(2001)

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8/10
Happy ending? Aw, c'mon, it's a Japanese movie.
screaminmimi5 April 2008
Well, I liked it better than Robert seems to have. But it WAS formulaic (in an anti-Hollywood way), basically "The Commitments" or "Hula Girl" with classical music. As was the case in "The Commitments," Hisaishi used real musicians to good effect in some of the key roles.

I do disagree with Robert about Hisaishi's visual story telling choices. It may not have been terribly original for MOST of the picture, but the opening scene was very inventive. Perhaps Robert was disappointed that Hisaishi didn't maintain that level of novelty throughout the movie. I actually liked the music better than some of Hisaishi's scores for Miyazaki movies.

On a completely Nihon eiga geek note, are we sure this was shot in 2001? I've seen a number of these actors (Yoshihiko Hakamada, Tomokazu Miura, Reiko Kusamura and Yoji Tanaka) in much earlier films, and they all looked too young in this one for them to be the ages they would have been in 2001. If it was, they should bottle whatever it is that keeps them young.
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A film like an air-to-air-missile: Fire and forget
robert_stuhr19 May 2005
I grasped an opportunity and bought the Japanese DVD. Naturally, the film prominently features Hisaishi's music. I love his film music, especially for Kitano, so I was curious about his first work as director. To sum it up, he should stick to his job as a composer. The story itself is about four young Japanese musicians forming a string quartet and their long way to fame enduring all kinds of setbacks and quarrels. You have seen it all before and Hisaishi doesn't add anything new. Technically there are no flaws, but on the other hand there is nothing spectacular or even interesting about the camera-work, his direction, the actors, not even the film music is up to his usual standards. All in all: Hisaishi's director's debut is nothing memorable. The moment you eject the DVD you also forget the film...
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