Directed by
| Michael Caulfield | ||
Writing Credits (in alphabetical order)
| Michael Caulfield | ||
Cast
| Gabriel Byrne | ... | Narrator | |
Produced by
| Mikael Borglund | ... | executive producer |
| Liz Butler | ... | producer |
| Michael Caulfield | ... | producer |
| Rainer Mockert | ... | executive producer |
Music by
| Roger Mason | ||
Cinematography by
| Tom Cowan | ||
Editing by
| Melanie Sandford | ||
Art Direction by
| Robbie Perkins | ||
Production Management
| Lorelle Adamson | ... | production manager: Imax |
| Colleen Clarke | ... | post-production supervisor |
| Victor Fukushima | ... | unit manager |
| Rick Gordon | ... | post-production supervisor |
Sound Department
| Ian McLoughlin | ... | re-recording mixer |
| Glenn Newnham | ... | sound editor |
| Danielle Wiessner | ... | sound effects editor |
Special Effects by
| Ali Pearce | ... | special effects technician |
| Brian Pearce | ... | special effects supervisor |
| Cassie Pearce | ... | special effects |
Visual Effects by
| Harold Buchman | ... | compositor |
| Alan G. Markowitz | ... | visual effects supervisor: Imagica USA |
| Jun Watanabe | ... | digital artist: Imagica Usa |
Stunts
| Mick Corrigan | ... | stunt double |
Camera and Electrical Department
| David Hauserman | ... | assistant camera |
| Adam Kuiper | ... | best boy grip / dolly grip |
| Simon Ozolins | ... | second assistant camera |
| John Radel | ... | assistant camera |
Editorial Department
| Annie Toth | ... | post-production coordinator |
Music Department
| Laura Bishop | ... | music preparation |
| Christo Curtis | ... | orchestra recording engineer |
| Christopher Gordon | ... | conductor / orchestrator |
| Coralie Hartl | ... | orchestra contractor |
| Phillip Hartl | ... | concert master |
| Katrina Schiller | ... | music editor |
| Nerida Tyson-Chew | ... | orchestrator |
Additional Crew
| John Fox | ... | armorer |
