Kingdom of Heaven (2005)

Note Générale:

7,1/10   

Réalisateur:

Ridley Scott

Scénariste (WGA):

William Monahan (written by)

Date de sortie:

6 mai 2005 (USA)

Genre:

Action | Aventure | Histoire

Accroche:

Be without fear in the face of your enemies. Safeguard the helpless, and do no wrong

Intrigue:

Balian of Ibelin travels to Jerusalem during the crusades of the 12th century, and there he finds himself as the defender of the city and its people.

Plot Keywords:

Knight | Jerusalem | King | Sword | Honor

Récompenses:

3 wins & 11 nominations

Avis des utilisateurs:

"Kingdom of Heaven": A Near Masterpiece

Ensemble

Martin Hancock	...	Gravedigger
Michael Sheen	...	Priest
Nathalie Cox	...	Balian's Wife
Eriq Ebouaney	...	Firuz
Jouko Ahola	...	Odo
David Thewlis	...	Hospitaler
Liam Neeson	...	Godfrey de Ibelin
Philip Glenister	...	Squire
Orlando Bloom	...	Balian de Ibelin
Bronson Webb	...	Apprentice
Kevin McKidd	...	English Sergeant
Nikolaj Coster-Waldau	...	Village Sheriff
Steven Robertson	...	Angelic Priest
Marton Csokas	...	Guy de Lusignan
Alexander Siddig	...	Imad

Autre(s) titre(s):

El reino de los cielos (Spain)
Königreich der Himmel (Germany)
The Crusades (USA) (working title)

MPAA:

Rated R for strong violence and epic warfare.

Durée:

144 min | 190 min (director's cut) (Blu-Ray Disc) | 192 min (director's cut)

Pays:

UK | Spain | USA | Allemagne

Langue:

Anglais | Arabe | Allemand

Couleur:

Couleur

Rapport de forme:

2,35 : 1

Son:

DTS | Dolby Digital

Classification:

Taiwan:R-12 | Canada:14A | Portugal:M/12 | Netherlands:16 | Malaysia:U | Iceland:16 | Germany:16 (director's cut) | New Zealand:R16 | Argentina:13 | Australia:M | Brazil:14 | Canada:13+ (Quebec) | Canada:14A (Alberta/British Columbia/Ontario) | Finland:K-15 | France:U | Germany:12 | Hong Kong:IIB | Ireland:15A | Italy:T | Norway:15 | Peru:14 | Philippines:PG-13 | Singapore:NC-16 | South Korea:15 | Spain:13 | Sweden:15 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:R | Indonesia:Dewasa

Lieux de tournage:

Atlas Corporation Studios, Ouarzazate, Morocco

Société:

Twentieth Century-Fox Film Corporation

Anecdotes:

Director Ridley Scott and cinematographer John Mathieson used the work of painters David Roberts and William Turner for visual inspiration.

Goofs:

Erreurs factuelles: When the Muslims are praying near Jerusalem they are praying towards the setting sun, west, not towards Mecca which is to the south south east.

Guillemet:

[first lines]
Gravedigger: Crusaders.
Squire: Clear the road, if you will.

Connexions:

figure dans 'Kingdom of Heaven': Interactive Production Grid (2005) (V)

Bande son:

BALANSIYA

"Kingdom of Heaven": A Near Masterpiece

In 1935, Cecil B. DeMille made his famous epic "The Crusades" on one of the backlots of Hollywood. What a change in the Ridley Scott film "Kingdom of Heaven" of 2005 with the technical wizardry of a new era! Although it is not a perfect film, it is nonetheless skillfully crafted and well worth the time of any film-goer in our current, troubled age.

From the visual and technical standpoint, "Kingdom of Heaven" is masterful. The recreation of medieval France and the city of Jerusalem were brilliant technical achievements. The French landscape recalls the region around medieval Clermont and Vézelay where Pope Urban and Bernard of Clairvaux delivered their momentous calls to arms for the early Crusades. And in the recreation of Jerusalem, the film artists truly drew us into the twelfth-century walled city with sacred roots in Judaism, Islam, and Christianity. Much credit should go to cinematographer John Mathieson, costume designer Janty Yates, and all of the film's art directors. The film's events spanned the era between the Second and Third Crusades, and the evocation of this epoch was simply spectacular.

In the genre of the epic film, the leading actor is crucial, as in the unforgettable performances of "Lawrence of Arabia" (Peter O'Toole), "Tess" (Nastassja Kinski), and "Bridge on the River Kwai" (Alec Guiness). One weakness of "Kingdom of Heaven" is leading performer Orlando Bloom. Although this young actor has fine screen presence, his performance was subdued and monochromatic. The Crusaders were driven by zeal, and Bloom's character Balian seems mired in melancholia following the death of his infant child and the subsequent suicide of his wife. Bloom's character does not even evolve much when upon arriving in Jerusalem, he falls in love with the mysterious Sibylla. Neither courtly love nor the fires of faith could ignite a spark of passion or change the expressionless, emotionless face of Orlando Bloom. As Sibylla, Eva Green also seemed out of place in this film. The closest historical prototype for her character was the formidable Eleanor of Aquitaine, who accompanied her husband King Louis on the Second Crusade, during which Eleanor had a stormy affair with her uncle Raymond of Antioch. Eva Green's character seemed closer to a young woman from the twenty-first century, as opposed to the twelfth.

Other performances were stronger, including those of Liam Neeson as Balian's father, Jeremy Irons as Tiberias, and Edward Norton as the King. Those actors really resembled medieval knights. Norton's characterization of the king victimized by leprosy and forced to wear a mask was one of the most sensitive character portraits since Ralph Fiennes' role as "The English Patient." Norton's characterization offers a glimpse into the softer side of the great medieval knights, such as the legendary Richard the Lionheart, a poet and troubador, as well as a king. Ghassan Massoud also merits praise for his portrayal of Saladin as not only a brilliant general, but a figure of great dignity.

At a time when we are at war in the Middle East, the screenplay and dramatic impact of "Kingdom of God" were thoughtful and worthy of serious reflection for any film-goer. I was especially struck by the theme of honor that ran through the film. The actions of the main character of Balian were guided by honor. And the character of Saladin was portrayed as an individual of great moral rectitude. The Western cultural heritage of chivalry, courtly love, and honor filtered into Europe through Islamic traditions, which "Kingdom of Heaven" seems to acknowledge. There is a powerful moment in the film where Saladin discovers a small Christian cross that has toppled over. He takes the time to pick up the fallen cross and set it aright. In a film filled with special effects and spectacular scenes of siege warfare, that moment of simplicity was the most meaningful and important one for me.