| Photos (see all 14 | slideshow) | Videos (see all 2) |
| Maryam Karimi | ... | (segment "Iran") | |
| Emmanuelle Laborit | ... | (segment "France") | |
| Jérôme Horry | ... | (segment "France") | |
| Nour El-Sherif | ... | (segment "Egypt") | |
| Ahmed Haroun | ... | (segment "Egypt") | |
| Dzana Pinjo | ... | (segment "Bosnia-Herzegovina") | |
| Aleksandar Seksan | ... | (segment "Bosnia-Herzegovina") | |
| Tatjana Sojic | ... | (segment "Bosnia-Herzegovina") | |
| Lionel Zizréel Guire | ... | (segment "Burkina-Faso") | |
| René Aimé Bassinga | ... | (segment "Burkina-Faso") | |
| Lionel Gaël Folikoue | ... | (segment "Burkina-Faso") | |
| Rodrigue André Idani | ... | (segment "Burkina-Faso") | |
| Alex Martial Traoré | ... | (segment "Burkina-Faso") | |
| Vladimir Vega | ... | (segment "United Kingdom") | |
| Keren Mor | ... | (segment "Israel") | |
| Liron Levo | ... | (segment "Israel") | |
| Tomer Russo | ... | (segment "Israel") | |
| Tanvi Azmi | ... | Talat Hamdani (segment "India") | |
| Kapil Bawa | ... | (segment "India") | |
| Taleb Adlah | ... | (segment "India") | |
| Ernest Borgnine | ... | (segment "USA") | |
| Tomorowo Taguchi | ... | (segment "Japan") | |
| Kumiko Aso | ... | (segment "Japan") | |
| Akira Emoto | ... | (segment "Japan") | |
| Mitsuko Baisho | ... | (segment "Japan") | |
| Tetsuro Tamba | ... | (segment "Japan") | |
| Ken Ogata | ... | (segment "Japan") | |
| reste de la distribution par ordre alphabétique: | |||
| Salvador Allende | ... | (segment "United Kingdom") (archive footage) | |
| Jake Bern | ... | Radio DJ Personality (Segment Mexico) | |
| George W. Bush | ... | Himself (segment "United Kingdom") (archive footage) | |
| Henry Kissinger | ... | (segment "United Kingdom") (archive footage) | |
| Nell Mooney | ... | Sylvia Franko | |
| Augusto Pinochet | ... | (segment "United Kingdom") (archive footage) | |
| George R. Sheffey | ... | FBI Agent (India) | |
| Anil Baral | ... | Student on Subway (Salman look alike) (uncredited) | |
Réalisé par | |||
| Youssef Chahine | (segment "Egypt") | ||
| Amos Gitai | (segment "Israel") (as Amos Gitaï) | ||
| Alejandro González Iñárritu | (segment "Mexico") | ||
| Shohei Imamura | (segment "Japan") | ||
| Claude Lelouch | (segment "France") | ||
| Ken Loach | (segment "United Kingdom") | ||
| Samira Makhmalbaf | (segment "God, Construction and Destruction") | ||
| Mira Nair | (segment "India") | ||
| Idrissa Ouedraogo | (segment "Burkina Faso") | ||
| Sean Penn | (segment "USA") | ||
| Danis Tanovic | (segment "Bosnia-Herzegovina") | ||
Scénaristes(in alphabetical order) | ||
| Youssef Chahine | segment Egypt | |
| Sabrina Dhawan | segment India | |
| Amos Gitai | segment Israel | |
| Alejandro González Iñárritu | segment "Mexico" | |
| Paul Laverty | segment United Kingdom | |
| Claude Lelouch | segment France | |
| Ken Loach | segment United Kingdom | |
| Samira Makhmalbaf | segment Iran | |
| Idrissa Ouedraogo | segment Burkina-Faso | |
| Sean Penn | segment "USA" | |
| Marie-Jose Sanselme | segment Israel | |
| Danis Tanovic | segment Bosnia-Herzegovina | |
| Daisuke Tengan | segment Japan | |
| Pierre Uytterhoeven | segment France | |
| Vladimir Vega | segment United Kingdom | |
Produit par | |||
| Alain Brigand | .... | associate producer | |
| Nicolas Cand | .... | executive producer (segment: Burkina Faso) | |
| Lydia Dean Pilcher | .... | executive producer (segment: India) | |
| Jean de Trégomain | .... | executive producer | |
| Catherine Dussart | .... | executive producer (segment: Japan) | |
| Emily Gardiner | .... | associate producer: India | |
| Alejandro González Iñárritu | .... | producer (segment "Mexico") | |
| Alexandre Hallier | .... | associate producer | |
| Gabriel Khoury | .... | executive producer (segment: Egypt) | |
| Marianne Khoury | .... | executive producer (segment: Egypt) | |
| Cédomir Kolar | .... | executive producer (segment: Bosnia-Herzegovina) | |
| Sandro Mancy | .... | associate producer | |
| Nicolas Mauvernay | .... | producer | |
| Rebecca O'Brien | .... | executive producer | |
| Jacques Perrin | .... | producer | |
| Jon C. Scheide | .... | executive producer (segment "USA") | |
| Laurent Thibierge | .... | associate producer | |
| Laurent Truchot | .... | executive producer (segment: Israel) | |
| Tania Zazulinsky | .... | executive producer (segment: France) | |
Musique originale | |||
| Michael Brook | (segment "USA") | ||
| Mohammad Reza Darvishi | (segment "Iran") | ||
| Manu Dibango | (segment "Burkina-Faso") | ||
| Osvaldo Golijov | (segment "Mexico") | ||
| Tarô Iwashiro | (segment "Japan") | ||
| Salif Keita | (segment "Burkina-Faso") | ||
| Heitor Pereira | (segment "USA") | ||
| Gustavo Santaolalla | (segment "Mexico") | ||
| Vladimir Vega | (segment "United Kingdom") | ||
Image | |||
| Samuel Bayer | (segment "USA") | ||
| Luc Drion | (segment "Burkina-Faso") | ||
| Ebrahim Ghafori | (segment "Iran") | ||
| Pierre-William Glenn | (segment "France") | ||
| Yoav Kosh | (segment "Israel") | ||
| Jorge Müller Silva | (segment "United Kingdom") | ||
| Mustafa Mustafic | (segment "Bosnia-Herzegovina") | ||
| Mohsen Nasr | (segment "Egypt") | ||
| Masakazu Oka | (segment "Japan") | ||
| Declan Quinn | (segment "India") | ||
| Nigel Willoughby | (segment "United Kingdom") | ||
Montage | |||
| Rashida Abdel Salam | (segment "Egypt") | ||
| Kim Bica | (segment "Mexico")" | ||
| Jay Cassidy | (segment "USA")") (as Jay Lash Cassidy) | ||
| Robert Duffy | (segment "Mexico")" | ||
| Sherif Ezzat | |||
| Alejandro González Iñárritu | (segment "Mexico") | ||
| Julia Gregory | (segment "Burkina-Faso")" | ||
| Allyson C. Johnson | (segment "India") | ||
| Mohsen Makhmalbaf | (segment "Iran")" | ||
| Stéphane Mazalaigue | (segment "France") | ||
| Jonathan Morris | (segment "United Kingdom") | ||
| Kobi Netanel | (segment "Israel") | ||
| Hajime Okayasu | (segment "Japan")" | ||
| Monique Rysselinck | (segment "Bosnia-Herzegovina") | ||
Distribution des rôles | |||
| Jennifer Euston | (segment "India") | ||
| Ilan Moscovitch | |||
Création des décors | |||
| Stephanie Carroll | (segment "India") | ||
| Wendy Samuels | (segment "USA") | ||
Direction artistique | |||
| Alain Brigand | |||
Maquillage | |||
| Robin Mathews | .... | makeup artist (segment "USA") | |
| Evelyne Noraz | .... | key makeup artist | |
Directeur de production | |||
| Cathy Gesualdo | .... | production manager | |
| Jenny Schweitzer | .... | production manager (segment "India") | |
Art Department | |||
| Mychael Bates | .... | property master | |
| Tonya Brewer Hunt | .... | set dresser | |
| Kevin Ladson | .... | property master | |
| Hélène Maroutian | .... | props buyer | |
Visual Effects | |||
| Greg Baxter | .... | visual effects coordinator (segment "Mexico") | |
| Mark Casey | .... | visual effects supervisor: dead flowers, Sean Penn | |
| Christophe Courgeau | .... | main titles designer | |
| Fabien Girodot | .... | visual effects | |
| Gretchen Libby | .... | visual effects producer | |
| Sal Migliore | .... | assistant colorist | |
| Hugues Namur | .... | visual effects | |
| Steven Schmidt | .... | visual effects production assistant (segment "Mexico") | |
| Mandy Tankenson | .... | visual effects producer: Mexico | |
Camera and Electrical Department | |||
| Ales Belak | .... | Steadicam operator | |
| Glenn Davis | .... | best boy electric (segment "India") | |
| David Frak-Lauer | .... | focus puller | |
| Michel Galtier | .... | assistant camera | |
| Gregory F. Johnson | .... | best boy | |
| Samira Makhmalbaf | .... | camera operator (segment Iran) | |
Editorial Department | |||
| Jill Bogdanowicz | .... | digital intermediate colorist (segment "USA") | |
| Nicolas Criqui | .... | digital conformation | |
| Laura Jans | .... | colorist-USA | |
| David A. Smith | .... | assistant editor | |
Music Department | |||
| Alexandre Desplat | .... | composer: title music | |
| Robin Lynn | .... | music consultant | |
| Dusko Segvic | .... | music arranger | |
| Dusko Segvic | .... | music producer | |
Divers | |||
| Naomi Bombardi-Wilson | .... | production assistant (segment "India") | |
| Alain Brigand | .... | credit concept creator | |
| Rachel Corlet-Soulier | .... | script supervisor | |
| Guy Courtecuisse | .... | post-production manager | |
| Shuna Frood | .... | production coordinator | |
| Lisa Inman | .... | script supervisor | |
| Nora Killoran | .... | assistant production coordinator | |
| Diana Lui | .... | production coordinator: segment "USA" | |
| Chris Marsh | .... | location manager (segment "India") | |
| Nidzara Mehic | .... | script supervisor | |
| Leigh Pickford | .... | production assistant | |
| Payal Sethi | .... | assistant: Mira Nair | |
| Carey Ann Strelecki | .... | researcher | |
| Mark Swenson | .... | production assistant | |
| Kim Thompson | .... | production assistant | |
| Daniel Tresca | .... | assistant location manager | |
| Corinne Golden Weber | .... | production coordinator (segment: "Mexico") | |
| Robyn Aronstam | .... | script supervisor (segment "India") (uncredited) | |
Thanks | |||
| Patricio Guzmán | .... | thanks (UK segment) | |
| Recent Posts (updated daily) | User |
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French production in which leading film directors from 11 countries were invited to create 11-minute short films conveying their reflections on the events of September 11.
The film segments vary widely in content and quality. Two allude to U.S. complicity in terrorist acts (in Chile against Allende, who died on September 11, 1973, depicted in the segment by British director Ken Loach; and in Palestine by U.S.-backed Israelis, shown in the segment from Egyptian director Youssef Chahine). Two more recall other destructive acts (a Palestinian suicide bombing in Tel Aviv, shot by Israeli director Amos Gitan; the Japanese "holy war" against the west in WW II, by Shohei Imamura).
Ironies abound in several stories. Shadows that darken the New York City apartment of a grieving old man suddenly disappear as the World Trade towers telescope to the ground in Sean Penn's piece, bringing the man momentary joy. But in this bright light he can finally see that his wife is really gone. In Mira Nair's film, based on a real incident, a missing young man, also in New York City, the son of a Pakistani family, is first presumed to be a fugitive terrorist, but later he proves to a hero who sacrificed himself trying to save others in the towers.
There are poignant moments dotted throughout. Loach has his exiled Chilean man quote St. Augustine, to the effect that hope is built of anger and courage: anger at the way things are, courage to change them. Imamura tells us that there is no such thing as a holy war. Samira Makhmalbaf shows a teacher with her very young Afghan schoolchildren, exiled in Iran, trying to tell them about the events that have just transpired in New York. But they are understandably more impressed with a major event in their refugee camp, where two men have fallen into a deep well, one killed, the other sustaining a broken leg. This is comprehensible tragedy on a grand scale for the 6 year olds.
Idrissa Ouedraogo, from Burkina Faso, creates a drama in which the son of an ailing woman spots Osama bin Laden in their village and gathers his buddies to help capture the fugitive terrorist, in order to get the $25 million U. S. reward. He tells his friends not to let any of the adults know their plans, for the older folks would merely waste the money on cars and cigarettes, while he plans to help his mother and others who are sick and destitute.
It is Mexican director Alejandro Gonzalez Inarritu (maker of "Amores Perros") who provides by far the most powerful and chilling segment, one that, for the most part, shows only a darkened screen with audio tape loops of chanting and voices and occasional thudding sounds. Brief visual flashes gradually permit us to see bodies falling from the high floors of the towers, and it dawns on us that the thuds are these bodies hitting the ground. The sequence ends with elegiac orchestral music and a still shot, bearing a phrase first shown only in Arabic, then with a translation added: "Does God's light guide us or blind us?" (In various languages with English subtitles) Grade: 8/10 (B+). (Seen on 10/31/04). If you'd like to read more of my reviews, send me a message for directions to my websites.