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The Stepford Wives (2004)
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Overview
Note des utilisateurs:
Release Date:
11 juin 2004 (USA) suiteAccroche:
Make one. suitePlot:
What does it take to become a Stepford wife, a woman perfect beyond belief? Ask the Stepford husbands, who've created this high-tech terrifying little town, in a very modern comedy-thriller. full summary | full synopsisAwards:
3 wins suiteAvis des utilisateurs:
As Bad As It Gets suiteEnsemble
(Cast overview, first billed only)| Nicole Kidman | ... | Joanna Eberhart | |
| Matthew Broderick | ... | Walter Kresby | |
| Bette Midler | ... | Bobbie Markowitz | |
| Glenn Close | ... | Claire Wellington | |
| Christopher Walken | ... | Mike Wellington | |
| Roger Bart | ... | Roger Bannister | |
| David Marshall Grant | ... | Jerry Harmon | |
| Jon Lovitz | ... | Dave Markowitz | |
| Dylan Hartigan | ... | Pete Kresby | |
| Fallon Brooking | ... | Kimberly Kresby | |
| Faith Hill | ... | Sarah Sunderson | |
| Matt Malloy | ... | Herb Sunderson | |
| Kate Shindle | ... | Beth Peters | |
| Tom Riis Farrell | ... | Stan Peters | |
| Lorri Bagley | ... | Charmaine Van Sant |
Additional Details
Autre(s) titre(s):
Et l'homme créa la femme (France) [fr]Les femmes de Stepford (Canada: French title) [fr]
suite
MPAA:
Rated PG-13 for sexual content, thematic material and language.Parents Guide:
Add content advisory for parentsDurée:
93 minPays:
USALangue:
AnglaisCouleur:
CouleurAspect Ratio:
1.85 : 1 suiteClassification:
Switzerland:12 (canton of Zurich) | Malaysia:18PL | Portugal:M/12 | USA:PG-13 (certificate #40783) | Iceland:L | South Korea:15 | Argentina:Atp | Australia:M | Brazil:12 | Canada:PG | Chile:14 | Finland:K-7 | Germany:12 | Ireland:15PG (original rating) | Ireland:15 (video rating) | Netherlands:12 | Peru:14 | Philippines:PG-13 | Singapore:NC-16 (original rating) | Singapore:PG (edited for re-rating) | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:12ACuriosités
Anecdotes:
The theatrical trailer includes snippets of scenes not used in the final film, like Bette Midler's character having some "technical" problems and saying "Good Bye" over and over again. suiteGoofs:
Continuity: When Joanna enters the house looking for her children, her blouse is unbuttoned, then is buttoned again in a subsequent shot. suiteGuillemet:
[first lines]Helen Devlin: Ladies and gentlemen, I would now like to introduce a legend in our industry. She's the most successful president in the history of our network and for the past five years has kept us at the very top of the ratings.
suite
Soundtrack:
The Billboard March suitefoire aux questions
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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This movie is a perfect example of what is wrong with the state of movies today. The original was a gem, with excellent acting by Katharine Ross, Paula Prentiss, and Patrick O'Neal. It was part horror story, part feminist cautionary tale. Most of all, it was BELIEVABLE! You got the feeling these were real people, and that all this could really be happening--and with a minimum of "special effects". The dialogue was pretty intelligent, the plot twists weren't given away in the first 15 minutes, and the ending was a real shocker. You cared about the female characters in the movie--you cared about Joanna's plight, and rooted for her to escape her planned fate.
The current version could only--and was probably meant to--appeal to the lowest common denominator of movie-goer. In this film, the women are just as bad as the men--you don't give a damn what happens to them; that's how annoying the characters are. The laughs are cheap and lowbrow, vital plot elements of Ira Levin's novel are missing, and the acting is just plain bad.
You know what? I'm getting annoyed just writing about this dreck. If you have any taste, any sense, any feeling for good films, any aversion to wasting good money on bad movies--stay far away from this one!! See the original, and appreciate the stunning subtlety of a thinking person's movie, well-made and well-acted.