberto Guevara (Argentina) | |
| Marina Glezer | ... | Celita Guevara (Argentina) | |
| Sofia Bertolotto | ... | Ana María Guevara (Argentina) (as Sofía Bertolotto) | |
| Franco Solazzi | ... | Juan Martín Guevara (Argentina) | |
| Ricardo Díaz Mourelle | ... | Uncle Jorge (Argentina) (as Ricardo Diaz Mourelle) | |
| Sergio Boris | ... | Young Traveler (Argentina) | |
| Daniel Cargieman | ... | Young Traveler (Argentina) (as Daniel Kargieman) | |
| Diego Giorzi | ... | Rodolfo (Argentina) | |
| Facundo Espinosa | ... | Tomás Granado (Argentina) | |
| Matias Gomez | ... | Kid (Argentina) (as Matías Gómez) | |
| Diego Treu | ... | Kid (Argentina) | |
| Ariel Verdun | ... | Kid (Argentina) (as Ariel Verdún) | |
| Mía Maestro | ... | Chichina (Argentina) | |
| Gustavo Mansilla | ... | Kid (Argentina) | |
| Susana Lanteri | ... | Aunt Rosana (Argentina) | |
| Natalia Lobo | ... | La Negra (Argentina) | |
| Maida Andrenacci | ... | Chichina's Friend (Argentina) (as Maída Andrenacci) | |
| Bárbara Lombardo | ... | Chichina's Friend (Argentina) | |
| Dana Frijoli | ... | Chichina's Friend (Argentina) | |
| Valeria Echeverria | ... | Chichina's Friend (Argentina) (as Valeria Echeverría) | |
| Ariel Prieto | ... | Chichina's Friend (Argentina) | |
| Matías Strafe | ... | Chichina's Friend (Argentina) | |
| Nicolas Watson | ... | Chichina's Friend (Argentina) (as Nicolás Watson) | |
| Carlos Rivkin | ... | Horacio Ferreyra (Argentina) | |
| Elvio Suarez | ... | Uncle Martín (Argentina) (as Elvio Suárez) | |
| Pablo Villarrazza | ... | Esteban Aguirre (Argentina) | |
| Liliana Kolinsky | ... | Chichina's Mother (Argentina) | |
| Guillermo Ojeda | ... | Men with Oxen Cart (Argentina) | |
| Oscar Alegre | ... | Don Olate (Argentina) | |
| Fernando Llosa | ... | Von Puttkamer (Argentina) (as Fernando Ignacio Llosa) | |
| Marta Lubos | ... | Schatzie von Puttkamer (Argentina) | |
| Cristián Chaparro | ... | Luna (Chile) (as Cristian F. Chaparro) | |
| Cristian Arancibia | ... | Tulio (Chile) | |
| Gabriela Aguilera | ... | Piedad (Chile) | |
| Juan Maliqueo | ... | Araucano Father (Chile) | |
| Samuel Cifuentes | ... | Araucano Son (Chile) | |
| Constanza B. Majluf | ... | Chilean Sister (Chile) | |
| Evelyn Ibarra | ... | Chilean Sister (Chile) | |
| Victor Hugo Ogaz | ... | Young Man (Chile) (as Víctor Hugo Ogaz) | |
| Fernando Farías | ... | Fire Chief (Chile) (as Fernando Farias) | |
| Maximiliano Toledo | ... | Ca±aco (Chile) | |
| César López | ... | Fireman (Chile) (as César Lopez) | |
| Pablo Macaya | ... | Janitor (Chile) | |
| Rosa Curihuentro | ... | Doña Rosa (Chile) | |
| Erto Pantoja | ... | Mechanic (Chile) | |
| Vladimir Paredes | ... | Truck Driver (Chile) | |
| Brandon Cruz | ... | Miner (Chile) | |
| Vilma M. Verdejo | ... | Miner's Wife (Chile) | |
| Jaime Azócar | ... | Mine Foreman (Chile) (as Jaime Azocar) | |
| Maria Esther Zamora | ... | Chipi Chipi Band Singer (Chile) (as María Esther Zamora) | |
| Pollito Gonzalez | ... | Chipi Chipi Band Pianist (Chile) | |
| Jorge Lobos | ... | Chipi Chipi Band Percussionist / Trumpeter (Chile) | |
| Cuti Aste | ... | Chipi Chipi Band Clarinetist / Accordionist (Chile) | |
| Roberto Lindl | ... | Chipi Chipi Band Double Bass Player (Chile) | |
| Gustavo Morales | ... | Félix (Peru) | |
| Gustavo Bueno | ... | Dr. Hugo Pesce (Peru) | |
| Maria Beatriz Abele | ... | Zdenka Pesce (Peru) (as María Beatriz Abele) | |
| Jonathan Balbis | ... | Luis Pesce (Peru) | |
| Matias Delgado Rizzi | ... | Tito Pesce (Peru) (as Matías Delgado Rizzi) | |
| Jorge Rodríguez Paz | ... | Peruvian from Canepa (Peru) | |
| Jackelyne Vásquez | ... | Luz (Peru) | |
| Ernesto Cabrejos | ... | Card Player (Peru) | |
| Víctor Ángeles | ... | Card Player (Peru) | |
| Willy Gutiérrez | ... | Card Player (Peru) | |
| Gerald Mayeux | ... | Card Player (Peru) | |
| Matías Gomez | ... | Card Player (Peru) | |
| Jorge Chiarella | ... | Dr. Bresciani (Peru) | |
| Ricardo Velásquez | ... | Banca (Peru) | |
| Carolina Infante | ... | Sister Margarita (Peru) | |
| Nidia Bermejo | ... | Young Indian Nurse (Peru) | |
| Carlos 'Caitro' Soto de la Colina | ... | Papa Carlito (Peru) | |
| Delfina Paredes | ... | Mother Sister Alberto (Peru) | |
| Nemesio Reyes | ... | Leper from San Pablo (Peru) | |
| Hernan Herrera | ... | Leper from San Pablo (Peru) (as Hernán Herrera) | |
| Antonella Costa | ... | Silvia (Peru) | |
| Igor Calvo | ... | Dr. Souza Lima (Peru) | |
| reste de la distribution par ordre alphabétique: | |||
| Alberto Granado | ... | Himself (uncredited) | |
| Gustavo Pastorini | ... | Passenger (uncredited) | |
Réalisé par | |||
| Walter Salles | |||
Scénaristes(WGA) | ||
| Ernesto 'Che' Guevara | (book "Notas de viaje") (as Ernesto Guevara) | |
| Alberto Granado | (book "Con el Che por America Latina") | |
| Jose Rivera | (screenplay) | |
Produit par | |||
| Daniel Burman | .... | co-producer | |
| Diego Dubcovsky | .... | co-producer | |
| Mónica Lima | .... | assistant producer | |
| Michael Nozik | .... | producer | |
| Robert Redford | .... | executive producer | |
| Edgard Tenenbaum | .... | producer | |
| Karen Tenkhoff | .... | producer | |
| Paul Webster | .... | executive producer | |
| Rebecca Yeldham | .... | executive producer | |
Musique originale | |||
| Gustavo Santaolalla | |||
Image | |||
| Eric Gautier | |||
Montage | |||
| Daniel Rezende | |||
Distribution des rôles | |||
| Walter Rippell | |||
Création des décors | |||
| Carlos Conti | |||
Direction artistique | |||
| Coca Oderigo | |||
| Laurent Ott | |||
| Maria Eugenia Sueiro | |||
Décorateur de plateau | |||
| Carlos Conti | |||
Création des costumes | |||
| Beatriz De Benedetto | |||
| Marisa Urruti | |||
Maquillage | |||
| Marisa Amenta | .... | makeup artist | |
| Karina Arbulú | .... | assistant makeup artist: Peru | |
| Katerine Astete | .... | key makeup artist | |
| Esther Barbieri | .... | assistant hair stylist | |
| Laura Borselli | .... | special makeup effects artist | |
| Jana Carboni | .... | special makeup effects artist | |
| Araceli Farace | .... | assistant makeup artist | |
| Ariel Godoy | .... | assistant hair stylist | |
| Sebastián Molchasky | .... | special makeup effects artist | |
| Marisol Ortega | .... | assistant hair stylist | |
| Jean-Jacques Puchu | .... | key hair stylist (as Jean-Jacques Puchu Lapeyrade) | |
| Laura Quijandría | .... | assistant makeup artist: Peru | |
| Norma Recalde | .... | assistant hair stylist | |
| Juan A. Redondo | .... | special makeup effects artist | |
| Juan Angel Redondo | .... | special makeup effects artist | |
| Luigi Rocchetti | .... | special makeup effects artist | |
| Alejandro Staricco | .... | assistant hair stylist | |
| Juan Pedro Rodriguez Valiente | .... | special makeup effects artist | |
Directeur de production | |||
| Ricardo Avelluto | .... | unit manager | |
| Carlo Bettin | .... | production supervisor | |
| Raúl Campos | .... | unit manager | |
| Peter McAleese | .... | executive in charge of production | |
| Federico Noejovich | .... | location unit manager | |
| Severo Santos | .... | assistant production manager | |
| Graham Stumpf | .... | post-production supervisor | |
| Marcelo Torres | .... | production manager | |
Assistant réalisateur | |||
| Federico Berón | .... | second assistant director | |
| Márcia Faria | .... | first assistant director | |
| Claudio Leiva Araos | .... | second assistant director | |
| Samuel León | .... | assistant director | |
| Pablo Ramos | .... | director help | |
| Claudio Reiter | .... | assistant director | |
| Sara Rossi | .... | assistant director | |
| Julia Solomonoff | .... | first assistant director | |
| Natalia Vacs | .... | trainee assistant director | |
Département Art | |||
| Fernanda Abadía | .... | painter | |
| Lorena Acin | .... | scenic painter | |
| Angélica Alvear | .... | set dresser | |
| Silvina Carballo | .... | assistant production designer | |
| Martín Libert | .... | property master | |
| Matías Martínez | .... | assistant production designer | |
| Daniel Mauvignier | .... | painter | |
| Alejandro Gastón Mondello | .... | assistant property master | |
| Ariel Guillermo Mondello | .... | assistant property master | |
| Jorge Mondello | .... | property master | |
| Julio Ojeda | .... | assistant property master | |
| Ana Piaggio | .... | graphic designer | |
| Estella Zeballos | .... | assistant property master | |
Technicien du son | |||
| Bryan Arenas | .... | stereo sound consultant: Dolby | |
| Javier Bennassar | .... | sound editor | |
| Jean-Claude Brisson | .... | sound | |
| Colin Cooper | .... | adr recordist | |
| Gary Coppola | .... | sound re-recording mixer | |
| Jed M. Dodge | .... | dialogue editor | |
| Frank Gaeta | .... | sound designer | |
| Frank Gaeta | .... | supervising sound editor | |
| Lauro Galindo | .... | adr recordist | |
| Patrick Giraudi | .... | sound re-recording mixer | |
| Peter Gleaves | .... | adr mixer | |
| Catherine Harper | .... | foley artist | |
| Terry Isted | .... | adr recordist | |
| Andrea Lakin | .... | sound re-recording mixer | |
| Patricio A. Libenson | .... | foley supervisor (as Patricio Libenson) | |
| Leandro Lima | .... | sound | |
| Christopher Moriana | .... | foley artist | |
| Todd Niesen | .... | dialogue denoising | |
| Todd Orr | .... | sound re-recording mixer | |
| David Romero | .... | boom operator | |
| Christopher Sidor | .... | sound re-recording mixer (as Chris Sidor) | |
| Victor Alejandro Tendler | .... | sound assistant | |
| Dennis Twitty | .... | foley editor | |
Effets spéciaux | |||
| Georges Demétrau | .... | special effects supervisor | |
Visual Effects | |||
| Merysa Nicholas | .... | digital compositor | |
| Adam Stern | .... | digital artist | |
Caméra et Département Electrique | |||
| Enrique Apéstegui | .... | electrician: Peru | |
| Alejandro Arbulú | .... | electrician: Peru | |
| Pablo Baião | .... | second assistant camera: Peru | |
| Alberto Bellezia | .... | second assistant camera: Peru | |
| Rubén Carpio | .... | electrician: Peru | |
| Aníbal Cattaneo | .... | grip | |
| Aníbal Haran | .... | electrician | |
| John Rockwell Harris | .... | additional still photographer | |
| Rafael Mackay Fulle | .... | grip | |
| Flavio Naranjo | .... | grip | |
| Constanza Ott | .... | first assistant camera | |
| Paula Prandini | .... | still photographer | |
| Dennis Ramírez | .... | grip | |
| Rodolfo Resch | .... | electrician | |
| Agustín Roca | .... | electrician | |
| Sergio Scalisi | .... | gaffer | |
| Cristian Vega | .... | assistant camera: second unit, Argentina | |
| Peter Zuccarini | .... | water camera operator | |
Département Casting | |||
| Norma Angeleri | .... | extras casting | |
| Pablo Pérez Giménez | .... | extras casting | |
Département Costume et garde-Robe | |||
| Gabriela Bellacomo | .... | costume assistant | |
| Fátima Macera | .... | costume assistant (as María Fátima Macera) | |
| Carmen Montecalvo | .... | costume assistant | |
| Ramiro Piombo | .... | costume assistant | |
Dpartement Editorial | |||
| Luis Bernardez | .... | post-production coordinator | |
| Gilbert Carreras | .... | film color timer | |
| Steve Johnson | .... | colorist | |
| Isabelle Julien | .... | color timer | |
| Maria Montoreano | .... | second editor | |
| Fabien Pascal | .... | color timer | |
| Miguel Schverdfinger | .... | assistant editor | |
| Patrick Thauvin | .... | negative cutter | |
Département Musique | |||
| Robb Boyd | .... | music editor (as Robert Boyd) | |
| Anibal Kerpel | .... | music editor | |
| Stephen Lotwis | .... | music editor | |
| Lee Scott | .... | music editor: temp tracking | |
Département Transport | |||
| Sergio Miguel | .... | unit transportation coordinator | |
Divers | |||
| Patricia Apter | .... | production coordinator | |
| Kim Ballard | .... | production financing | |
| Susan Bradley | .... | title designer | |
| Paul Cafferty | .... | post-production accountant | |
| Emma Chapman | .... | unit publicist | |
| Dante Deccheco | .... | production assistant | |
| Nicky Earnshaw | .... | assistant: Peter McAleese | |
| José Luis García Espina | .... | location manager | |
| María Gowland | .... | script supervisor | |
| Leo Haidar | .... | legal counsel | |
| Bill Holderman | .... | assistant to producer | |
| Donna Kail | .... | assistant: Mr. Redford | |
| María Paula Mancini | .... | assistant production accountant | |
| Gianni Minà | .... | creative consultant | |
| Alexander Nicolas | .... | marketing | |
| Sebastián Ponce | .... | assistant to producer | |
| John H. Price | .... | interviews: post-production | |
| Joe Russo | .... | interviews: post-production | |
| Paola Scagnet | .... | accounting assistant | |
| Ettore Scola | .... | creative consultant | |
| Mauro Stecco | .... | production apprentice | |
| Alistair Thompson | .... | supervising production accountant | |
| Fernando Wajs | .... | production accountant | |
| Connie Wethington | .... | assistant: Michael Nozik | |
| Brad Simonsen | .... | production executive (uncredited) | |
Merci | |||
| Tessa Ross | .... | very special thanks | |
| Leslie Urdang | .... | thanks | |
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I would not consider myself to be an ultra liberal, but I am somewhat knowledgeable about what has been going on in South America for the last 100 years, and Che Guevara is a part of it. Going into this movie all I knew about him was that he is on a lot of t-shirts, and that "che", despite what ignorant people think, is not his name, it is what Argentinians say to each other like in the US saying "dude".
I am also a big fan of the purity of movies, not this Spider-man crap that is all over the place, but the true art of films, and I am fairly serious when I go into a movie for the first time. A part of this is that I watch the movie throwing all bias I might have out the window and watch it as if I had never heard of it before. That said, I believe this movie was excellent because it had superb cinematography of the beauty of South America, had excellent acting, great chemistry between the two main actors (despite Ebert saying they did not), and an overall political theme.
This movie did not get great reviews in the US, and I haven't seen reviews from Latin American countries, but I am guessing they are better. This is because many people either shied away from the movie once they heard the word Che, and if they did see it, through the whole movie they were probably thinking "commie, commie!".
I have since read up on Che Guevara, and he is actually a fascinating person to study because he began as a rich boy who through his journeys learned how much people were suffering beyond his imagination, and part of this was how he got to be so rich, by suppressing the native people. The movie does an excellent job of showing this transition from his carefree exploring until later having an epiphany about his destiny to help the people. Yes, he got extreme after a while, but the study of him is compelling nonetheless.
It is interesting to know that coffee and bananas that say "Guatemala" are still grown today by slave laborers on farms, and that the US does not mind the slave labor because they were the ones who sponsored a coup in 1951 to install a dictatorship that in history books says it was an ousting of communism, which makes it okay. This is a much bigger and important example than the movie, but it is the same bias involved: People in the United States (I don't say America because that refers to every country from Argentina to Canada, not just the US as people in this country like to think) not only don't care about the suffering of people in other countries (unless it's mentioned on Oprah or involves economic rewards) but have the nerve to call them evil when they try to better themselves, which at the time was the communist movement in South America. This is not the communism of Castro or even of the later Che Guevara, but simply to give more to the starving and suppressed that are today suppressed to make your bananas and Starbucks coffee.
Because of the biases people have towards the people of countries they know nothing about, this movie has been extremely underrated in the wake of films that comparatively suck ("Ray", way overrated) yet have been rewarded because of their popularity and appeasement to the ignorant people that attend theaters in the United States.